Classic Maimeri Blu watercolour paint reformulated, improved and updated. High quality extra fine watercolour paint from Italy. Perfection and purity of colour. Palette of 90 colours with high lightfastness even in highly diluted layers.
Maimeri Blu watercolours in half pans. Of great purity, fluidity, quality and high lightfastness. Extended palette of 90 colours of absolute pigment purity. Suitable for professionals and amateurs. Made in Italy.
Set of 6 Maimeri Blu watercolours in 12 ml tube. Perfect for arctic or snowy landscapes. Transparent, clean colours. Shades that blend perfectly with each other. No cutting powders or additives.
Set of 6 Maimeri Blu watercolours in 12 ml tube. Perfect for cityscapes with cheerful tones to represent beautiful cities like Venice. Pure, transparent and clean colours, with tones that blend perfectly with each other.
Set of 6 Maimeri Blu watercolours in 12 ml tube. Perfect for countryside and villa landscapes with greenish and earthy tones typical of the Tuscan region. Transparent and clean. Made with pure pigment, gum arabic and without additives.
Set of 6 Maimeri Blu watercolours in 12 ml tube. Perfect colours to represent desert and arid landscapes. Colours of absolute purity, transparent and clean. Bound with quality gum arabic. No additives.
Set of 6 Maimeri Blu watercolours in 12 ml tube. Perfect colours to represent the beauty of the Provence region and its lavender fields. Pure pigments, bound with gum arabic, transparent and clean. No additives.
Acrylic varnish for painting and decoration. Made from acrylic resin with white spirit. Contains UV filter that absorbs and protects the work from ultraviolet rays. Ideal for painting or outdoor exhibitions. Non-yellowing.
Ageing varnish that gives an antique look to the paint. Tends to yellow. Also used as a first coat before applying the Cracking Varnish which adds a crackle effect to your works.
Maimeri Artisti, oil colours of great purity, intensity and brightness. Made according to the original formulas of the painter Gianni Maimeri from 1922. Fine, pure pigments with high lightfastness, without waxes or additives. Non-yellowing.
Slow evaporating vegetable solvent made from essential oils extracted from conifer buds. Opaque colours. Sensitive to light and air. Suitable for cleaning brushes and palettes.
Black water-based acrylic primer. Very covering, adherent and fast drying. Ideal for oil painting and compatible with other types of paints and techniques.
Maimeri Classico are extra fine oil colours based on high-quality pigments (20-45% pigment per tube depending on pigment type). Maximum lightfastness. They do not yellow and contain no waxes or additives.
Very flexible varnish highly valued since ancient times. Natural Mastic resin from Chios (40%) turpentine. Can be added to Restauro colours.
Final varnish with amber tone that increases the shine and vividness of oil colours. Made with Dammar resin (40%), turpentine essence and alcohols. Tends to yellow.
Glossy spray varnish based on natural resin. Perfect for oil painting and restoration. In the long term, it tends to yellow slightly to an amber colour which does not alter the colours. Increases the brightness and vividness of the colours.
Drying medium based on thixotropic alkyd resin, mineral alcohols and a siccative that accelerates the drying of oil colours while maintaining viscosity.
Drying medium to accelerate the drying of oil paints. Reduces paint consistency. Made from linseed oil, petroleum essence, white spirit and dryers.
Ochre-toned detergent without ammonia. Made from anionic surfactant, sodium polyelectrolyte salt and carboxylic acid. Odourless and water soluble. Cleans oil paint residues from brushes, palette knives, palettes, etc. Non-toxic.
Colourless, organic thinner for oil paints. Softens the viscosity and facilitates the mixing of oil colours. Barely perceptible odour. Ideal alternative to traditional slow evaporating thinners. Miscible with water. Non-hazardous
Spray fixative to protect your drawings, pastels, tempera, charcoal and watercolours. Colourless and invisible when sprayed in a thin layer. Non-yellowing. Fast drying.
Universal varnish. Fixes and protects any painting, object or work. Clean, crystalline, non-yellowing solution. Transparent, colourless and slightly shiny. It enhances colours continuously with each coat.
Extra fine white primer, consisting of an acrylic resin in aqueous emulsion and titanium dioxide. Perfect as a primer. Fast drying and adhesion on all surfaces.
Bright varnish for oil based on ketonic resin, petroleum essence and white spirit. Very high protection factor, contains UV filter. Does not yellow. Reversible product with white spirit.
Extra fine gouache from Maimeri, consisting of selected pigments mixed with high-quality gum arabic. Opaque colours, matt finish with a silky touch, satin and very luminous. Very lightfast. Fast drying.
Impasto medium for oil paints based on safflower oil, desiccant and excipients. Perfect for thickening the paint, maintaining consistency and plasticity. Reduces the concentration of highly pigmented colours. Fast drying. Non-yellowing.
Rectified lavender essence. Slow drying medium for oil paints as a substitute for turpentine. Pleasant smelling thinner.
Oil based on refined linseed extract. Increases the brightness and glossiness of oil colours. Softens brushstrokes. Moderate drying time. Tends to yellow.
Natural varnish for oil paint made from natural mastic resin (31%) and turpentine essence. Very flexible and elastic, greatly increases paint gloss. Tends to yellow. Reversible product with turpentine essence.
Matt spray varnish for oil. Ideal for protecting your oil paints by adding depth to the colours. Generates a very resistant and colourless protective film. Fast drying.
Matte varnish that creates a resistant opaque film. Made from acrylic resin, white spirit and matting silica. Can be mixed with Maimeri Gloss Picture Varnish for different finishes.
Glossy varnish based on acrylic resin that revives colour tones. Alternative to traditional solvent-based varnishes. Easy to apply with brush or mottler. Non-yellowing.
Odourless and colourless thinner with moderate solvent power. Refined petroleum distillate free of aromatic hydrocarbons. Suitable for people sensitive to the smell of solvents. Do not abuse the quantity used in well ventilated places.
Low-absorbent primer based on alkyd resins for undercoating oil paintings. Ideal for oil paints, but can also be used for other painting techniques. No thinning is necessary.
Thinner that reduces the consistency of the colour without dissolving it. Made from mineral spirits and linseed oil. Alternative to the traditional thinner. Tends to yellow.
Translucent amber coloured medium for oil colours. Made from thixotropic alkyd resins (15%), mineral spirits and thickener. Improves the fluidity of the paint and the brushstroke. Increases the transparency of the colours. Easy to mix.
Adhesive mixture for fixing gold leaf. Mixture of linseed oil, turpentine, white spirit and siccatives. Easy to apply and compatible with many surfaces.
Colourless charcoal fixative based on synthetic resin, ethanol and acetone. Protects and fixes charcoal, pastel, pencil and chalk drawings. Darkens colours and makes them slightly more transparent. Non-yellowing. Fast drying. Flammable.
Light solvent based on refined petroleum distillate. Rapid evaporation with good solvent power. Suitable for cleaning brushes and palettes.
Ready-to-use, amber coloured crackle varnish. Apply with a brush to create crackle effects on your works. Compatible with Ageing Varnish to give an even more antique effect to your works.
Clear and colourless final varnish. Ketone resin (50%), isoparaffinic hydrocarbons. Apply delicately. Prevents the deterioration of Restauro colours. Dilute with thinner for Restauro.
Final varnish for oil paint. Based on acrylic resin, acetone and white spirit. Combines the flexibility and hardness of the resin components. Suitable for other painting techniques.
Glossy spray varnish for oil. Perfect for protecting your oil paints and bringing out the intensity of the colours by creating a very resistant and colourless protective film. Fast drying.
Maimeri Polycolor is ideal for painting large surfaces, outdoor murals, etc. Highly concentrated and mixable quality pigments. High covering power. Forms a very strong, resistant and elastic film after drying.
Black acrylic primer with smooth finish. Lightfast with good hiding power. Carbon Black based.
Maimeri Polycolor Body dense and pasty acrylic pastes with maximum lightfastness. Extremely malleable and modellable.
Acrylic primer with a cold white tone. Smooth and covering finish. Based on sodium polysulphide-aluminium silicate and titanium dioxide. Highly resistant to light.
Maimeri Polycolor Reflect. Reflective fine acrylic colours.
White acrylic primer with a smooth finish based on titanium dioxide with good covering power and lightfast.
Semi-drying poppy seed oil of extreme purity and high light fastness. Based on refined poppy seed extract. Non-yellowing, ideal for whites and very light colours. Slow drying.
Maimeri modelling clay of professional quality. Grey colour and soft but even texture, easy to model. As it does not dry in the air, it retains its properties. Ideal for model making and sculpting.
Maimeri Puro oil colour sample set. Contains five colours made from pigments of the highest quality and concentration, which are not mixed with substances such as waxes or additives. Bright and intense colour palette. Tubes of 15 ml.
Maimeri Puro oil colour made from concentrated pigments of the highest quality. Not mixed with other substances that could alter its properties. Highest quality and a fantastic selection of bright and intense single pigment colours.
Traditional vegetable solvent for oil paints made from essential oil extracted from conifer buds. Slow evaporation. Light and air sensitive. Tends to yellow. Suitable for cleaning brushes and palettes.
Smooth brushstrokes that leave no marks on the restored work. Fast drying in a few minutes. They do not produce any chromatic changes.
Light varnish for touch-up and restoration based on ketonic resin and mineral spirits. Moderate gloss and drying time. Does not yellow. Can be added to Restauro colours.
Light final varnish with moderate shine for oil painting and restoration. Made from ketonic resin (25%), white spirit and petroleum essence. Medium fast drying time.
Retouching and restoration spray varnish. Colourless and light. Slightly increases the gloss of the colour. Suitable for removing dull areas that form at paintwork intervals. Fast drying.
Semi-drying safflower oil that softens oil colours and makes them more fluid. Ideal for whites and very light colours. Does not yellow. Made from safflower seed extract (saffranon). Dries slowly.
Maimeri drying agent in spray format for oil paints.
Kneadable eraser. Material similar to chewing gum. Perfect for removing charcoal, graphite or coloured pencil and ideal for creating chiaroscuro, highlighting, etc. It does not lose pieces like traditional erasers, so it lasts longer.
Polymerized and refined linseed oil for oil painting. Softens brushstrokes and gives a very shiny finish to the painting. High viscosity. Tends to yellow.
Strong solvent based on amyl acetate, aromatic hydrocarbons, ethyl acetate and isopropyl alcohol. Ideal for restoration and removal of paints based on natural resins. Low degree of harmfulness.
Water-based liquid varnish from Maimeri, dense and glossy, suitable for watercolour, gouache and tempera. Protects the surface of the work, improves the lustre of the colours, does not yellow and dries transparently. Easy to apply.
Maimeri Terre Grezze d´Italia oil colours. Harmonious and warm colours made from pigments of ancient origin used by the Italian schools of painting. Dense body and larger pigment grain than the usual oil colours.
Thinner specific for Maimeri Restauro oil paint.
Colourless fixative varnish spray. For universal use. Perfect for fixing and protecting documents, watercolours, prints, pencil or charcoal drawings, tempera or oil paints, etc. Invisible when applied in a thin layer. Fast drying.
Varnish for oil paint based on ketonic and acrylic resin, white spirit and poppy seed oil. It can be mixed with oil colours to delay drying and increase the brightness, adhesion and elasticity.
Amber-coloured solution based on Venetian turpentine (91%) and mineral spirits, which can be used as a medium for oil paints. Increases the elasticity and lustre of the paint. Also used as a medium for powder pigments in ceramic colours.
Walnut oil for quick-drying oil painting. Made from refined walnut kernel extract that increases the brightness of colours. Does not yellow.
Matt varnish based on acrylic resin that increases the opacity and depth of colour shades. Alternative to traditional solvent-based varnishes. Easy to apply with brush or mottler. Non-yellowing.
Extra fine, white primer with smooth finish for acrylic paints. Fast drying.
Thinner for oil paints based on refined petroleum distillate containing less than 20% aromatic hydrocarbons. Good solvent power with moderate evaporation and suitable for cleaning brushes and palettes.
