Elegant wooden case with the complete range of Old Holland Classic oil colours. A total of 168 tubes of 40 ml in two trays. Limited edition.
Watercolours with the maximum quality and concentration that each colour allows.
For cleaning the varnish layer. Due to the beeswax it contains, the painting becomes matt after drying. It must be diluted with turpentine.
White siccative medium. Accelerates the drying time of oil colours.
Increases gloss and transparency. Can be used on paper, cardboard, canvas, linen and wood. Made from pure gum arabic. Dilutable in warm water with glycerine.
Volatile thinner for oil paints. Makes the colour less greasy, makes the brushstroke smoother and cleans the material.
Gives the work a glossy finish that accentuates the colours of the painting and prevents yellowing. Protects against UV rays.
Gives the work a matt finish that softens the shine of the colour and prevents yellowing. Protects against UV rays.
Gives the work a satin finish that slightly accentuates the colours of the painting and prevents yellowing. Protects against UV rays.
Refreshes dull areas and gives the paint temporary protection. Dries in a few hours. Once the colour has dried well, it will no longer yellow. Made from dammar resin dissolved in turpentine.
Light, non-yellowing, matt varnish for the protection of paintings. Made from ketone resin dissolved in turpentine with an addition of beeswax to maintain the matt character. To be used approximately one year after the paint has dried.
Light, non-yellowing, glossy varnish for protecting paintings. Made from ketone resin dissolved in turpentine. Can be used approximately one year after the paint has dried perfectly.
Removable temporary protection. Increases the gloss on matt surfaces. Based on acetone and white spirit. Fast drying.
Pasty varnish. Very glossy finish. Must be thinned with turpentine. Apply one year after completion of the work.
Made from high-quality dammar resin. Glossy surface. Protects the painting from external influences. Refreshes matt areas. Homogenises the gloss of the entire painting. Dries quickly.
Increases the fluidity of oil paint. Makes the brushstrokes disappear. Increases the gloss, but prolongs the drying time. Can be diluted with turpentine.
Cold-pressed and bleached linseed oil. Must be diluted with turpentine or white spirit Increases the colour flow of the oil paint. Disguises the brushstrokes. Enhances the lustre. Shortens the drying time.
Obtained from the first pressing of poppy seeds. Retains many of the properties of linseed oil, yellows less and dries more slowly. Suitable for light colours.
Boiled linseed oil. Improves the colour flow. Dries more slowly and is darker than refined linseed oil.
Gel with a higher viscosity than New Masters Acrylics.
Gel with a higher viscosity than New Masters Acrylics.
Increases the transparency of the colour. The gels are thicker than the mediums and keep the density of the Old Holland acrylic unchanged and are indispensable in the impasto process.
Increases the transparency of the colour. The gels are thicker than the mediums and keep the density of the Old Holland acrylic unchanged and are indispensable in the impasto process.
Increases the transparency of the colour. The gels are thicker than the mediums and keep the density of the Old Holland acrylic unchanged and are indispensable in the impasto process.
It has a lower viscosity than Old Holland New Masters Acrylic and transforms the colour into a flowing acrylic.
It has a lower viscosity than Old Holland New Masters Acrylic and transforms the colour into a flowing acrylic.
It has a lower viscosity than Old Holland New Masters Acrylic and transforms the colour into a flowing acrylic.
Extends the drying time without changing the viscosity and density of the colour. Add a maximum of 10% and mix well with the colour.
Glazing medium that is particularly suitable for the glacis painting technique.
It gives the colour a higher gloss than when removed from the tube. Does not contain thickeners. Can be used in the desired ratio.
Contains no thickeners. Can be mixed with Old Holland New Masters Acrylics in the desired ratio. Dries to a matt, durable film.
Contains no thickeners. Can be mixed with Old Holland New Masters Acrylics in the desired ratio. Dries to a silky matt, durable film.
Universal gel for achieving pearlescent effects or iridescent effects with normal colours. The best results are achieved with a ratio of 80% gel and 20% acrylic colour.
Can be used as a universal screen printing medium.
Thins the oil paint and increases colour flow. Reduces the gloss. The brushstroke remains visible. Consists of a mixture of linseed oil and turpentine oil. Contains no resins or siccatives.
Thins the oil paint and increases colour flow. Reduces the gloss and accelerates the drying time. The brushstroke remains visible. Consists of a mixture of linseed oil and turpentine.
Volatile thinner for oil paints. Makes the colour less greasy and cleans the material. Obtained by petroleum distillation.
Developed by Old Holland for thick, solid layers of colour. After drying, it has a transparent finish.
Developed by Old Holland for thick, solid layers of colour. After drying, it has a transparent finish.
Developed by Old Holland for thick, solid layers of colour. After drying, it has a transparent finish.
This gel is much thicker than acrylic and allows thick layers of colour to be applied. The high build gel has a semi-opaque surface.
This gel is much thicker than acrylic and allows thick layers of colour to be applied. The high build gel has a semi-opaque surface.
This gel is much thicker than acrylic and allows thick layers of colour to be applied. The high build gel has a semi-opaque surface.
Gel with a higher viscosity than New Masters Acrylics.
Lightfast primer, available in 8 colours. Can be applied to canvas, paper, wood, stone and other surfaces. Suitable as a primer for acrylic, watercolour, oil and tempera.
Old Holland extra fine oil colours. Highest quality. Produced according to the traditional method of the Dutch school since the 17th century. Considered one of the best oil colours in the world. Very thick and dense. High pigment concentration.
A range of Old Holland acrylic paints that are indistinguishable from his oil paints at first glance thanks to their colour intensity and sheen. Excellent adhesion, ideal performance in both thin and thick layers.