Oil Auxiliary Products

Synthetic deodorised White Spirit solvent for oil and synthetic paints and varnishes. Ideal for thinning, cleaning painting tools, and degreasing. Removes fine layers of paint and varnish. Not water-soluble. Odourless but toxic.

This Gamblin 3-in-1 medium for oil paints is ideal for thinning paint, oiling out canvases before varnishing and sealing wooden panels before priming. It can be mixed with Gamsol or Galkyd to adjust its consistency. It's easy to use, reliable and cost-effective.

Spray varnish by Winsor & Newton for oils and acrylics. Fast-drying, non-yellowing and UV resistant. Can be removed with distilled turpentine or white spirit. Available in different finishes and for various uses.

Spray varnish for paintings by Titan ARTS. Acrylic resin base. Protects your works from moisture, dust and pollution. Durable, elastic, does not yellow. UV resistant. Reversible with turpentine essence. Available in various finishes.

Gamblin Cold Wax Medium for oil paints. Add directly to oil colours to achieve thicker, denser and more matt colours. Handmade with pure white beeswax. Can also be used as a matte varnish.

Gamblin Galkyd oil medium. Thins oil paints, increases transparency and gloss. Fast drying in 24 hours. In a higher proportion, it levels the brushstroke with an enamel-like finish. Ideal for applying glazes in thin layers.

Odourless mineral solvent by Gamblin. Perfect in small quantities, for thinning oil colours or cleaning art materials used in this technique. Ideal for oil painting classrooms and workshops.

Odourless, transparent, ready-to-brush gloss varnish. Saturates your paint colours and gives your work a unified, protective surface. Developed in collaboration with the National Gallery of Art.

Odourless matt varnish ready for brush application. Reduces the sheen of your paint colours and gives your work a unified, protective, matt surface. Developed in collaboration with the National Gallery of Art.

Odourless satin varnish ready for brush application. Protects and saturates your paint colours. Gives your work a unified surface and a finish between gloss and matt. Developed in collaboration with the National Gallery of Art.

Refined linseed oil made from American linseed. Ideal for thinning oil colours and slowing down drying times. Light and pure.

Medium made from Canada Balsam, dammar resin and linseed oil. Perfect for thinning the paint and making it easier to apply. For thin layers, to create glazes and transparencies. Can be used for restoring and cleaning brushes with dry paint on them.

Solvent-free, odourless and vegetable-based medium. Perfect for thinning oil paints and facilitating their application. Ideal for thin layers, creating glazes and transparencies. Can be used to clean and restore your brushes covered with dry paint.

Beeswax paste made with linseed oil and bleached beeswax. Perfect for adding body and consistency to oil paint. Quality product, ideal for use with opaque colours.

Fast drying enamel medium. Ideal for adding depth, glazing, enhancing colours, accelerating the drying properties of oil paints. Solvent-free and sustainably produced. Vegan product.

Bee oil resin. Smooth paste perfect for creating satin and full-bodied colours. Ideal for creating thickness, working on impasto technique and creating textures to give character to your work.

Refined gum turpentine for oil paints. Used both for first coats and for glazes, to accelerate drying time and to give fluidity and flexibility to the paint. Used as a plasticising agent, to give gloss, highlight colours and brushstrokes.

Refined linseed oil medium. Dilutes, homogenises and slows down the drying of oil paints. Honey-like viscosity. Perfect for increasing the flow of the paint. Ideal for top quality artwork.

Standard refined linseed oil for quality oil colours. Ideal for enhancing paint brightness, increasing resistance and fluidity, creating glazes and transparencies. It also slows down colour drying time and provides a professional finish to your work.

Refined poppy seed oil for oil paints. High quality, non-yellowing. Ideal for use with white and light blue colours, to bring out colours and to work wet on wet. Slows down the drying time of the paint.

Quality refined safflower oil. Perfect for diluting and highlighting the colours of your artwork. Light yellow tone perfect for white and light colours. Can be used in the final coats to homogenise the surface and to produce glazes.

Oil with refined walnut extract. Perfect for slowing down the drying of oil paints, thinning paint, giving a glossy finish and highlighting colours. Adds strength, flexibility and quality to the final coats of your work.

Slow-drying oil that does not yellow when drying. Used as a substitute for linseed oil in the production of white and light colours in oil paints.

Reduces the consistency of the colour. Reduces the brush stroke and drying speed. It is used as a binder, thinner, varnish, etc. in various painting processes.

Light, alkaline refined oil that reduces the consistency of oil colours and increases gloss and transparency.

White Spirit, odourless turpentine.

Ready-to-use, amber coloured crackle varnish. Apply with a brush to create crackle effects on your works. Compatible with Ageing Varnish to give an even more antique effect to your works.

Solution of dammar resin in turpentine essence. Traditional, glossy final varnish for oil, tempera, alkyd and synthetic dispersion paints.

Solution of dammar resin in turpentine with suspended matting agents. Final varnish for oil, tempera, alkyd and synthetic emulsion paints.

Ageing varnish that gives an antique look to the paint. Tends to yellow. Also used as a first coat before applying the Cracking Varnish which adds a crackle effect to your works.

High-quality linseed oil. Very pure and clean. Does not darken or yellow like other oils. Shortens the drying time, increases the weather resistance and lustre of the oil paint. Free from chemicals.

Extra-clear, very pure walnut oil. Purified using traditional methods. Enhances the richness and luminosity of white and light colours. Dries more slowly than linseed oil. Produced without chemical additives. AP-certified non-toxic.

Protective varnish or thinning medium for colours to shorten the drying time. Contains spikenard oil essence, a solvent used since the Renaissance. No petroleum derivatives, turpentine or hazardous vapours.

The lavender retouching varnish offers excellent, classic protection for oil paints. Made from natural dammar resin dissolved in lavender oil. Enables both protection and transpiration. Free from aggressive chemicals.

Solvent with spikenard oil essence for oil paints, resins and varnishes. It evaporates just as quickly as turpentine, but is a natural solvent that has been used since the Renaissance and contains no chemicals or petroleum derivatives.

Chelsea Fat Medium based on extra pale linseed oil and lavender essence dammar varnish. Designed for the final coats of paint as it fattens the oil paint, giving it more gloss, consistency and adhesion. Slow drying. Non-yellowing.

Chelsea Lean Medium consists of extra-clear linseed oil and lavender oil solvent. Perfect for the first layers of colour. Dries very quickly and does not yellow. Improves the adhesion and durability of the colour. Prevents craquelure.

Provides protection against paint ageing, dust, dirt and more. Gives the paint a uniform finish (glossy, matt or satin). Does not yellow over time and does not crack.

Lefranc Bourgeois lavender spike oil essence gives the colours uniformity and is less volatile than turpentine, which means that the colours set more slowly, and has a high solvent power.

Broad spectrum solvent mixture suitable for thinning most paints, varnishes, glazes and primers.

Synthetic turpentine, odourless, from Productos Express. For use as a cleaner or thinner for paints and varnishes. Volatile, colourless and odourless.

Fast drying water-mixable medium. Softens the brushstroke and increases transparency. Very fast drying. Excellent for fine details.

Pure pine turpentine obtained by distilling pine resin. For use as a thinner and cleaner for paints and varnishes. Transparent and volatile.

Water mixable paint medium. Slow drying. Reduces the consistency and increases the flexibility of water-based oil colours. Greases and enriches opaque areas. Non-yellowing.

Water mixable impasto medium for water based oil colours. Fast drying rigid medium. Retains brush marks when mixed with the medium. Non-yellowing. Can be cleaned with water.

Water mixable linseed oil for oil paints. Reduces the consistency and improves the fluidity of oil colours. Increases the transparency and gloss of water miscible oil colours.

Lefranc Bourgeois colourless retouching varnish for paintings that does not yellow over time.

Lefranc Bourgeois varnish, colourless and very resistant to scratches, moisture and abrasion.

Lefranc Bourgeois white spirit is a solvent of purely mineral origin based on petroleum derivatives that evaporates completely without leaving any traces.

Lefranc Bourgeois turpentine essence facilitates the artist's work when drawing by making the colours flow without altering them.

Ideal for cleaning brushes and paint or varnish residues in oil painting.

Alkyd resin-based painting medium that accelerates drying and increases the transparency and fluidity of oil colours.

Lefranc Bourgeois for impasto technique in oil painting. Solid structural medium. Allows the realisation of thick layers of paint as it hardens in the absence of air.

Lefranc Bourgeois mastic resin medium for oil painting, which enables quick adhesion and fast and progressive drying.

Lefranc Bourgeois medium for oil paints with a glossy surface that allows the paint to adhere quickly.

Winsor & Newton intermediate or touch-up varnish to protect freshly applied oil colours. Glossy, non-yellowing finish.

Winsor & Newton Artists' high-quality matt varnish for oil paints. UV-resistant. Fast drying, non-yellowing and non-cracking.

Lefranc Bourgeois medium for oil paints, made from beeswax. Matt finish.

Winsor & Newton transparent, glossy liquid varnish for oil paints. Excellent quality. Does not yellow after drying. UV-resistant. Fast drying.

Modified mineral spirit that makes it possible to offer painters a solvent that has practically no odour and no aggressive vapours for health.

White Courtrai siccative for oil paints with a mild effect from Lefranc Bourgeois. Accelerates the complete drying of the colour (not just the surface).

Winsor & Newton satin matt varnish in premium quality, UV-resistant, quick-drying, non-yellowing and non-cracking. Can be removed with distilled Winsor & Newton Artists' Turpentine if required.

White Spirit mineral turpentine. Thinner for oil paints, solvent for thinners and varnishes, and cleaning brushes and painting tools.

Winsor & Newton Artists' White Spirit is a mineral turpentine that dries somewhat more slowly than turpentine. It is used for thinning oil colours and for cleaning brushes. It can be used with both oil and alkyd colours.

Winsor & Newton Artists' distilled turpentine oil for oil colour is stronger than turpentine. It is a highly refined essential oil used as an oil thinner (solvent), for thinning oils and mediums and for washing brushes.

Odourless and colourless thinner with moderate solvent power. Refined petroleum distillate free of aromatic hydrocarbons. Suitable for people sensitive to the smell of solvents. Do not abuse the quantity and use in well ventilated places.

Semi-drying poppy seed oil of extreme purity and high light fastness. Based on refined poppy seed extract. Non-yellowing, ideal for whites and very light colours. Slow drying.

Semi-drying safflower oil that softens oil colours and makes them more fluid. Ideal for whites and very light colours. Does not yellow. Made from safflower seed extract (saffranon). Dries slowly.

Oil based on refined linseed extract. Increases the brightness and glossiness of oil colours. Softens brushstrokes. Moderate drying time. Tends to yellow.

Polymerized and refined linseed oil for oil painting. Softens brushstrokes and gives a very shiny finish to the painting. High viscosity. Tends to yellow.

Walnut oil for quick-drying oil painting. Made from refined walnut kernel extract that increases the brightness of colours. Does not yellow.

Final varnish with amber tone that increases the shine and vividness of oil colours. Made with Dammar resin (40%), turpentine essence and alcohols. Tends to yellow.

Light final varnish with moderate shine for oil painting and restoration. Made from ketonic resin (25%), white spirit and petroleum essence. Medium fast drying time.

Bright varnish for oil based on ketonic resin, petroleum essence and white spirit. Very high protection factor, contains UV filter. Does not yellow. Reversible product with white spirit.

Matte varnish that creates a resistant opaque film. Made from acrylic resin, white spirit and matting silica. Can be mixed with Maimeri Gloss Picture Varnish for different finishes.

Natural varnish for oil paint made from natural mastic resin (31%) and turpentine essence. Very flexible and elastic, greatly increases paint gloss. Tends to yellow. Reversible product with turpentine essence.

Final varnish for oil paint. Based on acrylic resin, acetone and white spirit. Combines the flexibility and hardness of the resin components. Suitable for other painting techniques.

Thinner that reduces the consistency of the colour without dissolving it. Made from mineral spirits and linseed oil. Alternative to the traditional thinner. Tends to yellow.

Light solvent based on refined petroleum distillate. Rapid evaporation with good solvent power. Suitable for cleaning brushes and palettes.

Traditional vegetable solvent for oil paints made from essential oil extracted from conifer buds. Slow evaporation. Light and air sensitive. Tends to yellow. Suitable for cleaning brushes and palettes.

Drying medium to accelerate the drying of oil paints. Reduces paint consistency. Made from linseed oil, petroleum essence, white spirit and dryers.

Translucent amber coloured medium for oil colours. Made from thixotropic alkyd resins (15%), mineral spirits and thickener. Improves the fluidity of the paint and the brushstroke. Increases the transparency of the colours. Easy to mix.

J.G. Vibert glossy picture varnish by Lefranc Bourgeois. Fast-drying fluid varnish for highlighting and protecting your oil and acrylic works from UV rays. Practically colourless, does not yellow. Allows a certain degree of flexibility.

Liquid gloss medium, perfect for fine details. Ideal for surfaces with soft colour gradients without brush marks. Modern alternative to Copal tree resin. Fast drying.

Semi-glossy alkyd-based impasto medium for fresh textures and brushstrokes. Stretches colours and gives volume.

Alkyd-based medium that increases flowability and transparency and enables fast drying. General purpose medium with low gloss.

Safflower oil for water-based oil colours. Superior quality. Improves the fluidity and increases the gloss transparency of water miscible oil colours.

Thinner for watercolour paint. Composed of 100% pure distilled water and ingredients for the pigments to adhere to each other.

Montana WEPRO acrylic spray varnish to protect and enhance the sheen of materials such as wood, cork, wicker, porous and non-porous surfaces. Gloss, satin or matt finish. Great durability and adhesion. Non-yellowing.

Montana WEPRO canvas spray varnish. Protects and enhances paintings created with acrylic and oil techniques. It can also be applied to other types of materials to provide protection. Available in gloss, satin and matt finishes.

Montana WEPRO synthetic spray varnish to protect and enhance paintings created in oil and other techniques. Ideal application on wood. Very fast drying and high scratch resistance. Available in gloss, satin and matt finishes. UV protector.

Obtained from the first pressing of poppy seeds. Retains many of the properties of linseed oil, yellows less and dries more slowly. Suitable for light colours.

Increases the fluidity of oil paint. Makes the brushstrokes disappear. Increases the gloss, but prolongs the drying time. Can be diluted with turpentine.

Cold-pressed and bleached linseed oil. Must be diluted with turpentine or white spirit Increases the colour flow of the oil paint. Disguises the brushstrokes. Enhances the lustre. Shortens the drying time.

Light, non-yellowing, glossy varnish for protecting paintings. Made from ketone resin dissolved in turpentine. Can be used approximately one year after the paint has dried perfectly.

Light, non-yellowing, matt varnish for the protection of paintings. Made from ketone resin dissolved in turpentine with an addition of beeswax to maintain the matt character. To be used approximately one year after the paint has dried.

Made from high-quality dammar resin. Glossy surface. Protects the painting from external influences. Refreshes matt areas. Homogenises the gloss of the entire painting. Dries quickly.

Refreshes dull areas and gives the paint temporary protection. Dries in a few hours. Once the colour has dried well, it will no longer yellow. Made from dammar resin dissolved in turpentine.

Pasty varnish. Very glossy finish. Must be thinned with turpentine. Apply one year after completion of the work.

Removable temporary protection. Increases the gloss on matt surfaces. Based on acetone and white spirit. Fast drying.

Volatile thinner for oil paints. Reduces the greasy consistency of oil colours and cleans utensils.

Volatile thinner for oil paints. Makes the paint less greasy, softens the brushstroke and cleans the material.

Thins the oil paint and increases colour flow. Reduces the gloss and accelerates the drying time. The brushstroke remains visible. Consists of a mixture of linseed oil and turpentine.

Thins the oil paint and increases colour flow. Reduces the gloss. The brushstroke remains visible. Consists of a mixture of linseed oil and turpentine oil. Contains no resins or siccatives.

White siccative medium. Accelerates the drying time of oil colours.

Boiled linseed oil. Improves the colour flow. Dries more slowly and is darker than refined linseed oil.

Soy wax for cleaning brushes. Composed of partially hydrogenated soybean oil. Biodegradable. Non-toxic. Easy to remove.

Odourless solvent. Forms a viscous mixture that evaporates slowly. Does not decompose over time, even during storage. Ideal for artists who prefer to avoid turpentine.