Canson Imagine Mixed Media mixed media pad for pencil, charcoal, chalk, graphite, tempera, gouache, watercolour and ink. 200 gsm 100% acid-free alpha-cellulose paper. Glued on short side. Hot pressed, natural white.
Pad with Acrylic paper. Fine grain. 400 gsm. Ideal for working with the acrylic technique. Thick and resistant paper, with a texture that imitates the weft of linen and that offers a better adherence for this type of painting. Glued on 1 side.
Canson acrylic paper, heavy 400 gsm, very absorbent and resistant. Ideal for acrylic and other wet techniques as well as for glazes, washes and wash effects and multiple layers. Natural white, without optical brighteners.
Canson Acrylic paper roll. Cold pressed. 400 gsm. Perfect for acrylic paint. Thick, durable paper roll with a texture that simulates the weave of linen and offers better adhesion for this thicker type of paint.
Canson Aquarelle watercolour block, glued on 4 sides or spiral bound. 300 gsm and 60% cotton. Cold pressed or rough grain. For watercolour and wet techniques. Acid-free.
Canson Aquarelle, 300 gsm paper with 60% cotton. Natural white. Cold pressed or rough grain. For watercolour and wet techniques. Acid-free.
Pastel paper with a special micro-abrasive surface that offers extreme grip in any dry technique.
Canson Art Book One sketchbook with 98 sheets of 100 gsm cold pressed paper. Ideal for pencil, pastel, charcoal and markers. Hard black cover with a slightly grained texture and stitched binding. Perfect for drawing and artistic writing.
Canson Art Book One sketchbook with 80 sheets of 100 gsm cold pressed paper, ideal for drawing and writing. Spiral binding. Perfect for pencil, pastel, charcoal and marker. Textured hard cover and sturdy spiral for comfortable use.
Very white, acid-free paper that does not yellow over time. Natural and stable white, treated against mould and cryptogams. Alkaline reserve that neutralises acid migration. For archiving, bookbinding and framing.
Canson 100 gsm graph paper pad with smooth cream-coloured paper and a brown grid for technical drawing, plans, diagrams and charts. Grid divisions of 1, 5, 10 and 50 mm. Lines marked every 5 cm. Surface designed for precise drawing and easy erasing.
Canson Bristol paper pad 250 gsm, 20 sheets, 100% alpha cellulose. For all techniques that require a smooth surface. Resistant to erasers and scratches. Lignin-free and therefore no yellowing over time. Glued on one side.
Canson Brut portfolio folder for transporting illustrations, photographs, drawings, sketches, etc. Customisable unlaminated grey cover, fabric-covered gusseted spine, 2 elastic closures and reinforced corners for protection.
Lightly grained blotting paper with high absorbency. Acid-free.
Canson C à grain drawing paper is a white, cold pressed paper. Ideal for pencil, charcoal, sketches and studies. Partly suitable for wet techniques such as washes and watercolour. Made from lignin-free alpha cellulose.
Canson C à grain drawing paper is a white paper made from 100% lignin-free cellulose. Cold pressed. Ideal for pencil, charcoal, sketches and studies.
Paper pads made from 100% alpha cellulose. Medium grain. Suitable for all dry techniques and for some wet techniques such as ink and gouache. Spiral binding.
Glued pads of Canson C à grain paper, ideal for drawing. Fine grain for relief effects and a delicate, balanced result. Natural white, mixed media, 100% alpha-cellulose, acid-free and available in various grammages.
Canson C à grain 250 gsm paper pad in ochre and grey tones. It is suitable for dry and some wet techniques such as inking and gouache. Cold pressed. Acid-free.
Canson CAD polyester film with 121 gsm and 75 microns for monochrome and colour plotters. Its emulsion on both sides provides a matt finish, excellent fine line definition and high sharpness for technical drawings, plans and graphics.
Canson Classic portfolio for fine art students. Ideal for preserving artwork. Matte green Annonay exterior and acid-free white paper interior. Linen-backed spine with black linen, reinforced corners, and closure with 3 black silk ribbons.
Canson Colorline paper 220 gsm. Ideal for drawing techniques. Double-sided paper: one side fine and smooth, ideal for markers and felt-tip pens, the other side grained for pencils, charcoal and pastels. Assorted colours.
Double-sided drawing and pastel paper. 220 gsm. A fine, smooth side is ideal for markers and felt-tip pens, while the grained side is ideal for pencils, charcoal and pastels.
Spiral-bound watercolour pad Canson Coton d'Art. Resistant to warping, intensive washes and masking tape. 300 g, 100% cotton paper with excellent colour preservation for professional results.
Canson Coton d'Art 4-side glued watercolour block. 20 sheets of 300 g and 100% cotton paper. Resistant to warping, intensive washes and masking tape. Offers excellent colour preservation for professional results.
Canson Coton d'Art pad, 1-side glued for watercolour. 12 sheets of 300 g and 100% cotton paper. Withstands intensive washes, warping and masking tape. Quality paper that maintains the intensity of each colour.
Canson Coton d'Art watercolour paper, 300 g, made from 100% cotton. Natural white. Excellent absorption. Enhances colour luminosity in glazes, washes and professional techniques. Resists masking tape.
Canson Coton d'Art paper roll for large format works. 300 g and 100% cotton paper. Resists masking tape and allows for broad washes and custom cuts, maintaining a uniform response and excellent artistic quality.
Creative Studio portfolio with original designs and a textile gusseted spine. Acid-free white interior to protect artwork. Ideal for filing and transporting. Secure closure with 2 elastic bands.
100% cotton. Acid-free. Two textured surfaces (smooth and light grain). Specialised paper for drawing, digital printing and traditional art printing techniques: Lithography, offset printing, gravure printing, typography, etc.
Figueras paper is specially prepared for direct painting with oil and acrylic colours. It has a linen-like texture and a special coating that absorbs oil, binders and water.
Figueras paper is specially prepared for direct painting with oil and acrylic colours.
Figueras paper is specially prepared for direct painting with oil and acrylic colours. It has a linen-like texture and a special coating that absorbs oil, binder and water. 1.40 x 10 m paper roll.
Canson pad with deep black paper. The smooth surface of the paper is ideal for drawing with pencil, ink or acrylic markers. Acid-free. 120 gsm. 20 sheets. Glued on 1 side.
Canson Graduate Mixed Media Black pad with 20 smooth black sheets of 240 gsm paper. Ideal for mixed media, pencil, watercolour or markers. It enhances colours with great contrast. Glued on 1 side. FSC certified and made in France.
Canson Graduate Bristol pads made from extra white and smooth paper. 180 gsm. 20 sheets. Glued on 1 side. Acid-free. For precise drawings with pencil or fineliner. FSC-certified.
Canson Graduate Croquis sketchbook with natural white, 120 gsm paper. Ideal for pencils, pastel, charcoal, sanguine and markers. Hardcover with pocket and bookmark ribbon. 60 pages. Made with recycled fibres and FSC certified.
Canson Graduate sketch and drawing pad. 140 gsm white paper. 40 sheets. Cold pressed for dry techniques. Cover with stapled pages. Ideal for travelling and sketching.
Canson Graduate drawing book with 160 gsm paper. Natural white. 104 pages. Hardcover with sewn binding. Inside cover with gusset, bookmark and elasticated closure. Portrait format. FSC-certified.
Canson Graduate drawing pad 160 gsm. White paper, free from acid and optical brighteners. 30 sheets. Glued on 1 side. Ideal for pencil, pastel, marker, charcoal or sanguine. FSC-certified.
Canson Graduate Lettering Marker pad with 180 gsm extra soft, glossy white paper. For markers, pens and ink. Contains 20 sheets. Glued on 1 side. 100% cellulose. FSC certified.
Canson Graduate Lettering Mixed Media pad with 200 gsm natural white cellulose paper. Contains 20 sheets. Glued on 1 side. Acid-free. For practising lettering with any technique. FSC-certified.
Canson Graduate Manga sketchbook with 200 gsm white cellulose paper. Very smooth and resistant texture. Hard cover. Pleated cover with elasticated closure. Flat opening. 80 pages. FSC-certified.
Canson Graduate Mixed Media pad made from 200 gsm white paper. 20 sheets. Glued on 1 side. Cold pressed. Acid-free. Mixed media. FSC-certified.
Canson Graduate Mixed Media Pads in natural ochre and grey tones. 220 gsm. 30 sheets. Glued on 1 side. Acid-free, cold pressed paper. Double-sided (light grain and smooth). FSC-certified.
Canson Graduate Mixed Media sketchbook with 200 gsm natural white cellulose paper. 72 pages. Sewn cover that allows for flat opening. Hardcover. Cover with fold. Elasticated closure. FSC-certified. Portrait and landscape format.
Canson Graduate Mixed Media sketchbook. Cellulose paper in ochre and grey of 220 gsm. Mixed media. Double texture: one side slightly grained, the other smooth. Hard cover. Cover with fold and elasticated closure. Opens flat. 64 pages. FSC-certified.
Canson Graduate portfolio. Lightweight, rigid and elegant. Ideal for protecting sketches and drawings. Acid-free interior, elastic band closure and FSC certified. Perfect for students and creative artists.
Canson Graduate sketchbook for drawing or taking notes. 90 gsm natural white paper. 184 pages. Hard or soft cover in blue, grey or black. Opens flat. Inside cover with gusset, bookmark and elasticated closure. FSC-certified.
Canson Graduate sketch pad. Light and full-bodied 96 gsm paper. White. 40 sheets. glued on 1 side. Acid-free. For quick sketches with pencil, charcoal or sanguine. FSC-certified.
Canson Graduate special pad for watercolour. White cold pressed paper, 250 gsm. Pad with 20 sheets, glued on 1 side. Acid-free. Suitable for beginners in the watercolour technique.
Watercolour sketchbook with 250 gsm cellulose paper. Natural white. Contains 56 pages with thread stitching. Hard cover. Inside cover with gusset, bookmark and elasticated closure. Portrait and landscape format. FSC-certified.
Canson 90 gsm graph paper roll, measuring 0.75 x 10 m. Smooth white paper with a smoke-coloured grid of 1, 5, 10 and 50 mm, and highlighted lines every 5 cm, designed for technical drawing, plans, diagrams and precision work.
Natural white paper. Very well sized, with a hard and even surface.
Natural white paper. Very well sized, with a hard and even surface.
Natural white paper. Very well sized, with a hard and even surface.
Watercolour and tempera paper mini-pack with 6 sheets of Guarro Basik 370 gsm paper. Natural white, slightly satiny and very well sized. Provides hardness and uniformity on the surface. Suitable for school watercolour and tempera. Lint-free.
Natural white paper. Very well sized, with a hard and even surface.
Mini-pack of Canson Guarro 100 gsm graph paper with a satin finish in the colour cream. Especially for graphic illustrations that require precise scaling or measurement. For marker, ink, mechanical pencil or pencil, etc.
Basik tracing paper, ideal for drawing with pencils, ink, markers, drawing pens and for tracing. Can be wiped off with an eraser or blade. Paper with high transparency, surface hardness and lightfastness of 95 gsm.
Canson Guarro Basik drawing pad. Micro-perforated paper with spiral binding. Natural white, slightly satiny, offers firmness and uniformity on the surface. Suitable for pencil, wax crayon and ink drawing. Rigid cardboard backing.
Natural white paper. Very well sized, with a hard and even surface.
Natural white paper. Very well sized, with a hard and even surface.
Iris coloured paper. 185 gsm. Slightly smooth finish. Lightfast pigments.
Iris coloured paper. 185 gsm. Slightly smooth finish. Lightfast pigments.
Iris coloured paper. 185 gsm. Slightly smooth finish. Lightfast pigments.
Iris Vivaldi coloured paper 240 gsm. Acid-free for better colour retention over time. Slightly smooth surface. For handicrafts, silhouettes or collages.
Slightly satin paper, cut sheet by sheet, without static charge.
Mini-pack of 185 gsm Iris coloured papers in various soft colours. Slightly satiny, high quality and acid-free. High lightfastness due to the intensity of the pigments used. Ideal for drawing and handicrafts.
Guarro Marca Mayor paper, suitable for drawing with markers and pencils with hardness grades between 1B and 5H. Compact paper of great hardness and with an even surface with a strongly satiny finish.
Guarro sketch pad with 90 gsm micro-perforated Guarro paper. Ideal for sketching and drawing with pencil, graphite, chalk or other dry techniques. With spiral binding.
Sheets of Canson Guarro Torreon laid paper. Ideal for drawing, sketching and suitable for photocopying. 90 gsm and 10% cotton. White colour. Sober and elegant. High quality paper.
Natural white watercolour paper with deckled edges on two sides and watermark.
Natural white watercolour paper with deckled edges on two sides and watermark.
The first paper range specially designed for illustrations, comics and Manga. Particularly smooth paper, resistant to abrasion, smudging and erasing. Extra-white paper with excellent colour contrast, perfect for scanners.
Canson Imagine mixed media roll paper. 200 gsm paper, 100% cellulose, acid-free, white, natural appearance and silky texture. Ideal for drawing with pencil, pastel, charcoal, etc. and for wet techniques such as watercolour, gouache, ink, etc.
Arches Aquarelle Rag photo and digital printing paper. 100% cotton. Felt-marked finish, ideal for excellent colour reproduction, deep blacks and pure whites, on a natural texture. No optical brighteners.
100% cotton paper with the same properties as traditional watercolour paper. It meets the requirements of galleries and museums. Waterproof.
Genuine watercolour paper made from 100% cotton rag, which has the same properties as a traditional artist's paper. It fulfils the strictest conservation standards.
Paper with 500 years of history. Now also available in the Digital Fine Art & Photo range. No optical brighteners. Unrivalled feel, soft and smooth. Instantly dry. Permanent stock of A4, A3, A3+ rolls of 61 and 91 cm. Delivery within 24h/48h.
Paper made from 100% cotton rag paper. Slightly grainy texture, reminiscent of traditional printing and art papers. Offers particularly high resistance to ageing.
Canson Infinity-Glassine paper roll 40 gsm. Glazed cellulose paper, very resistant, pH-neutral, semi-transparent and thin. Lightweight, acid-free and biodegradable. Designed to protect and preserve any type of artwork.
Canson watercolour paper now available in the Canson Infinity range. Genuine cold pressed watercolour paper treated for spectacular inkjet prints.
Paper with the highest gloss level on the market for RC photo paper. More vivid colours and deeper blacks. Offers a very high resolution of up to 5760 dpi.
Photo Lustre Premium RC Photo Lustre paper with an acid-free base of alpha cellulose fibres coated with a polyethylene couché layer and a microporous receptive layer, perfect for high quality black and white or colour photography.
Canson Infinity archiving boxes have been specially developed for archiving and preserving photos. Contains 25 sheets of glassine paper. The surface is covered with black paper, which offers high water and light resistance.
PhotoArt HD Canvas. Developed to ensure excellent consistency in the structure and binding of the canvas. Glossy white with matt finish, exceptional print quality: excellent colour range, sharpness, high D-Max, etc.
PhotoGloss Premium RC offers exceptional Dmax (black density) and an excellent colour spectrum. It also exceeds the expectations of professional photographers in terms of durability.
PhotoGloss Premium RC offers exceptional Dmax (black density) and an excellent colour spectrum. It also exceeds the expectations of professional photographers in terms of durability.
100% cotton rag. Used for years in the traditional photographic market, but adapted with the latest technological innovations in paper coating.
Canson Infinity Platine Fibre Rag Roll. 100% cotton paper with a baryta finish, pure white, smooth and satin. Free from bleaching agents and acids, it offers intense blacks, a wide range of greys and museum-grade durability. Instant drying. Water-resistant.
100% cotton rag, ultra-smooth, printable on both sides. Ageing resistance and durability of prints. Intense colours, deep blacks.
Fine, semi-transparent, glazed cellulose paper. PH-neutral, 40 gsm, low weight but high strength. 100% biodegradable, acid- and chlorine-free. Ideal as a conservation paper to protect documents, prints, photographs, etc.
Canson Ingres Vidalon pad ideal for pastel, sanguine, chalk, charcoal and pencil. 30 sheets. 100 gsm paper, high cotton content and laid texture. Glued on 1 side. No added acids, resistant to ageing and with FSC certification.
Acid-free paper, lightly grained, made from 100% alpha cellulose. Sized internally and on surface, making it highly resistant to repeated erasing. Pure white colour.
Ideal not only for pastel and dry techniques, but also for decoration and folding, thanks to its flexibility and lightfastness.
Ideal for pastel and dry techniques, decoration and folding thanks to its flexibility and lightfastness.
Canson Mi-Teintes pad with 30 sheets of assorted colours. 160 g paper with 60% high-quality cotton for pastel, drawing and crafts. Dual texture on each sheet and excellent lightfastness for long-lasting results.
Canson Mi-Teintes 160 gsm coloured paper. Different textures on each side: one side with a honeycomb grain and the other with a fine grain. Ideal for pastels, dry techniques, arts and crafts or decoration.
Ideal not only for pastel and dry techniques, but also for decoration and folding, thanks to its flexibility and lightfastness.
Canson Mi-Teintes pad. Glued on 1 side. Weight 160 gsm. Ideal for pastels, dry techniques, handicrafts or decoration. One side with honeycomb grain and the other with fine grain.
Pastel paper with a special micro-abrasive surface that offers extreme grip in any dry technique.
Canson Mi-Teintes Touch pad with 12 sheets of 350 gsm paper for pastel. Rough surface provides extreme grip and allows multiple layers in any dry technique for beautiful effects. Compatible with charcoal, pencils and acrylics.
Canson Mi-Teintes Velvet paper pad. 430 gsm. Velvety texture, smooth and less abrasive. Perfect pigment adhesion. No fixative required. Compatible with other dry, wet and craft techniques.
Canson Mi-Teintes Velvet paper sheets. 430 gsm. Velvety smooth texture, perfect for pastels and does not require fixative. Low abrasive surface perfect for saving material. Compatible with wet techniques and handicrafts.
Canson Mi-Teintes Velvet paper roll, perfect for pastel and dry techniques. 430 gsm. Smooth, velvety and non-abrasive surface that does not require fixative. Compatible with wet techniques and handicrafts.
Canson Art Book Mixed Media sketchbook with spiral binding and 28 sheets of 300 gsm paper. Ideal for mixed media. Cold pressed paper that prevents bleed-through. Lightweight, practical and FSC certified.
Canson Mixed Media Artist pad with 300 gsm paper with 10% cotton. Natural white. Glued on 1 side. Mixed media: Watercolour, gouache, ink, acrylic and markers.
Canson Mixed Media Artist mixed media pad with 600 gsm paper. Cold pressed. 10% cotton. Natural white. Glued on 1 side. For watercolour, gouache, ink, acrylic and makers.
Canson Mixed Media Artist paper sheets in natural white. Surface with 10% cotton. Suitable for techniques such as watercolour, acrylic, ink and markers. Extremely resistant.
Canson Mixed Media Artist paper roll. Natural white colour. Size 1.5 x 10 m. 10% cotton. Suitable for watercolour, acrylic, inks and markers. Very resistant.
Montval sketchbook made from 100% alpha cellulose paper. With spiral binding. Natural white paper of 300 gsm. Acid-free. For watercolour and wet techniques. Hard cover with rubber grip.
Canson Montval watercolour block made from 100% alpha cellulose paper. Glued on 4 sides. Natural white, acid-free paper of 300 gsm. Cold pressed. For watercolour and wet techniques.
Montval cellulose watercolour paper pad. With spiral binding. Free from acids and optical brighteners. For students and amateurs of watercolour and wet techniques.
Canson Montval cellulose watercolour paper pad. Glued on 1 side with 12 sheets of 300 gsm paper. Cold pressed. Free from acids and optical brighteners. For watercolour and wet techniques.
Montval spiral-bound watercolour pad with 100% alpha cellulose paper sheets. Cloudy surface. Natural white paper of 270 gsm. Acid-free. For watercolour and wet techniques.
Montval watercolour pad made of 100% alpha cellulose paper with a cloudy surface. Glued on 1 side. 270 gsm. Natural white paper. Acid-free. For watercolour and wet techniques.
Montval 100% alpha cellulose paper with a cloudy surface. Natural white paper. 270 gsm. Acid-free. For watercolour and wet techniques.
Acid-free watercolour paper without optical brighteners, with anti-mould treatment. Very easy to use and make corrections. Pad glued on one side.
Watercolour paper. Internal sizing, natural white. Produced in neutral, acid-free medium.
Montval watercolour paper roll 1.52 x 10 m. 185 or 300 gsm.
Canson matt polyester film with 121 gsm and 75 microns, featuring high transparency and double-sided treatment to improve pencil and ink adhesion. Tear- and moisture-resistant, designed for drawing, technical drawing and precision illustration.
Canson Vegetal Satin tracing paper for tracing, line drawings, Indian ink, pencil, etc. Transparent, microfine, smooth surface. Perfect definition and contrast. Weight between 110 and 115 gsm. Highly resistant to erasing with rubber.
Sketchbook with very durable, textured hard cover and sewn binding. 98 sheets of Canson drawing paper 100 gsm. Ideal for pencils, coloured pencils, pastels, charcoal, wax crayons, markers, etc.
Canson Studio portfolio, ideal for students. Annonay exterior and acid-free white paper interior to protect artwork. Black linen-backed gusseted spine and closure with 2 elastic bands.
The new Canson The Wall paper is resistant to alcohol-based markers and aerosol sprays. Thanks to a unique manufacturing process, the ink does not bleed through. Ideal for graffiti artists, illustrators and designers.
Canson The Wall pad with revolutionary paper especially for graffiti artists, illustrators and designers. Completely opaque, the ink does not bleed through even after several applications. Resistant to alcohol-based markers and aerosol sprays.
The revolutionary paper Canson The Wall. Unique manufacturing process, resistant to alcohol-based markers and aerosol sprays. For designers, illustrators and graffiti artists. Ink does not bleed through even after several applications.
Canson transparent tracing paper with high transparency and an even, smooth surface.
Canson satin-finish tracing paper with an extra-smooth surface and high transparency, designed for technical drawing with pencil, ballpoint pen and technical pen. Acid-free and free from optical brighteners, it produces precise, well-defined lines.
Canson XL Aquarelle Waves Collection pad with 30 sheets of 300 g cold pressed paper for watercolour and wet techniques, offering great absorption, intense colours and allowing for corrections without damaging the surface. Made in France.
Canson XL Bristol spiral pad for drawing and illustrating. White, extra-smooth 180 gsm paper with a satiny finish. Acid-free. Extremely resistant to markers, water-based inks and all types of pencils.
Canson XL Book Croquis sketch pad 90 gsm. Ivory-coloured paper, 100% alpha cellulose. Ideal for pencil, pastel, charcoal and sanguine. Hard cover. Spiral binding. Portrait format. Acid-free paper.
Canson XL Croquis Waves Collection pad with 80 sheets of 90 g cold pressed paper for sketching and drawing. Slightly bulked ivory surface. Allows for easy erasing without damaging the surface. Made in France.
Canson XL Drawing Book sketch pad. Acid-free, 160 gsm paper for dry techniques and drawings. Special surface that ensures clean erasing. Ideal for pencil, pastel, charcoal and sanguine. Hard cover in portrait format, with spiral binding.
Canson pads made from deep black, acid-free paper, 150 gsm. One side smooth, the other slightly grained.
Canson pads made from 160 gsm paper. Can be used for all dry techniques. Withstands repeated etchings.
Canson XL Recycled is a drawing paper made from recycled fibres. It does not flake off during erasing and allows you to work with materials such as pencils, charcoal, ballpoint pens and even wet techniques such as ink, gouache, tempera, etc.
Canson XL Extra White pad. Extra white 90 gsm paper for all types of notes, sketches and drawings using dry techniques such as pencil, pastel, charcoal or sanguine. Texture similar to Canson XL Croquis, acid-free and with anti-fungal treatment.
Canson XL Fluid Mixed Media 250 gsm pad, extra white and smooth. Ideal for acrylic, ink, marker, etc. The paper is very strong, can be used on both sides and is perfect for smooth, clean and easy application. Acid free.
Canson pads made of 90 gsm kraft paper, without optical brighteners or acid.
Bloc XL marker pad. Suitable for all types of markers, whether water-, alcohol- or solvent-based. With a barrier that prevents ink from penetrating. The ink remains on the surface. Excellent and even colour reproduction.
Mixed media paper pad, 160 gsm, light, natural white. Ideal for all dry and slightly wet techniques. Acid-free. With spiral binding. Hard cover.
Canson XL mixed media paper pad. Highly resistant, textured 300 gsm paper. Acid-free. Spiral binding with hard cover. Natural white colour.
Canson XL Mixed Media, 300 gsm paper pad for water-based mixed media. White with slight vertical grooves. Its high grammage makes it an all-rounder for watercolour, gouache, tempera, acrylic or ink.
Canson XL portfolio for fine art students. Creative printed exterior, rigid and protective. No added acids in interior. Elastic band closure. FSC certified, perfect for large artworks and sketches.
Canson XL Croquis sketch pads made of 90 gsm acid-free, very fluffy drawing paper. Better quality than the Guarro sketchpad. Sketchpad for all types of sketches (pencil, pastel, charcoal or sanguine).
Canson XL Sand Grain pad. 160 gsm paper. Sand grain texture for sketches and drawings using dry techniques such as pencil, pastel, charcoal, etc. Acid and bleach free. Made from renewable materials of organic origin. In natural and grey colours.
Canson XL Watercolour pads. Weight 300 gsm. Ideal for watercolour and a variety of wet techniques. Acid-free, cold-pressed paper. Easy to erase with water. Microperforated. Spiral on the short side.
Canson XL watercolour pads with 300 gsm watercolour paper, natural white, cold pressed. For watercolour and wet techniques. Resistant to scratches, erasing and corrections. Acid-free. Spiral binding with hard black cover.
Canson Drawing Art pad with 100% cellulose paper. Glued on 1 side. White paper. 150 gsm. Acid free.
Paper pad for illustration and design. Glued on 1 side. Bright white 250 gsm paper. Acid-free. For markers, pencils and ink.
Canson paper pad 100% cellulose. 180 gsm. Glued on 1 side. White drawing paper. Acid-free.
Pixel Art pad made of Canson paper for drawing and colouring. Glued on 1 side. White paper of 120 gsm. Acid-free. For pencils and wax crayons.
Canson paper pad for sketches and notes. Glued on 1 side. 90 gsm white paper. Cellulose. Acid-free. For pencils, ballpoint pens or wax crayons.
Canson PaperJet Cad 96 gsm paper roll. White colour. Size: 0.61 x 46 m. Discontinued product.
Arches Aquarelle Rag paper roll for digital printing and photography. 100% cotton. Natural finish like watercolour paper, ideal for reproducing excellent colours, deep blacks and pure whites. Contains no optical brighteners.
Canson Tendance folder for storing drawings, sketches, illustrations, etc. Matt brown paper outside, kraft paper inside. Black linen spine with gussets and four reinforced corners. Elasticated closure.
