Acrylic Auxiliary Products

Pébéo Studio high density modelling paste. Acrylic, opaque and matt for creating thick textures, reliefs and very pronounced impastos. Applicable with a painting knife. Can be sculpted, sanded and painted after drying. Does not crack. Greyish-white finish.

Golden Fiber Paste has the appearance of handmade paper when dry. Ideal for acrylic paints. Can be smoothed with a damp painting knife to obtain a smooth, even and absorbent surface. Unique handmade touch.

Angelus 2-Hard hardening additive. Improves the hardness and adhesion of acrylic paints. Ideal for hard surfaces like plastic or glass. Can be mixed in different quantities for more or less flexibility. Full drying time: 48 hours.

Angelus 2-Thick thickening additive. Transforms acrylic paint into an oil-like texture. Perfect for volume techniques, raised details, and more expressive artistic finishes. Ideal for creative and professional projects.

Golden Light Molding Paste. 50% lighter than Golden Molding Paste. Matt, opaque and flexible finish. Ideal for large jobs, thick layers and maintaining stiff peaks on textured surfaces. Can be mixed with colours.

Golden Wetting Aid. Concentrated additive that improves tinting and wetting of acrylic paints. It reduces surface tension in mixtures diluted with water. Allows the colour to spread and absorb easily onto absorbent surfaces.

Hard Molding Paste by Golden. Forms a very hard, semi-opaque layer. Ideal for hard finishes. Can be carved and mixed with acrylics to tint the paste for long lasting results.

Golden Open Acrylic Medium Gloss. Perfect for adjusting the intensity, brightness and transparency of colours. Improves fluidity, adhesion and allows fine details. Ideal for mixing with acrylics. Delays drying.

Golden GAC 400 acrylic stiffening medium. Hardens natural fibres and fabrics. Ideal for hardening unprimed canvases, sculpting fabrics and giving them a specific shape. Forms a hard and resistant layer. Air drying.

Golden Extra Heavy Molding Paste. Mixture of gloss gel and moulding paste. Thick satin finish. Perfect for increasing viscosity and building up thick surfaces.

Retarder for acrylic paints by Golden. Additive used to increase the drying time of acrylic paints. Perfect for wet-on-wet techniques. Reduces crusting on the palette.

Golden GAC 900 thermosetting acrylic medium. Liquid to be mixed with acrylic paints for application on fabrics. It is fixed to the fabric by the application of heat. Once fixed it is resistant to consecutive washings.

Golden Coarse Molding Paste. Warm white, translucent up to 3 mm. Texture similar to sandpaper. Stiff but flexible. Ideal for mixing with acrylics to create textures. Matt-satin finish. Compatible with wet and dry techniques.

Golden Open Acrylic Medium Matte. Ideal for thinning acrylic paints, it adjusts the depth, mattness and transparency of the colours. Improves fluidity, adhesion and allows the creation of delicate details. Delays drying.

Acrylic varnish spray. Protects and enhances colours. Made with acrylate resin, white spirit, and turpentine oil. Dries in a few hours, does not yellow and is more flexible than common varnishes. Can be removed and diluted with turpentine.

Golden Glass Bead Gel. Creates a unique effect similar to condensation on glass. It looks best in thin layers over light colours, thus highlighting the beads, creating distinctive textures and visual effects that enhance the artwork.

Golden Soft Gel Medium. Glossy finish. Light texture, similar to transparent paint. Mixes with acrylics to create glossy glazes, adjust transparency and extend the paint. Ideal for collages and mixed media.

Golden Silkscreen Medium. Designed for mixing with Golden acrylic colours. Delays the drying of the screen and paint. Easy to clean with soap and water. Safe to use and virtually odourless. Not compatible with clothing.

Artemiranda marble powder. An additive for paints that improves the texture, coverage, and opacity of the paint. It adds thickness, hardness, and resistance. It mattifies or satinises the paint. Reduces costs without compromising quality.

Golden Gloss Glazing Liquid. Slow drying acrylic glaze with glossy finish. Ideal for decorative, artistic and glossy glazing techniques. Apply in thin layers. Soluble with up to 20% water. Dries in 30-45 minutes.

Golden Soft Gel Medium. Matt finish. Lighter than heavy bodied acrylics. Ideal for creating matt glazes, controlling transparency and spreading paint smoothly. Very resistant. Recommended for collage and mixed media.

Golden Gloss Archival Spray Varnish MSA. Its acrylic formula with Mineral Spirit offers resistance against dirt, humidity and UV rays. It is compatible with various techniques. Does not alter colours or textures. It can be removed without damaging the work.

Golden Satin Glazing Liquid. Slow drying acrylic glaze with satin finish. Mixed with acrylic or latex paints, it creates satin glazes. Soluble with up to 20% water. Applied in thin layers. Drying time 30-45 min.

Golden Soft Gel Medium. Semi gloss finish. Lighter than heavy bodied acrylics. Mixes with colours to create semi-gloss glazes, regulate transparency and extend the paint. Perfect for collage and mixed media.

Golden Medium Super Matte significantly reduces gloss with a minimal amount. Maintains colour and consistency. Provides better finishes when mixed with acrylic paints or mediums.

Regular Gel Medium by Golden. Glossy finish. Viscosity similar to high-end acrylics. Ideal for glazing, extending paint and achieving a glossy finish. Perfect for impasto and collage techniques. Resistant to water, chemicals and UV rays.

Super-thick, matt, opaque preparation of marble powder and polymer emulsion for creating thick textures on rigid surfaces. This product can be worked like clay and leaves a very hard surface after drying.

Golden Clear Leveling Gel. Acrylic medium that creates a uniform and flexible layer. Resinous and transparent consistency when dry. Increases transparency and gloss. Apply in thin layers to avoid cracking. Water and light resistant.

Golden Medium Matte. Ideal for extending the colour and reducing the gloss of the paint. It increases the consistency of the layer and can be used as an almost transparent base on canvas replacing primer.

Regular Gel Medium by Golden. Matt finish. Viscosity like high performance acrylics. Ideal for glazes, paint spreading and matt finishes. Allows to regulate the transparency without changing the consistency. Excellent for mixed media.

A light, airy preparation of marble powder and polymer emulsion specially formulated for applications where weight is an issue. It can be used to add body to colour and create pastel shades.

Golden Tar Gel. A transparent, colourless gel made from acrylic polymers with a resinous and fibrous consistency. Its honey-like flow makes levelling easier, spreading evenly and allowing for fine details without brush marks

Golden Medium Gloss. Perfect for glazes, extending colours and improving gloss. Its oily and resinous texture favours fluidity and levelling. It is ideal for blocking discolouration caused by the support (SID).

Regular Gel Medium by Golden. Semi gloss finish. It has the same consistency as high performance acrylics. Perfect for glazes, collage, mixed media and semi gloss finishes. Modifies transparency without altering consistency.

Matt, opaque preparation made from marble powder and polymer emulsion. It takes longer to dry than other modelling clays and produces a hard but flexible surface.

Golden Color Pouring Medium Gloss for pouring techniques. Extends, evens and enhances the colour. Reduces cracking. Very striking effects can be achieved by mixing with High Flow acrylics, water, alcohol, etc.

Golden Fluid Medium Matte. Extends acrylic colours, matting them and reducing gloss. Increases the integrity of the layer. Ideal with Golden Fluid acrylics to maintain the consistency and reduce the gloss of these colours.

Heavy Gel Medium by Golden. Glossy finish. Ideal to increase volume, transparency and firmness. Perfect for techniques such as impasto, keeps textures intact and is resistant to water, chemicals and UV when drying.

Golden Color Pouring Medium Matte for pouring techniques. Spreads and levels the paint. Reduces cracking. Matt and velvety finish. Can be mixed with High Flow acrylics, water, alcohol, etc. to achieve impressive effects.

Golden High Flow Medium. Increases the transparency and hardness of the coating in high flow acrylics. Mixes at any ratio. Excellent spray properties. Ideal for airbrushing. Minimises build-up and clogging.

Heavy Gel Medium by Golden. Matt finish. Higher density than dense acrylics. Perfect to increase volume, transparency and consistency, achieving a matt finish. For impasto, textures and ideal for softer effects. Resistant and flexible.

Golden Fine Pumice Gel. Acrylic gel that dries to a hard layer. Perfect for details and soft bases. Blends in well with Golden acrylic colours. Provides a light, subtle, textured finish, ideal for precision work.

Golden Matte MSA acrylic varnish with UVLS protection. Matt finish, resistant and less permeable. Ideal for acrylic, oil and alkyd paints. Reduces dirt and scratches. Removable with Mineral Spirit. Recommended for interior and exterior use.

Heavy Gel Medium by Golden. Semi gloss finish. Thick texture to add body, transparency and thickness to the paint. Semi-gloss finish. Perfect for impasto, maintains the textures of each stroke. Resistant to water, chemicals and UV when drying.

Golden Coarse Pumice Gel. Acrylic gel designed to create a solid, rough surface when dry. Sand-like granules. Ideal for strong textured effects and higher relief. Mixes easily with Golden acrylic colours.

Golden Satin MSA acrylic varnish with UV protection. Ideal for acrylic, oil and alkyd paints. Forms a satin finish layer that reduces dirt and scratches. Removable with Mineral Spirit. Ideal for interiors and exteriors.

Extra Heavy Gel Medium by Golden. Matt finish. The thickest of the range. Increases volume and transparency. Ideal for preserving textures and stroke marks with brushes or palette knives. Offers flexibility and resistance to water, chemicals and UV rays.

Golden Extra Coarse Pumice Gel. Acrylic gel designed to create textured and voluminous surfaces. It dries to form a solid and very gritty layer. A finish similar to concrete. Ideal for three-dimensional effects with significant visual impact.

Golden Gloss MSA acrylic varnish with UVLS protection. Ideal for acrylic, oil and alkyd paints. Creates a tougher and more waterproof coating, reducing scratching and soiling. Removable with Mineral Spirit. Perfect for interior and exterior use.

Extra Heavy Gel Medium by Golden. Semi gloss finish. Extremely thick. Ideal for increasing body and transparency. Perfect for maintaining textures and stroke marks. It is flexible and when dry it is resistant to water, chemicals and UV rays.

Golden Crackle Paste. Thick, opaque material that cracks as it dries creating a matt finish. Crackle pattern varies with coating thickness and environmental conditions. Ideal for absorbent surfaces and acrylics.

Golden Molding Paste. Ideal for creating surfaces and textures. Dries to a flexible, semi-opaque layer. Perfect for mixing with colours and spreading paint.

Golden Isolation Coat. Separates the acrylic paint and the removable varnish. Improves the flow and levelling of subsequent layers. Seals the surface. Makes the application and removal of the removable varnish easier.

Flowable, transparent and glossy medium for pouring applications, for producing uniform puddles and colour films. Does not increase the transparency of the colours. Flexible after drying.

100% acrylic polymer lacquer, glossy surface. Low viscosity. Water-soluble when wet, hard after drying, flexible and resistant to dirt and discolouration. For interior and exterior applications. Not suitable for oil paints.

Transparent medium that liquefies the colours and increases transparency. Translucent and satin finish. Does not yellow. Ideal for the moulding technique.

Ultra-matt polyurethane varnish. Formulated with state-of-the-art resin. Non-irritating. Fast drying. Can be used with a brush or airbrush. UV resistant.

Ultra-matt medium for techniques such as acrylic or gouache. Provides additional opacity of the colours and an ultra-matt end result. Maintains the colour properties, intensity and hue. Slows down the drying time.

Lacquer adhesive for fixing and protecting puzzles. It enables them to be glued and painted on flat surfaces. Transparent after drying. Gives the colours an extra shine and increases their durability over time.

Flexible paste by Vallejo for use as a primer or medium to create textured backgrounds, etc. Marble powder and titanium white. Dries white and opaque. Can be painted with oil or acrylic colours. Can be used on any porous surface.

Matt thinning medium for acrylic paints by Titan ARTS. Ideal for transparencies, glazes, etc. Can be mixed with additives to obtain textures. Gives volume, improves colour flow, facilitates application and reduces the gloss of the paint.

Acrylic polymer medium by Vallejo for mixing, glazing or as a glossy and durable varnish. Can also be used as a protective and insulating layer. Fast drying. Water resistant. Do not use on oily or greasy surfaces. Can be diluted with water.

Lefranc Bourgeois varnish, which offers a glare-free surface and a perfectly homogeneous, glossy transparency.

Flexible and very resistant varnish from Lefranc Bourgeois for finishing oil, acrylic and gouache.

Lefranc Bourgeois varnish based on acrylic resin, with which fresh colours can be applied over older layers of paint.

Glossy varnish based on acrylic resin that revives colour tones. Alternative to traditional solvent-based varnishes. Easy to apply with brush or mottler. Non-yellowing.

Matt varnish based on acrylic resin that increases the opacity and depth of colour shades. Alternative to traditional solvent-based varnishes. Easy to apply with brush or mottler. Non-yellowing.

Acrylic varnish for painting and decoration. Made from acrylic resin with white spirit. Contains UV filter that absorbs and protects the work from ultraviolet rays. Ideal for painting or outdoor exhibitions. Non-yellowing.

Maimeri Polycolor Body dense and pasty acrylic pastes with maximum lightfastness. Extremely malleable and modellable.

Flowable acrylic binder. Increases adhesion and makes acrylic colours translucent and more fluid. Pébéo Studio Acrylics Medium Bindex Dyna is formulated with pigments that change colour depending on the angle of incidence of light.

Acrylic polymer and gel based on coloured sand. Ready for use. Preferably apply with a painting knife. After drying, it looks like textured sand. Dilutable with water or Bindex. Available in white, yellow, red and black.

Gel for mixing with acrylic colours. Increases transparency, depth and drying time. Does not yellow and has a glossy, matt or glow-in-the-dark finish after drying (depending on whether you apply one or the other).

Pébéo Studio acrylic modelling paste, opaque and matt for creating textures, reliefs and impasto. Applicable with a palette knife. It can be sculpted, sanded and painted after drying. Does not crack. Matt finish.

Fixes and protects drawings or figures made of clay, wood, cardboard, etc. that have been painted with wax crayons, tempera or pencils. Gives a glossy surface and protects against light. Available in 60, 100, 500 and 1000 ml plastic bottles.

For transferring images to wood, canvas, cardboard, etc. Apply the medium to the surface and place the picture face down. Leave it to dry. Moisten the cut-out with water and remove the paper with your fingers.

A medium for transferring colour images printed on paper onto cotton or linen fabric. Water-based, non-toxic.

Multi-coat water-based acrylic varnish. Ultra-matt finish, transparent and highly resistant to moisture and ageing. Suitable for exterior and interior use.

Vinyl plastic base for use as an adhesive, ideal for its transparent surface. It is used for bonding a variety of materials such as paper, cardboard, wood, leather, felt, etc.

Self-levelling gel with a honey-like consistency. Mix with acrylic paint to achieve interesting application effects, increase colour depth and improve transparency and fluidity.

For indoor and outdoor applications. Excellent levelling properties. Non-yellowing. Translucent when wet, transparent when dry.

For indoor and outdoor applications. Excellent levelling properties. Non-yellowing. Translucent when wet, transparent when dry.

For indoor and outdoor applications. Excellent levelling properties. Non-yellowing. Translucent when wet, transparent when dry.

An indispensable medium for creating soft edges and modelled shapes. With this medium, the working time of acrylic colours can be extended by more than 40%.

Use it when maximum transparency is required to add luminosity and depth to your colours. This liquid medium can be used in conjunction with transparent colours for brilliant glazes.

A classic medium that is used to give delicate brush paintings a fluid consistency or as a slightly glossy glue for collages. This medium has a creamy consistency and works well with opaque colours.

Thick gel that extends the working time of acrylic colours by more than 40% and facilitates mixing. Add up to 50% to achieve excellent impasto techniques without compromising the strength of the colour layer.

Thick gel that leaves a matt and translucent finish after drying. Ideal for creating collages with heavier objects. Combine with glossy gel medium for a customised satin finish.

Super-thick gel with high surface strength that gives a rigid, oil-like feel. It is ideal for creating reliefs and sculptural applications that retain their shape after drying and hardly shrink at all.

Thick gel medium that prolongs the time of use and increases gloss and transparency.

It is ideal for maintaining brushstrokes while extending the drying time and adding body to the paint. Excellent for transferring printed images.

Extra thick gel that preserves high reliefs and brush and painting knife marks that are barely smoothed. This medium extends the working time of the paint and leaves a translucent, matt finish.

Gives the work a satin finish that slightly accentuates the colours of the painting and prevents yellowing. Protects against UV rays.

Gives the work a matt finish that softens the shine of the colour and prevents yellowing. Protects against UV rays.

Gives the work a glossy finish that accentuates the colours of the painting and prevents yellowing. Protects against UV rays.

Contains no thickeners. Can be mixed with Old Holland New Masters Acrylics in the desired ratio. Dries to a silky matt, durable film.

Contains no thickeners. Can be mixed with Old Holland New Masters Acrylics in the desired ratio. Dries to a matt, durable film.

It gives the paint a higher gloss than when it comes out of the tube. Does not contain thickeners. Can be used in the desired ratio.

Glazing medium particularly designed for the glacis painting technique.