Golden QoR Lift Aid is a fluid medium that improves the lifting of watercolours. It is applied by brush or mottler to the paper before painting or between washes. It facilitates the creation of lifting effects on watercolour surfaces.
Golden QoR Light Dimensional Ground is a white, light and absorbent paste designed to be applied as a glaze to create fine details, smooth textures, ridges, peaks, etc. Can be used on board, canvas, wood and paper. Can be wet sanded.
Golden QoR Synthetic Ox Gall. A wetting medium that improves the flow of watercolours. It makes application and blending easier for creating clean and even washes. Improves wetting on hard-sized papers.
Golden QoR Watercolour Masking Fluid. Latex base. Ideal for creating hard edges and reflections in compositions. Surface must be dry for application and removal. Complements QoR watercolours and mediums.
Golden QoR Watercolour Ground. Absorbent and flexible. Ideal for creating soft edges and wet-on-wet techniques. Can be applied by brush, roller or palette knife. Can be wet sanded. Resistant to lifting, scrubbing and light.
Golden QoR Watercolour Medium. Perfect for increasing the transparency and fluidity of watercolours. When used in large quantities the colours will gain saturation and brilliance.
Lefranc Bourgeois superfine permanent varnish spray. Protects gouache and watercolour paintings. Uniform and slightly satin finish. Enhances the colours and reduces the shading of the gouache. Apply several coats for a glossy finish.
L´Eau d´Aquarelle is a water-based diluent for watercolours, made from filtered water, synthetic ox gall, glycerine and honey. It facilitates the dilution of watercolours and improves the dispersion of pigments. It enhances the vibrancy and brightness of colours.
Sennelier Masking Fluid in 36.9 ml flask with extra fine dispenser. Perfect for isolating areas of paper during washes with watercolour, gouache, ink, or tempera. It´s applied precisely, with a brush or nib. Dries quickly. Easily removed once dry.
QoR Cold Press Ground paper pulp by Golden. Creates a unique rough surface that imitates handmade paper. Ideal for watercolour. Allows for lifting effects. Can be applied to panels, papers or canvases, and can be adjusted with water.
Masking liquid based on natural latex. Forms a waterproof film after drying. Ideal for protecting areas of the paper and preserving the whiteness or tone of the paper. Can be easily removed after drying.
Natural glass varnish to protect paintings on sensitive surfaces such as watercolour or gouache. Formulated with a water-based milk casein and beeswax. Can be used indoors. Non-toxic. Semi-glossy surface.
Watercolour varnish based on colourless synthetic resins. Light varnish to be applied by spray or brush. It refreshes and protects watercolour works from dust and friction without modifying the appearance of the support. Does not yellow.
Watercolour binder with a honey-like consistency and transparent. Can be diluted with water. Ideal for creating a textured brushstroke to give your watercolour paintings character and visual richness.
Binder for watercolours. Suitable for generic powder, stone, ceramic and pearlescent pigments. Transparent. No cracking after drying.
Aquapasto is a transparent gel medium that reduces fluidity and gives body to watercolour and gouache paints.
Daler Rowney Aquafine varnish for tempera, posters and watercolour paints. A glossy, protected surface is achieved on dry colour. The intensity of the gloss depends on the type of paper. The more absorbent the paper, the less gloss.
Daler Rowney Aquafine gum arabic to increase the brightness and transparency of watercolours. It can also be used to create your own watercolours or shades by mixing it with water and pigments.
Daler Rowney Simply Art masking fluid for creating eye-catching white highlights or areas for later overpainting. Fast drying. Easy to remove with a gentle wipe. Apply with a cotton bud or an old brush.
Vallejo masking fluid to protect areas that are not to be painted over. Allows painting on the protected parts. Leaves no residue or stains. Can be applied directly with a brush. Dries quickly.
Liquid masking medium to protect certain parts of the work or substrate from colour. Contains no pigments. It can be used in conjunction with any Liquitex acrylic product or medium. For watercolour and acrylic inks.
Permanent Lefranc Bourgeois varnish for the protection of watercolour and gouache works.
Schmincke ready-to-use watercolour binder that is mixed with pure pigments to make your own watercolours. Ready-to-use, but water-soluble if required. Soluble after drying. Contains gum arabic and ox gall.
Molotow Grafx Art masking fluid for covering areas that you do not want to paint. Leaves no residue or stains. Ideal dispenser for refilling masking pens. Can also be applied directly with a brush. Dries quickly.
Molotow Grafx Art masking fluid marker. You can easily, precisely and simply cover or conceal areas that you do not want to colour. It leaves no residue or stains. It is completely removable after drying and can be gently rubbed off.
Water-based liquid varnish from Maimeri, dense and glossy, suitable for watercolour, gouache and tempera. Protects the surface of the work, improves the lustre of the colours, does not yellow and dries transparently. Easy to apply.
With Daniel Smith masking medium you can cover or hide areas that you do not want to paint over. It is used with water-based colours. It has fine tips that allow for fine detail.
Schmincke AQUA Lift Off watercolour medium for preparing the paper so that dry layers can be changed or corrected later. Is applied before painting.
Schmincke AQUA Medium Spray creates a similar effect to watercolour granules by spraying evenly through the nozzle. It must be sprayed when the watercolour is still wet in order to achieve the effect.
Daniel Smith Grounds transform any surface, porous or not, into a watercolour ground. They also allow you to retouch watercolours that look discoloured. Easy to use.
The Lifting preparation makes it easier to lift dry layers from the paper with a wet brush or sponge. It is a preparation that beginners can use to prepare the paper and make corrections to their painting.
A light-coloured solution that controls the spread of wet paint, reduces staining and delays drying. It also increases gloss and transparency. Dilute with water as required.
Water repellent liquid wax designed for masking specific areas of the paper, making them waterproof. After drying, the medium repels overlapping washes. Non removable.
A colourless rubber latex masking fluid for work areas that need to be temporarily protected when the paint is applied in broad washes. Non-staining.
Pigmented masking fluid made of rubber latex and pigments, for work areas that need to be protected when the colour is applied in broad washes. Do not apply to sized paper when it is wet or soft.
It is used to create pearlescent effects with any type of water-based paint. It can be mixed directly with the colour, but it is recommended to use it as a base and work over it.
It is used as a wetting agent and mixes with the watercolour paint to improve the paint flow. It is a basic product for painters who like to work wet-on-wet. It improves the grip of the watercolour on particularly hard papers.
Liquid for reserving or covering areas that are not to be painted. Use with water-based paints. Slightly blue coloured.
Liquid for reserving or covering areas that are not to be painted. Use with water-based colours. Practical dispenser. Light pink in colour.
Holbein´s gum arabic is mixed with watercolours or other paints such as gouache or tempera to enhance the transparency and shine of the paint.
Holbein watercolour medium that is mixed with watercolour paint to facilitate the creation of fine lines and loose brushstrokes. Do not use too much, otherwise the colour layer will become brittle and fragile.
Increases gloss and transparency. Can be used on paper, cardboard, canvas, linen and wood. Made from pure gum arabic. Dilutable in warm water with glycerine.
Natural water-based medium for mixing with colours to make them more transparent, elastic and glossy. It can also be used for some craquelure techniques.
Colourless or coloured Schmincke masking fluid. Rubber emulsion for masking certain areas of the work. Does not contain ammonia. Available in bottles of different sizes.
The iridescent painting medium gives your watercolours pearl and glitter effects.
Texture medium contains tiny particles and can be used to add a sense of depth and texture to watercolour painting. It is the ideal method for highlighting areas.
Delays the drying time of watercolours so you have more time to mix. Very useful in hot climates.
Painting medium that gives colours that normally have a smooth coating a marbled or grainy finish.
Natural wetting agent to increase the flowability of watercolours.
Liquid to mask areas on the paper when applying watercolour, gouache, tempera or other highly diluted watercolours.
Liquid for creating to cover areas of the image that are not to be processed. Ideal for watercolour and airbrushing. Transparent or coloured to distinguish the area where it has been applied.
Thickened ox gall in tube or pan for use as a natural wetting and levelling agent for watercolours. Increases the fluidity of watercolour colours.
Liquid for protecting areas of the paper that should remain unpainted when applying watercolour, gouache, tempera or other water-based paints.
Titan painting medium for mixing with watercolour, gouache or tempera. It gives them more transparency, elasticity and lustre.
