Escoda Versatil filbert. Synthetic fibre alternative to Kolinsky sable brushes due to their similar properties. Enables even and fluid brush strokes. Ideal for oil and acrylic painting.
Escoda Clásico pointed round brush, series 5231, perfect for oil and acrylic painting thanks to the natural hardness of its high-quality white Chungking bristle hairs. Brass metal ferrule and long, matt lacquered handle.
Filbert flat brush made of high-quality, natural, white Chungking bristle hair, Escoda Clásico, Series 4929, ideal for oil and acrylic painting. Long, matt lacquered handle and seamless, nickel-plated brass ferrule.
Escoda Chronos flat brush, series 3152, made of golden Toray synthetic fibre (90%) and natural red sable hair (10%). Very resistant, elastic and with high colour absorption capacity. Ideal for oil and acrylic painting. Long handle and nickel ferrule.
Escoda Chronos filbert brush, series 3156, made of golden Toray synthetic fibre (90%) and natural red sable hair (10%). High resilience. Elastic. Very resistant. For oil, gouache, acrylic, etc. Long, blue lacquered handle. Nickel ferrule.
Escoda Chronos round brush, series 3151, made of golden Toray synthetic fibre (90%) and natural red sable hair (10%). Very absorbent, elastic and resilient. For oil, acrylic, gouache etc. Long handle. Nickel-plated ferrule.
Escoda Vintage round brush for oil and acrylic paints, made of two-coloured synthetic fibre, very similar to natural hair in terms of behaviour and application. Resistant and very elastic. Medium hardness. Long handle and nickel-plated brass ferrule.
Escoda Vintage filbert brush made of two-coloured synthetic fibre. Developed for oil and acrylic colours. Medium hardness, excellent elasticity and resistance, very similar to natural hair. Long handle and nickel-plated brass ferrule.
Escoda Vintage flat brushes for oil and acrylic, made of synthetic fibres of medium hardness, excellent elasticity and properties very similar to those of natural hair. Developed by Escoda. Long handle and nickel-plated brass ferrule.
Escoda Vintage flat brushes made of synthetic fibre with a long brush tip for oil and acrylic. The fibre used for this series is of medium hardness, high elasticity and is very similar to natural hair in terms of its properties and use.
Escoda Vintage fan brush for oil and acrylic, made of two-coloured synthetic fibre, developed by Escoda as an alternative to natural hair. Medium hardness and fantastic elasticity and resistance. Long handle and nickel-plated ferrule.
Filbert brush from Escoda with long brush tip. White Chungking bristle hair, high bounce, highly flexible, very strong and durable. Ideal for oil paints, decorative techniques, varnishes, enamels and acrylic paints. Long, glossy lacquered handle.
Escoda Bravo flat brush made from light-coloured ox ear hair. Short, red lacquered handle. Mixed media. Series 1616.
Escoda Bravo brush made from light-coloured ox ear hair. Round and pointed. Short, red lacquered handle. Mixed media. Series 1619.
Escoda Bravo brush made from ox ear hair. Round and pointed. Short, red lacquered handle. Mixed media. Series 1820.
Elegant case made of lacquered beech wood with 6 Escoda Clásico filbert brushes, 4729 series, made of white Chungking bristle. Long handle, for oil and acrylic painting. Metal clamps and removable tray.
Set of 6 Escoda brushes made from natural squirrel hair for lettering. Special edition El Deletrista. Selected by the well-known traditional sign painter Adrián Pérez and presented in a case with an engraved wooden box and a stand.
Set of 6 Escoda brushes made from Tendo fibre. Lettering special edition El Deletrista. Presented in an engraved wooden box with rubber holders and an elegant cardboard case. Selected by the renowned traditional sign painter Adrián Pérez.
Escoda Arco fan brushes made of badger hair, Series 4338. This medium-hard hair is characterised by its elasticity and length as well as its colour combination. Ideal for acrylic and oil colours. Long handle and nickel-plated ferrule.
Escoda Marfil flat brush from the 4450 series made of Chengdu synthetic fibre. Long, red lacquered handle. For oil and acrylic painting. The Chengdu synthetic fibre is an imitation of natural bristle, which ensures soft and long-lasting brushstrokes.
Escoda Marfil filbert brush from the 4460 series made of Chengdu synthetic fibre. Long, red lacquered handle. For oil and acrylic painting. Chengdu synthetic fibre is an imitation of natural bristle, which ensures soft and long-lasting brushstrokes.
Escoda Marfil round brush from the 4475 series made of Chengdu synthetic fibre. Long, red lacquered handle. For oil and acrylic painting. The Chengdu synthetic fibre is an imitation of natural bristle, which ensures soft and long-lasting brushstrokes
Light-coloured ox ear hair. Ideal for fine contours and fine lines.
Teijin synthetic fibre. Ideal for oil and acrylic painting.
Teijin synthetic fibre. Ideal for oil and acrylic painting.
Teijin synthetic fibre. Ideal for oil and acrylic painting.
White bristle hair. Ideal for oil and acrylic painting.
White bristle hair. Ideal for oil and acrylic painting.
White bristle hair. Ideal for oil and acrylic painting.
White bristle hair. Suitable for washing out. Ideal for oil and acrylic painting.
Kolinsky Tajmyr sable hair. Ideal for oil and acrylic painting.
Kolinsky Tajmyr sable hair. Ideal for oil and acrylic painting.
Kolinsky Tajmyr sable hair. Ideal for oil and acrylic painting.
Two sets of brushes in a special edition, recommended by the great Spanish painter Antonio Lopez. Limited edition. One consists of three pointed mongoose round brushes and the other of three white bristle brushes (two flat and one round).
Brush set, recommended by the talented Chilean artist Guillermo Muñoz Vera, consisting of three pointed round brushes from the Primera series made of Teijin fibre, nos. 1, 2 and 4.
The bristle brush is the brush that has always been traditionally used for oil painting. The bristle of the CLÁSICO range is obtained from the white Chinese Chungking pig and is of the highest quality.
The bristle brush is the brush that has always been traditionally used for oil painting. The bristle of the CLÁSICO range is obtained from the white Chinese Chungking pig and is of the highest quality.
Tadami fibre is the synthetic version of mongoose hair. The Modernista series has a very natural look and feel. This series has a good bounce and response to the brush stroke, especially for acrylic and oil painting.
A perfect combination of the best hairs from the tail of the female and the male Kolinsky sable creates one of the ideal brushes for watercolours. It is also appreciated in acrylic and oil colours with low viscosity.
Tadami fibre is the synthetic version of mongoose hair. The Modernista series has a very natural look and feel. This series has a good bounce and response to the brush stroke, especially for acrylic and oil painting.
Tadami fibre is the synthetic version of mongoose hair. The Modernista series has a very natural look and feel. This series has a good bounce and response to the brush stroke, especially for acrylic and oil painting.
Escoda Versatil is a range of synthetic brushes that are a perfect alternative to Kolinsky sable brushes as they have almost the same performance. Perfect for watercolour, oil and acrylic to create fine details.
Escoda Versatil is a range of synthetic brushes that are a perfect alternative to Kolinsky sable brushes as they have almost the same performance. Perfect for watercolour, oil and acrylic to create fine details.
Escoda Versatil is a range of synthetic brushes that are a perfect alternative to Kolinsky sable brushes as they have almost the same performance. Perfect for watercolour, oil and acrylic to create fine details.
Escoda Versatil is a range of synthetic brushes that are a perfect alternative to Kolinsky sable brushes as they have almost the same performance. Perfect for watercolour, oil and acrylic to create fine details.
Escoda Versatil is a range of synthetic brushes that are a perfect alternative to Kolinsky sable brushes as they have almost the same performance. Perfect for watercolour, oil and acrylic to create fine details.