Escoda Futura Series 5424 long flat brush. Ideal for covering large surfaces and fine details. Synthetic fibres imitating Chungking bristle. Offers resistance and excellent absorption capacity for oils and acrylics. Long handle.
Escoda Futura Series 5420 synthetic flat brush. Ideal for straight lines, sharp edges and covering large areas. Imitates Chungking bristle and offers durability, strength and high absorption capacity for oils and acrylics. Long handle.
Escoda Futura Series 5418 long filbert brush. Long handle. Ideal for details and large areas. With synthetic fibres imitating Chungking bristle, hard, soft and with excellent absorption capacity for oils and acrylics.
Escoda Futura Series 5414 filbert brush. Ideal for covering medium sized areas with precision. Synthetic fibre imitating Chungking bristle, resistant and soft. Long handle. Great colour-holding capacity for working with oils and acrylics.
Escoda Futura Series 5410 short filbert brush. Ideal for controlled detail and layered painting. Synthetic fibre imitating natural Chungking bristle. High hardness and resistance with oils and acrylics. It has a long handle with a natural texture.
Escoda Futura Series 5400 synthetic round brush. Ideal for fine details and precise work. Imitates natural Chungking bristle. Offers hardness and softness with oils and acrylics. Great colour-holding capacity. Long handle with natural texture.
Escoda Futura Series 5430 fan brush. Ideal for textures, blending, special effects, etc. Synthetic fibres imitating Chungking bristle, very resistant and with high absorption capacity. Perfect for oil and acrylic colours. Long unvarnished handle.
Escoda Versatil filbert. Synthetic fibre alternative to Kolinsky sable brushes due to their similar properties. Enables even and fluid brushstrokes. Ideal for oil and acrylic painting.
Escoda Versatil is a range of synthetic brushes that are a perfect alternative to Kolinsky sable brushes as they have almost the same performance. Perfect for watercolour, oil and acrylic to create fine details.
Escoda Versatil is a range of synthetic brushes that are a perfect alternative to Kolinsky sable brushes as they have almost the same performance. Perfect for watercolour, oil and acrylic to create fine details.
Escoda Versatil is a range of synthetic brushes that are a perfect alternative to Kolinsky sable brushes as they have almost the same performance. Perfect for watercolour, oil and acrylic to create fine details.
Escoda Versatil is a range of synthetic brushes that are a perfect alternative to Kolinsky sable brushes as they have almost the same performance. Perfect for watercolour, oil and acrylic to create fine details.
Escoda Vintage flat brushes made of synthetic fibre with a long brush tip for oil and acrylic. The fibre used for this series is of medium hardness, high elasticity and is very similar to natural hair in terms of its properties and use.
Escoda Vintage round brush for oil and acrylic paints, made of two-coloured synthetic fibre, very similar to natural hair in terms of behaviour and application. Resistant and very elastic. Medium hardness. Long handle and nickel-plated brass ferrule.
Escoda Vintage fan brush for oil and acrylic, made of two-coloured synthetic fibre, developed by Escoda as an alternative to natural hair. Medium hardness and fantastic elasticity and resistance. Long handle and nickel-plated ferrule.
Escoda Vintage filbert brush made of two-coloured synthetic fibre. Developed for oil and acrylic colours. Medium hardness, excellent elasticity and resistance, very similar to natural hair. Long handle and nickel-plated brass ferrule.
Escoda Vintage flat brushes for oil and acrylic, made of synthetic fibres of medium hardness, excellent elasticity and properties very similar to those of natural hair. Developed by Escoda. Long handle and nickel-plated brass ferrule.
Escoda Chronos filbert brush, series 3156, made of golden Toray synthetic fibre (90%) and natural red sable hair (10%). High resilience. Elastic. Very resistant. For oil, gouache, acrylic, etc. Long, blue lacquered handle. Nickel ferrule.
Escoda Chronos flat brush, series 3152, made of golden Toray synthetic fibre (90%) and natural red sable hair (10%). Very resistant, elastic and with high colour absorption capacity. Ideal for oil and acrylic painting. Long handle and nickel ferrule.
Escoda Chronos round brush, series 3151, made of golden Toray synthetic fibre (90%) and natural red sable hair (10%). Very absorbent, elastic and resilient. For oil, acrylic, gouache, etc. Long handle. Nickel-plated ferrule.
Restore bristle brush, round, 7501 series, natural bristle hair. Long handle with ergonomic design. Developed for decorative techniques, chalk paint, oil and acrylic paint.
Round bristle brush made from natural Chungking bristle. Oval hair end. Ergonomic long handle made from unvarnished wood. Suitable for decorative techniques, oil, acrylic and varnish.
Escoda Patent round bristle brush from the 7700 series, long natural bristle hair with a flat finish. Long unvarnished wooden handle. Suitable for oil, acrylic, varnish, enamel, chalk paint and decorative techniques.
Restore bristle brush, oval, Series 7601. Natural bristle hair. Short unvarnished wooden handle. Ideal for decorative techniques, varnishes, chalk paint, oil and acrylic paint.
Restore bristle brush, Series 7701. Natural bristle hair. Short wooden handle. Suitable for oil paints, acrylic paints, varnishes, enamels, chalk paints and decorative techniques.
Restore mottler brush double thickness, series 8401, with natural bristle hair. Short wooden handle. Ideal for applying oil colours, acrylic paints, varnishes, enamels and any decorative technique.
Filbert brush from Escoda with long brush tip. White Chungking bristle hair, high spring, highly flexible, very strong and durable. Ideal for oil paints, decorative techniques, varnishes, enamels and acrylic paints. Long, glossy lacquered handle.
Elegant case made of lacquered beech wood with 6 Escoda Clasico filbert brushes, 4729 series, made of white Chungking bristle. Long handle, for oil and acrylic painting. Metal clamps and removable tray.
Escoda mottler brush made of badger hair from the 6835 series for imitations and special effects on marble, plaster, stone or wood. Top quality, with short lacquered beech wood handle and natural badger hair in boxwood holder.
Escoda Marfil round brush from the 4475 series made of Chengdu synthetic fibre. Long, red lacquered handle. For oil and acrylic painting. The Chengdu synthetic fibre is an imitation of natural bristle, which ensures soft and long-lasting brushstrokes.
Escoda Marfil filbert brush from the 4460 series made of Chengdu synthetic fibre. Long, red lacquered handle. For oil and acrylic painting. Chengdu synthetic fibre is an imitation of natural bristle, which ensures soft and long-lasting brushstrokes.
Escoda Marfil flat brush from the 4450 series made of Chengdu synthetic fibre. Long, red lacquered handle. For oil and acrylic painting. The Chengdu synthetic fibre is an imitation of natural bristle, which ensures soft and long-lasting brushstrokes.
Escoda Bravo mottler brush made from light-coloured ox ear hair. Matt lacquered handle. Mixed media.
Escoda Bravo brush made from ox ear hair. Round and pointed. Short, red lacquered handle. Mixed media. Series 1820.
Escoda Bravo brush made from light-coloured ox ear hair. Round and pointed. Short, red lacquered handle. Mixed media. Series 1619.
Escoda Bravo flat brush made from light-coloured ox ear hair. Short, red lacquered handle. Mixed media. Series 1616.
Escoda Arco fan brushes made of badger hair, Series 4338. This medium-hard hair is characterised by its elasticity and length as well as its colour combination. Ideal for acrylic and oil colours. Long handle and nickel-plated ferrule.
Escoda Versatil is a range of synthetic brushes that are a perfect alternative to Kolinsky sable brushes as they have almost the same performance. Perfect for watercolour, oil and acrylic to create fine details.
Tadami fibre is the synthetic version of mongoose hair. The Modernista series has a very natural look and feel. This series has a good spring and response to the brushstroke, especially for acrylic and oil painting.
Tadami fibre is the synthetic version of mongoose hair. The Modernista series has a very natural look and feel. This series has a good spring and response to the brushstroke, especially for acrylic and oil painting.
Tadami fibre is the synthetic version of mongoose hair. The Modernista series has a very natural look and feel. This series has a good spring and response to the brushstroke, especially for acrylic and oil painting.
The bristle brush is the brush that has always been traditionally used for oil painting. The bristle of the CLASICO range is obtained from the white Chinese Chungking pig and is of the highest quality.
The bristle brush is the brush that has always been traditionally used for oil painting. The bristle of the CLASICO range is obtained from the white Chinese Chungking pig and is of the highest quality.
Brush set, recommended by the talented Chilean artist Guillermo Muñoz Vera, consisting of three pointed round brushes from the Primera series made of Teijin fibre, nos. 1, 2 and 4.
Special edition brush set recommended by the great Spanish painter Antonio Lopez. Includes 3 white bristle brushes: 2 flat and 1 round. Perfect for oil and acrylic painting.
Kolinsky Tajmyr sable hair. Ideal for oil and acrylic painting.
Kolinsky Tajmyr sable hair. Ideal for oil and acrylic painting.
Kolinsky Tajmyr sable hair. Ideal for oil and acrylic painting.
White bristle hair. Suitable for washing out. Ideal for oil and acrylic painting.
White bristle hair. Ideal for oil and acrylic painting.
White bristle hair. Ideal for oil and acrylic painting.
White bristle hair. Ideal for oil and acrylic painting.
White bristle hair. Ideal for backgrounds.
Teijin synthetic fibre. Ideal for backgrounds.
Teijin synthetic fibre. Ideal for oil and acrylic painting.
Teijin synthetic fibre. Ideal for oil and acrylic painting.
Teijin synthetic fibre. Ideal for oil and acrylic painting.
