Canson Graduate Mixed Media notebook made of 200 g natural white cellulose paper. 72 pages. Sewn binding that allows for flat opening. Hard cover. Gusseted envelope. Elastic closure. FSC certified. Portrait and landscape formats.
Canson Graduate Mix Media notebook made of cellulose paper in natural ochre and grey 220g. Multi-technique with double texture: one side grainy and the other smooth. Hard cover. Envelope with gusset and elastic closure. Flat opening. 64 pages. FSC certified.
Watercolour notebook with 250 g cellulose paper. Natural white. Includes 56 pages with sewn binding. Hard cover. Inner envelope with gusset, bookmark and elastic closure. Portrait and landscape format. FSC certified.
Canson Graduate Mixed Media notebook made of 200 g white cellulose paper. Very smooth and resistant texture. Hard cover. Gusseted envelope with elastic closure. Flat opening. 80 pages. FSC certified
Canson Graduate 160 gsm drawing paper notebook. Natural white. 104 pages. Hard cover with sewn binding. Inside envelope with gusset, bookmark and elastic closure. Portrait format. FSC certified.
Canson Graduate notebook for drawing or notes. 90 g natural wool paper. 184 pages. Hard or soft cover in blue, grey or black. Stitched with flat opening. Includes inner envelope with gusset, bookmark and elastic closure. FSC certified.
Canson Graduate Lettering Marker pad made of 180 g extra soft glossy white paper. For markers, pens and inks. Includes 20 sheets. Glued on 1 side. 100% cellulose. FSC certified.
Canson Graduate Lettering Mixed Media pad made of 200 g natural white cellulose paper. Includes 20 sheets. Glued on 1 side. Acid-free. For the practice of lettering with any technique. FSC certified.
Montval cloud effect paper 100% alphacellulose. Natural white paper of 270 g. Acid free. For watercolour and wet techniques.
Montval 100% alphacellulose paper in a pack with handle including sheets of watercolour paper. Natural white paper 300 g. Acid free. For watercolour and wet techniques.
Montval 100% alphacellulose paper notebook. Spiral bound. Natural white paper 300 g. Acid free. For watercolour and wet techniques. Hard cover with rubber grip.
Watercolour pad made of Montval cloud effect paper 100% alphacellulose. Glued on one side. 270g. Natural white paper. Acid free. For watercolour and wet techniques.
Spiral-bound watercolour pad with 100% alphacellulose Montval cloud effect paper sheets. Natural white paper 270 g. Acid free. For watercolour and wet techniques.
100% alphacellulose paper pad Canson Montval. Glued on 4 sides. Natural white acid-free paper 300 g. Fine grain. For watercolour and wet techniques.
Montval cellulose watercolour paper pad. Spiral bound. Acid and optical brightener free. For students and amateurs of watercolour and wet techniques.
Canson Montval cellulose paper pad. Glued on 1 side with 12 sheets of 300 g fine grain. Acid and optical brightener free. For watercolour and wet techniques.
Drawing Art pad made of 100% cellulose Canson paper. Glued on one side. White paper 150 g. Acid free.
Canson paper pad 100% cellulose 180 g. Glued on one side. White drawing paper. Acid free.
Paper pad for illustration and design. Glued on one side. Bright white 250 g paper. Acid free. For markers, pencils and inks.
90 g Canson paper pad for sketches and notes. Glued on one side. 90 g white paper. Cellulose. Acid-free. For pencils, pens or crayons.
Pixel Art pad made of Canson paper for drawing and colouring. Glued on one side. White paper 120 g. Acid free. For pencils and crayons.
Canson Mix Media Artist paper sheets in natural white. Surface with 10% cotton. Suitable for techniques such as watercolour, acrylic, inks and markers. Highly resistant.
Canson Mix Media Artist paper pad 300 g 10% cotton. Natural white. Glued on one side. Multi-technique: watercolour, gouache, inks, acrylic and felt-tip pens.
Canson Mix Media Artist multi-technique 600 g paper pad. Fine grain. 10% cotton. Natural white. Glued on one side. For watercolour, gouache, inks, acrylic and felt-tip pens.
Canson Aquarelle paper, 300 g grammage and 60% cotton. Natural white colour. Fine or coarse grain. For watercolour and wet techniques. Acid free.
Canson Aquarelle pad glued on 4 sides or spiral bound. Weight 300 g and 60% cotton. Fine or coarse grain. For watercolour and wet techniques. Acid free.
Canson Graduate sketch and drawing notebook. 140 g white paper. 40 pages. Fine grain for dry techniques. Binding with stapled pages. Ideal for travel and sketching.
Canson Colorline paper 220 g. Ideal for drawing techniques. Double-sided paper: one side fine and smooth, ideal for markers and felt-tip pens, the other side grainy for pencil, charcoal and pastels. Assorted colours.
220 g double-sided drawing and pastel paper. One fine, smooth side is ideal for markers and felt-tip pens, while the grainy side is ideal for pencil, charcoal and pastels.
Canson XL pad of paper for multi techniques. Very resistant 300 g textured paper. Acid free. Spiral bound with hard cover. natural white colour.
Canson XL Aquarelle pads. Weight 300 g. Fine-grained. For watercolor and wet techniques. Acid free. Spiral bound with black hard cover screen printed.
160 g multi-technical paper pad. Acid free. Spiral bound. Hard cover.
Canson XL 90g pad of paper for drawing and sketching. Acid free. Spiral bound. Perfect for pencil, pastel, charcoal and sanguine. Hard cover.
Pad of paper for dry drawing techniques Canson XL Dessin 160 g. Acid free. Spiral bound. Perfect for pencil, pastel, charcoal and sanguine. Hardcover portrait format.
Canson C à grain paper of 250 g in sheets. Fine-grained. Natural ocher and gray tones. Free of acids and optical brighteners. 100% alphacellulose. For drawing and dry techniques.
Canson Mi-Teintes 160 g cardboard packs. It has the advantage of offering a different texture on each side: one side with a grain similar to honeycomb and the other with a fine grain. Ideal for cake, dry techniques, crafts or decoration.
Canson C à grain glued paper pads ideal for drawing. Fine grain that allows relief effects and a delicately balanced result. Natural white, multi-technique, 100% alphacellulose, acid free and available in various weights.
Canson Mi-Teintes pad glued to 1 side. Weight 160 g. Ideal for cake, dry techniques, crafts or decoration. Honeycombed grain on one side of the leaf and smooth grain on the other.
100% alphacellulose paper pads. Medium grain. Suitable for all dry techniques and for some wet techniques, such as ink and gouache. Spiral binding.
Canson Graduate pad special for watercolor. White color. 250g paper and fine grain. 1-side glued pad with 20 sheets. Acid free. Ideal for beginners in the watercolor technique.
Canson Graduate pad for oil and acrylic. Composed of 20 sheets of 290 g paper. Thick white paper free of acid or optical brighteners. Glued to 1 side. FSC certified.
Canson Graduate Mix Media pads in shades of natural ochre and grey. 220 g. 30 sheets. Glued on one side. Acid free fine grain paper. Double sided (textured and smooth). FSC certified.
Canson Graduate Drawing Pad 160 g. Acid-free white paper or optical brighteners. 30 sheets. Glued to 1 side. For drawings with pencil, pastel, marker, charcoal or sanguine. FSC certified.
Canson Graduate Sketch Pad. 96g white and slightly fluffy paper. 40 sheets. Glued to 1 side. Acid free. For quick pencil, charcoal or sanguine sketches. FSC certified.
Canson Graduate Mix Media pad of 200 g white paper. 20 sheets. Glued to 1 side. Fine-grained. Acid free. Multi-technical. FSC certified.
Canson pad of intense black paper. The smooth surface of the paper is ideal for drawing with pencil or with ink or acrylic markers. Acid free. 120 g. 20 sheets. Glued to 1 side.
Canson Graduate Bristol pads of extra white and smooth 180 g paper. 20 sheets. Glued to 1 side. Acid free. For precise pencil or marker drawings. FSC certified.
Canson C à grain 250 g paper pad in ocher and gray tones. It is designed for dry and some wet techniques such as inks and gouaches. Fine-grained. Acid free.
Canson XL Bristol spiral notebook for drawing and illustration. White and extra smooth satin paper of 180 g. Acid free. Very resistant to markers, water-based inks and all kinds of pencils.
Photo Luster Premium RC paper for photographic printing with acid-free base of alpha cellulose fibers covered with a polyethylene coated layer and a microporous receptor layer. Perfect for high-quality black and white or color photography.
Canson Infinity storage boxes specifically designed for storing and preserving your photos and documents. Includes 25 sheets of glassine paper. Surface covered with black paper that offers high resistance to water and light.
PhotoArt HD Canvas has been developed to provide excellent consistency in the structure and weave of the canvas. Glossy white with matte finish, exceptional print quality: wide color gamut, sharpness, high D-max ...
Canson PaperJet Cad paper roll of 96 g. White color. Measurement:0.61 x 46 m. Discontinued product.
Canson Opaque Cad paper roll of 90 g. Smooth opaque paper for printing. White color. Measurement: 0.841 x 50 m. Discontinued product.
PhotoGloss Premium RC offers exceptional Dmax (black density) and a wide color gamut. Designed to meet the highest conservation requirements.
Canson® Watercolor Paper now available in the Canson Infinity range. Authentic fine-grain watercolor paper treated to give spectacular ink-jet prints.
Paper with the highest gloss level on the RC photo paper market. More vivid colors and deeper blacks. It offers a very high resolution, reaching up to 5760 dpi.
Authentic barium paper developed for Inkjet technology. Museum quality paper. Excellent black density and high resolution. Ideal for black and white photography.
Paper with 500 years of history, now available in the Digital Fine Art & Photo range. Without optical brighteners, incomparable touch, fine and silky. Instant drying. Permanent stock of A4, A3, A3 + Rolls of 61 and 91cm for delivery in 24h / 48h
Pad designed for the practice of lettering with watercolor or mixed techniques. White satin grain paper. Free of acids and optical brighteners. 200 g. Glued to 1 side.
100% cotton, museum quality for digital art and photography editing. Aging resistance and durability of prints. Intense colors, deep blacks.
Pad designed for practicing lettering with markers, pens and pens. 180 g extra white paper. Satin grain. Acid free. Pad glued to 1 side.
Canson XL pad for oil and acrylic, 290 g paper, very resistant, high quality, acid-free and resistant to aging. It homogeneously absorbs water, solvents and binders. Non-lined paper, can be used on both sides.
Canson XL Fluid Mixed Media pad of 250 g, extra white and smooth. Ideal for acrylic, ink, marker, etc. The paper is very strong, can be used on both sides and is perfect for a fluid, clean and easy application. Acid free.
Canson XL Sand Grain pad of 160 g. Sandy texture for sketches and drawings with dry techniques such as pencil, pastel, charcoal, etc. Free of acid and bleaches, composed of renewable materials of biological origin and available in natural and gray color.
Canson Acrylic heavyweight paper 400gsm, highly absorbent and resistant, ideal for acrylic and other wet painting techniques as well as for glazes, washes and multiple layers. Natural white colour, without optical brighteners.
Canson Vegetal Satin paper for tracing, line drawing, reproduction processes, Chinese ink, pencil, etc. Transparent, microfine satin surface, perfect definition and contrast and weight between 110 and 115 g. Very resistant to erasure with rubber.
Canson Bristol 250 g paper pad 20 sheets 100% alpha cellulose. For all techniques that require a smooth surface. Resistant to erasing with rubber and scraping. It does not contain lignin so it does not yellow over time. Glued one side.
Canson Infinity 40 g glassine roll. Glazed cellulose pulp paper, very resistant, PH neutral, semi-transparent and fine. Light weight. Acid free and biodegradable. Special to protect and preserve any type of work.
Canson C á Grain Fino drawing paper is a white, slightly grained paper produced with 100% lignin-free cellulose. Ideal for pencil, charcoal, sketch and study.
Canson Tendance portfolio folder to transport drawings, sketches, illustrations, etc. Matte brown outer paper and inner kraft type paper. Bellows spine covered in black linen. Closure with two elastics. Protection in the corners.
Canson Brut portfolio, ideal for carrying illustrations, photographs, drawings, sketches, etc. Customisable non laminated grey cover, fabric covered spine, 2 elastic closures and corner protection.
Canson Guarro Basik paper drawing pad in microperforated spiral. Natural white paper, slightly satin, provides firmness and regularity on the surface. Suitable for pencil, wax and ink drawing. Rigid cardboard back.
Canson C á Grain drawing paper, white and slightly grained (fine grain). Ideal for pencil, charcoal, sketch and study. Partially suitable for wet techniques such as wash and watercolor. Made with alpha cellulose without lignin.
Canson Imagine multi-technique roll paper. 200 g paper, 100% cellulose, acid free, white, natural appearance and silky texture ideal for drawing with pencil, pastel, charcoal, etc. and wet techniques such as watercolor, gouache, ink, etc.
Canson Figueras paper is specially prepared to paint directly with oil and acrylic paint.
Canson 90 g Kraft paper pads. No optical brighteners or acid.
160 g Canson Blocks. They can be used with all dry techniques. Holds repeated deletions.
Canson Blocks of deep black paper, acid free, 150 g. One side smooth and the other slightly grainy.
Sewn notebook with 24, 30 or 36 sheets, depending on size. Customizable cover with Canson Mi-Teintes paper and Canson Crob'Art permanent paper (96 g / m2). Available in different colors and sizes.
Acid-free watercolor paper without optical brighteners, with anti-mold treatment. Very easy to use and make corrections to it.
Light grain, acid-free, 100% alpha cellulose paper. Glued in mass and on the surface, it resists erasure without deteriorating. Pure white color.
L'Aquarelle Canson® Héritage watercolor paper. Made from 100% cotton machine in a round shape to achieve its characteristic handmade paper texture without pigment build-up. Easy to correct both wet and dry.
Revolutionary Canson The Wall paper. Unique manufacturing procedure, resistant to alcohol-based markers and aerosol sprays. Specific for designers, illustrators and graffiti artists. The ink does not pass through after several applications.
New Canson The Wall paper resistant to alcohol-based markers and aerosol sprays. Thanks to a unique manufacturing process, the ink does not bleed through. Ideal for graffiti artists, illustrators and designers.
The Wall Canson pad with a revolutionary specific paper for graffiti artists, illustrators and designers. Completely opaque, the ink does not bleed through even after several applications. Resists alcohol-based markers and sprays.
Very white, acid-free paper that does not yellow over time. Natural and stable whiteness, with treatment against molds and cryptogams, and an alkaline reserve that neutralizes the migration of acids. For archiving, binding and framing.
Pastel paper with a special micro-abrasive surface that provides extreme grip on any dry technique.
Pastel paper with a special micro-abrasive surface that provides extreme grip on any dry technique.
Figueras paper is specially prepared to paint directly with oil and acrylic paint. It has a texture identical to linen fabric, and a special layer to absorb oil, binders and water. 1.40 x 10 m roll of paper.
Transparent matt polyester film, suitable for technical drawing, very resistant and with great dimensional stability. Its surface has been treated on both sides to reduce wear on the toes.
Transparent matt polyester film, suitable for technical drawing, very resistant and with great dimensional stability. Surface treated on both sides to reduce toe wear. Usable with all media.
High-end photo printing, digital art editing, or for all kinds of museum and art gallery applications. Resistant to aging. Fine-grained. Permanent stock of A4, A3, A3 + Rolls of 61 and 91cm for delivery in 24h / 48h
100% cotton paper. Slightly grainy texture reminiscent of traditional etching and art publishing papers. Offers greater resistance to aging.
100% cotton, it has the same characteristics as a traditional watercolor paper. It responds to the demands of galleries and museums. Waterproof.
Authentic 100% cotton watercolor paper, it has the same characteristics of a traditional fine art paper. Meets the strictest conservation standards.
High-end photo printing, digital art editing, or for all kinds of museum and art gallery applications. Resistant to aging. Fine-grained. Permanent stock of A4, A3, A3 + Rolls of 61 and 91cm for delivery in 24h / 48h
100% cotton. Used for years in the traditional photographic market but adapted with the latest technological innovations in paper coating.
PhotoGloss Premium RC offers exceptional Dmax (black density) and a wide color gamut. Designed to meet the highest conservation requirements.
100% cotton, ultra smooth, treated to print on both sides. Aging resistance and durability of prints. Intense colors, deep blacks.
100% cotton. Acid free. Two texture finishes (soft grain side and intense grain side) Special paper for engraving, drawing, digital printing and traditional art editing techniques: lithography, offset printing, sweet carving ...
XL MARKER pad is valid for all types of markers, whether water-based, alcohol-based or solvent-based. Its barrier system prevents the color from becoming transparent, leaving the ink on the surface. Gives solid colors a velvety finish.
The Canson XL Croquis pads are sketch pads made of 90gr acid-free and very fluffy drawing paper. Superior quality to Guarro's Sketch Pad. Drawing block designed for all kinds of notes (pencil, pastel, charcoal or sanguine).
Canson pad of XL Extra White paper of 90 gr. To make all kinds of notes, sketches and drawings with dry techniques such as pencil, pastel, charcoal or sanguine. Texture similar to Canson XL Croquis, acid free and with antifungal treatment.
Canson XL Recycled is a paper created exclusively as recycled drawing paper. It does not peel when erasing and allows you to work with materials such as lead tip, pencil, charcoal, ballpoint pen and even wet techniques such as ink, gouache or tempera.
Montval watercolor paper roll of 1.52 x 10 m. 185 or 300 gr.
Canson XL MIXED MEDIA pad 300gr paper for water-based mixed media. White paper. Its high grammage makes it an all-terrain for watercolour, acrylic or ink.
Figueras paper is specially prepared to paint directly with oil and acrylic paint.
Montval 400 gr acid-free paper is suitable for painting with acrylic.
Canson XL Aquarelle pads. Weight 300 g. Ideal for watercolour and a variety of wet techniques. Acid-free, cold-pressed paper. Excellent water erasability. Micro-perforated spiral on short side.
Canson vegetable paper with high transparency and a regular and satin surface.
Watercolor paper, mass-glued, natural white, made in a neutral medium, without acid, with treatment.
Watercolour paper, internally sized, natural white, neutral, acid-free.
Fine, semi-transparent glazed cellulose pulp paper. Neutral PH, 40 g / m2, light weight but high resistance. 100% biodegradable acid and chlorine free. Ideal as a conservation paper to protect documents, engravings, photographs ...
Ideal not only for pastel and dry techniques, but also for decoration and folding, thanks to its flexibility and lightfastness.
Ideal for cake, dry techniques, decoration and folding thanks to its flexibility and resistance to light qualities.
Ideal not only for cake and dry techniques, but also for decoration and folding, thanks to its flexibility and resistance to light qualities.
Figueras paper is specially prepared for direct painting with oil and acrylic paints. It has a texture identical to linen canvas, and a special coating to absorb oil paint, binders and water.
Canson Imagine Mix-Media pad for pencil, charcoal, chalk, graphite, tempera, gouache, watercolour and ink. 200 gsm 100% alpha-cellulose acid-free paper, flat machine-made and glued on the short side. Satin, natural white.
The first range of specific paper for illustration, comics and manga. Smooth textured paper resistant to scratching, tape and erasure. Extra-white, it offers an excellent contrast of colors and the use of the scanner.
Pad for dry drawing techniques. It allows working horizontality on two sheets in unison without the inconvenience of rings or curvatures inherent to gluing. 96 gr Crobart paper. Free of acids and optical brighteners. 80 sheets.
Drawing pad for sketching with a very resistant textured hard cover covered with Guarro Moletka Sedda. 100 sheets of 100 gsm C' a Grain paper. Available in four sizes.
Drawing pad designed for those who express their day to day in sketches and drawings. 112 sheets of 96gr Crobart paper. sewn on the spine. Acid free paper and optical brighteners. 4 sizes.