Excellent screen printing paper. 100% cotton. Produced on a cylinder mould machine. Without acids and optical brighteners. Deckled edges on 4 sides. Very smooth, satiny surface. Unglued, absorbs colour easily and thus prevents smudging.
Arches travel pad made of 100% cotton paper for watercolour and wet techniques. Metal spiral binding. Each pad contains sheets of acid-free, natural white 100% cotton paper with a grammage of 300 gsm.
The Arches sketchpad with ribbed surface is a great value choice for artists. Lightweight pads, perfect for quick sketches. Excellent for pencil, pen and ink, charcoal and pastels. 20 sheets of acid-free paper, 105 gsm.
High-quality Arches drawing paper pads made from 100% cotton. 2 sizes and colours (light white: 180 gsm and cream: 200 gsm). Ideal for pencil, pen, ink, charcoal and pastel. Sturdy backing for working outdoors.
Ingres paper is particularly suitable for pastel, charcoal, sanguine, pencil and ink drawings and generally for all dry techniques. It can also be used in printing techniques, although it is not specifically designed for this purpose.
Arches Huile is a paper specially formulated for use with oil colours and requires no preparation. It retains the appearance of traditional Arches papers. 300 gsm.
Arches Huile is a paper specially formulated for use with oil colours and requires no preparation. It retains the appearance of traditional Arches papers. 300 gsm.
Arches Huile is a paper specially formulated for use with oil colours and requires no preparation. It retains the appearance of traditional Arches papers. 300 gsm. Roll 1.30 x 9.15 m.
Paper made from 100% cotton, produced on a cylinder mould machine. Free from acids and optical brighteners. Alkaline reserve, deckled edges on four sides and watermark. For all artistic processing techniques.
100% cotton, made on a cylinder mould machine. Acid-free and free from optical brighteners. Alkaline reserve, deckled edges on all four sides and watermark.
100% cotton, made on a cylinder mould machine. Acid-free and free from optical brighteners. Alkaline reserve, deckled edges on all four sides and watermark.
Arches Velin BFK Rives printing paper roll. 100% cotton, 300 gsm, produced on a cylinder mould machine. Free of acid and optical brighteners. Alkaline reserve. Deckled edges on two sides. For all printing techniques: lithography, etching, screen printing, etc.
Arches Velin Cover White 100% cotton paper, produced on a cylinder mould machine, free from acid and optical brighteners. PH-neutral, deckled edges on four sides and watermark. For all artistic processing techniques. Cold pressed and natural white.
Arches watercolour pads ideal for travelling and outdoor painting. Suitable for both professional artists and students. Each pad contains sheets of acid-free, natural white 100% cotton paper. Grammage of 185 and 300 gsm.
Arches watercolour paper pads, produced on a cylinder mould machine, 100% cotton, natural white. This paper ages without yellowing and without changing the colour of the pigments.
Arches watercolour paper is an acid-free paper made from 100% cotton, which gives it strength, stability and a characteristic feel.
Arches watercolour paper, 100% cotton, acid-free, very resistant, stable and with a characteristic feel. Produced in the old style on a cylinder mould machine, resulting in a harmonious and varied grain.
Arches watercolour paper is an acid-free paper made from 100% cotton, which gives it strength, stability and a characteristic feel.
Arches watercolour paper is an acid-free paper made from 100% cotton, which gives it strength, stability and a characteristic feel.
Arches bright white watercolour paper. 100% cotton. Made in the old style on a cylinder mould machine, which gives a harmonious and varied grain, without brighteners or bleaching agents.
Arches bright white watercolour paper. 100% cotton. Made in the old style on a cylinder mould machine, which gives a harmonious and varied grain, without brighteners or bleaching agents.
Arches watercolour paper, made on a cylinder mould machine from 100% cotton, very strong and stable. Natural white. Ages without yellowing or changing the colour of the pigments. Ideal for wet techniques, watercolour, washes, ink and acrylic.
