Increases gloss and transparency. Can be used on paper, cardboard, canvas, linen and wood. Made from pure gum arabic. Dilutable in warm water with glycerine.
Elegant wooden case with the complete range of Old Holland Classic oil colours. A total of 168 tubes of 40 ml in two trays. Limited edition.
Old Holland Classic Oil Colours Introductory Set with 6 x 18 ml tubes. High-quality basic colours with high pigmentation and a balanced texture. They are opaque, vibrant and lightfast. Ideal for getting started with oil painting with professional results.
Old Holland Standard Set 1 with 10 Classic Oil Paint tubes of 18 ml. Intense and durable colours, made with exclusive pigments and premium linseed oil. They offer high opacity, exceptional shine and lightfastness.
Old Holland Standard Set 1 with 10 Classic Oil Colours in 40 ml tubes. Rich pigmentation, outstanding coverage and luminosity. A blend of tradition and modernity. Superb lightfastness. Ideal for both demanding artists and dedicated beginners.
Old Holland Standard Set 2 with 10 Classic Oil Colours in 40 ml tubes. Highly pigmented, opaque and durable. Ideal for painting all types of subjects with both traditional and modern colours. Excellent lightfastness.
Old Holland extra fine oil colours. Highest quality. Produced according to the traditional method of the Dutch school since the 17th century. Considered one of the best oil colours in the world. Very thick and dense. High pigment concentration.
Watercolours with the maximum quality and concentration that each colour allows.
Cold-pressed and bleached linseed oil. Must be diluted with turpentine or white spirit Increases the colour flow of the oil paint. Disguises the brushstrokes. Enhances the lustre. Shortens the drying time.
Made from high-quality dammar resin. Glossy surface. Protects the painting from external influences. Refreshes matt areas. Homogenises the gloss of the entire painting. Dries quickly.
Refreshes dull areas and gives the paint temporary protection. Dries in a few hours. Once the colour has dried well, it will no longer yellow. Made from dammar resin dissolved in turpentine.
Light, non-yellowing, glossy varnish for protecting paintings. Made from ketone resin dissolved in turpentine. Can be used approximately one year after the paint has dried perfectly.
Increases the fluidity of oil paint. Makes the brushstrokes disappear. Increases the gloss, but prolongs the drying time. Can be diluted with turpentine.
Pasty varnish. Very glossy finish. Must be thinned with turpentine. Apply one year after completion of the work.
Light, non-yellowing, matt varnish for the protection of paintings. Made from ketone resin dissolved in turpentine with an addition of beeswax to maintain the matt character. To be used approximately one year after the paint has dried.
Glazing medium particularly designed for the glacis painting technique.
It gives the paint a higher gloss than when it comes out of the tube. Does not contain thickeners. Can be used in the desired ratio.
Contains no thickeners. Can be mixed with Old Holland New Masters Acrylics in the desired ratio. Dries to a matt, durable film.
Contains no thickeners. Can be mixed with Old Holland New Masters Acrylics in the desired ratio. Dries to a silky matt, durable film.
Universal gel for achieving pearlescent or iridescent effects with normal colours. The best results are achieved with a ratio of 80% gel and 20% acrylic colour.
To be used as a universal screen printing medium.
Gives the work a glossy finish that accentuates the colours of the painting and prevents yellowing. Protects against UV rays.
Gives the work a matt finish that softens the shine of the colour and prevents yellowing. Protects against UV rays.
Gives the work a satin finish that slightly accentuates the colours of the painting and prevents yellowing. Protects against UV rays.
Lightfast primer, available in 8 colours. Can be applied to canvas, paper, wood, stone and other surfaces. Suitable as a primer for acrylic, watercolour, oil and tempera.
A range of Old Holland acrylic paints that are indistinguishable from his oil paints at first glance thanks to their colour intensity and sheen. Excellent adhesion, ideal performance in both thin and thick layers.
Developed by Old Holland for creating thick, solid layers of paint. After drying, it has a transparent finish.
Developed by Old Holland for creating thick, solid layers of paint. After drying, it has a transparent finish.
Developed by Old Holland for creating thick, solid layers of paint. After drying, it has a transparent finish.
Gel with a higher viscosity than New Masters Acrylics.
Gel with a higher viscosity than New Masters Acrylics.
Gel with a higher viscosity than New Masters Acrylics.
This gel is much thicker than acrylic and allows thick layers of paint to be applied. High Build Gel has a semi-opaque finish.
This gel is much thicker than acrylic and allows thick layers of paint to be applied. High Build Gel has a semi-opaque finish.
This gel is much thicker than acrylic and allows thick layers of paint to be applied. High Build Gel has a semi-opaque finish.
Extends the drying time without changing the viscosity and density of the colour. Add a maximum of 10% and mix well with the colour.
It has a lower viscosity than Old Holland New Masters Acrylic and transforms the colour into a flowing acrylic.
It has a lower viscosity than Old Holland New Masters Acrylic and transforms the colour into a flowing acrylic.
It has a lower viscosity than Old Holland New Masters Acrylic and transforms the colour into a flowing acrylic.
Increases the transparency of the colour. The gels are thicker than the mediums and keep the density of the Old Holland acrylic unchanged and are indispensable in the impasto process.
Increases the transparency of the colour. The gels are thicker than the mediums and keep the density of the Old Holland acrylic unchanged and are indispensable in the impasto process.
Increases the transparency of the colour. The gels are thicker than the mediums and keep the density of the Old Holland acrylic unchanged and are indispensable in the impasto process.
Thins the oil paint and increases colour flow. Reduces the gloss. The brushstroke remains visible. Consists of a mixture of linseed oil and turpentine oil. Contains no resins or siccatives.
Thins the oil paint and increases colour flow. Reduces the gloss and accelerates the drying time. The brushstroke remains visible. Consists of a mixture of linseed oil and turpentine.
For cleaning the varnish layer. Due to the beeswax it contains, the painting becomes matt after drying. It must be diluted with turpentine.
Obtained from the first pressing of poppy seeds. Retains many of the properties of linseed oil, yellows less and dries more slowly. Suitable for light colours.
Removable temporary protection. Increases the gloss on matt surfaces. Based on acetone and white spirit. Fast drying.
Volatile thinner for oil paints. Reduces the greasy consistency of oil colours and cleans utensils.
Boiled linseed oil. Improves the colour flow. Dries more slowly and is darker than refined linseed oil.
Volatile thinner for oil paints. Makes the paint less greasy, softens the brushstroke and cleans the material.
White siccative medium. Accelerates the drying time of oil colours.
