Arches watercolour paper, made on a cylinder mould machine from 100% cotton, very strong and stable. Natural white. Ages without yellowing or changing the colour of the pigments. Ideal for wet techniques, watercolour, washes, ink and acrylic.
Arches watercolour paper pads, produced on a cylinder mould machine, 100% cotton, natural white. This paper ages without yellowing and without changing the colour of the pigments.
Arches watercolour pads ideal for travelling and outdoor painting. Suitable for both professional artists and students. Each pad contains sheets of acid-free, natural white 100% cotton paper. Grammage of 185 and 300 gsm.
Arches watercolour paper is an acid-free paper made from 100% cotton, which gives it strength, stability and a characteristic feel.
Arches watercolour paper, 100% cotton, acid-free, very resistant, stable and with a characteristic feel. Produced in the old style on a cylinder mould machine, resulting in a harmonious and varied grain.
Arches watercolour paper is an acid-free paper made from 100% cotton, which gives it strength, stability and a characteristic feel.
Arches watercolour paper is an acid-free paper made from 100% cotton, which gives it strength, stability and a characteristic feel.
Arches bright white watercolour paper. 100% cotton. Made in the old style on a cylinder mould machine, which gives a harmonious and varied grain, without brighteners or bleaching agents.
Arches bright white watercolour paper. 100% cotton. Made in the old style on a cylinder mould machine, which gives a harmonious and varied grain, without brighteners or bleaching agents.
Arches travel pad made of 100% cotton paper for watercolour and wet techniques. Metal spiral binding. Each pad contains sheets of acid-free, natural white 100% cotton paper with a grammage of 300 gsm.
Baohong Artist watercolour paper pads, 300 gsm, 100% cotton with covers by the artists Pablo Ruben, Blanca Alvarez, Julia Barminova, Ekaterina Sava and Massimiliano Iocco. Acid-free. Glued on 4 sides. Cold pressed, hot pressed or rough.
Baohong watercolour paper roll 300 gsm made of 100% cotton. High quality. Natural white. Cold pressed, hot pressed or rough. Allows the use of masking liquids, masking tapes and erasers without leaving any residue. Acid-free.
Baohong Plus watercolour paper in rolls. Grammage 300 gsm. 100% cotton. Natural white. Cold pressed, hot pressed or rough grain. Excellent for watercolour, wet techniques such as gouache, acrylic and drawing. Acid-free.
Baohong Plus watercolour pads made of 100% cotton, 200 gsm and 300 gsm. Exclusive covers with works by: Beatriz Barbero-Gil, Ana Santos, Carlos Rodriguez Casado, Berta Llonch, Lola San Roman, Sonia Garcia, Julia Bereciartu and J.M. Méndez (Mendo).
Baohong Plus paper roll made of 100% cotton, 200 gsm. Natural white. For watercolour, gouache, ink, watercolour pencils etc. as well as for other wet techniques and drawing techniques. Acid-free. Traditionally produced.
Baohong watercolour sketch pads 300 gsm, 100% cotton. Cold pressed or hot pressed white paper. 24 sheets. Padded, hard cover with a pleasant feel and leather-like finish in dark green or brown. Rubber band closure. Acid-free.
Baohong Artist 300 gsm watercolour paper. Made from 100% cotton in artist quality, used by some of the world´s leading watercolourists. White colour with a natural texture that can be adapted to different techniques. Acid free. Core sized.
Baohong paper made of 100% cotton with a grammage of 200 gsm. Natural white. For watercolour, gouache, acrylic and all wet techniques. Acid-free and age-resistant. Gel-coated surface, preserves the luminosity of the colours.
Baohong Plus paper made from 100% cotton, 300 gsm. For watercolour and wet techniques. Natural white. Acid free. Surface treated with a patented traditional gelatine sizing process to achieve exceptionally brilliant colours.
Metal box with 20 postcards made of Baohong Plus watercolour paper 100% cotton, 300 gsm. Contains 16 cold pressed, 2 hot pressed and 2 rough grain postcards. All with rounded edges. Size of the postcards: 15 x 10 cm.
Baohong Artist and Plus paper sample set for watercolour and mixed media, 300 gsm, 100% cotton. Contains 2 sheets cold pressed, 2 sheets hot pressed and 2 sheets rough grain, in 19 x 28 cm format. Natural white. Acid-free.
Set of Baohong Plus watercolour cards, 100% cotton, with a grammage of 300 g. Natural white colour, double-sided glued. Perfect for watercolour, gouache, acrylic and all kinds of wet techniques and mixed media. Acid free.
Baohong Yishu 30th Accordion pad with watercolour paper, 300 g. 100% cotton. Natural white colour. 3 metres long (one side). Double-sided glued and acid free. For all wet techniques and mixed media.
Baohong Plus watercolour paper roll. Rolls of 27 or 37 cm width. For travel, urban sketching, plein air, etc. Can be carried in any standard hand luggage. Cold pressed, hot pressed, or coarse grain, 300 G. For wet techniques and mixed media.
Hahnemühle Toned Watercolour pad, 200 gsm. cold pressed paper on both sides. Grey or beige content paper. Glued on 1 side. Book with 20 sheets of high quality paper. For watercolour, wet techniques, graphite, watercolour pencils etc.
Hahnemühle Harmony Watercolour. 300 gsm watercolour paper made from high-quality 100% alpha cellulose. Natural white and surface sized. Suitable for all wet techniques. Acid-free, lightfast and age-resistant. Erasable surface.
Hahnemühle Expression Watercolour paper, 300 gsm, for watercolour and wet techniques. 100% cotton rag, natural white. Surface sized, acid-free, lightfast and age-resistant. The surface is erasable and tear-resistant.
Hahnemühle Cezanne watercolour paper made from 100% cotton. Natural white. 300 gsm. For watercolour, ink, gouache, tempera, gouache, acrylic etc. Acid-free, lightfast and age-resistant. Surface sized. Allows wet corrections.
Hahnemühle The Collection Watercolour Paper. 100% rag, natural white, 300 gsm. Made from selected, high-quality cotton. Highly resistant to rubbing, light and ageing. Acid-free. For wet techniques.
Winsor & Newton watercolour pad. 1-sided glued. Acid-free, white paper with 25% cotton and 300 gsm. Cold pressed. 12 sheets.
Spiral-bound pads with Winsor & Newton watercolour paper. White paper made from 25% cotton and 300 gsm. Cold pressed. Each pad contains 12 sheets.
Jumbo pad with 50 sheets of Winsor & Newton watercolour paper. Glued on 1 side. 300 gsm white paper. Acid free. 25% cotton. Cold pressed.
Winsor & Newton postcard pad made of white, cold pressed watercolour paper. 300 gsm. Each pad contains 15 postcards in A6 format.
Winsor & Newton Professional paper roll, 300 g, 100% cotton. For watercolour and wet techniques. Acid-free and without optical brighteners. In archive quality.
Saunders Waterford watercolour paper roll made of 100% cotton made on a cylinder mould machine, approved by the Royal Watercolour Society (RWS) in England. Various grits (cold pressed, hot pressed and rough grain).
Pads with Saunders Waterford watercolour paper made from 100% cotton. Fine English watercolour paper, manufactured in the St. Cuthberts Paper Mill, which is approved by the Royal Watercolour Society (RWS) in England.
Saunders Waterford extra white watercolour paper in roll format, made from 100% cotton. Exquisite English watercolour paper approved by the Royal Watercolour Society (RWS) in England.
Fine Saunders Waterford watercolour paper made from 100% cotton, approved by the Royal Watercolour Society (RWS) in England. Traditional or bleached finish.
Saunders Waterford watercolour paper made from 100% cotton, manufactured in England and approved by the Royal Watercolour Society (RWS). It is traditionally produced on a cylinder mould machine from the purest rags.
Saunders Waterford watercolour paper made from 100% cotton (pure rags). Exquisite English watercolour paper, approved by the Royal Watercolour Society (RWS) in England.
Saunders Waterford watercolour paper made from 100% cotton. Exquisite English watercolour paper, available in 3 grain types and in traditional or bleached versions, approved by the Royal Watercolour Society (RWS) in England.
Pad with Saunders Waterford watercolour paper, glued on 1 side. Paper made from 100% cotton, 300 gsm. 12 sheets.
Bockingford paper pads. A high quality paper suitable for both professional watercolourists and beginners. Valued for its ability to intensify colours. Excellent water resistance.
High quality Bockingford paper for professional watercolour painters and beginners. Valued for its ability to intensify colours.
High quality Bockingford paper for professional watercolour painters and beginners. Valued for its ability to intensify colours.
Montval watercolour paper roll 1.52 x 10 m. 185 or 300 gsm.
Acid-free watercolour paper without optical brighteners, with anti-mould treatment. Very easy to use and make corrections. Pad glued on one side.
Watercolour paper. Core sized, natural white. Produced in neutral, acid-free medium.
Watercolour paper. Core sized, natural white. Produced in neutral, acid-free medium.
L´Aquarelle Canson Heritage watercolour paper. Made from 100% cotton on a cylinder mould machine to achieve the characteristic handmade paper-like texture without pigment build-up. Easy to correct, both wet and dry.
Canson Graduate special pad for watercolour. White cold pressed paper, 250 gsm. Pad with 20 sheets, glued on 1 side. Acid-free. Suitable for beginners in the watercolour technique.
Canson Aquarelle watercolour pad, glued on 4 sides or spiral bound. 300 gsm and 60% cotton. Cold pressed or rough grain. For watercolour and wet techniques. Acid-free.
Canson Aquarelle, 300 gsm paper with 60% cotton. Natural white. Cold pressed or rough grain. For watercolour and wet techniques. Acid-free.
Montval cellulose watercolour paper pad. With spiral binding. Free from acids and optical brighteners. For students and amateurs of watercolour and wet techniques.
Canson Montval cellulose watercolour paper pad. Glued on 1 side with 12 sheets of 300 g. Cold pressed. Free from acids and optical brighteners. For watercolour and wet techniques.
Canson Montval watercolour pad made from 100% alpha cellulose paper. Glued on 4 sides. Natural white acid-free paper 300 g. Cold pressed. For watercolour and wet techniques.
Montval notebook made from 100% alpha cellulose paper. With spiral binding. Natural white paper 300 g. Acid-free. For watercolour and wet techniques. Hard cover with rubber grip.
Montval 100 % alpha cellulose watercolour paper sheets in a pack with handle. Natural white paper 300 g. Acid-free. For watercolour and wet techniques.
Montval spiral-bound watercolour pad with 100% alpha cellulose paper sheets. Cloudy surface. Natural white paper 270 g. Acid-free. For watercolour and wet techniques.
Montval watercolour pad made of 100% alpha cellulose paper with a cloudy surface. Glued on 1 side. 270 g. Natural white paper. Acid-free. For watercolour and wet techniques.
Montval 100% alpha cellulose paper with a cloudy surface. Natural white paper. 270 g. Acid-free. For watercolour and wet techniques.
Watercolour notebook with 250 g cellulose paper. Natural white. Contains 56 pages with thread stitching. Hard cover. Inside cover with gusset, bookmark and elasticated closure. Portrait and landscape format. FSC-certified.
Goldline travel albums with 180 gsm white paper, 32 sheets. Acid-free. For dry and mixed media techniques. Colourable natural linen cover and leather strap for fastening.
Pads made of white mixed media paper with a light grain. Suitable for a wide range of techniques. Grammage 250 gsm. 100% cellulose. Acid-free. glued on 1 side. PH-neutral. 40 sheets. PEFC-certified.
Paint On pad made from denim/blue-grey paper. Suitable for all techniques. Acid-free. Grammage 250 gsm. 100% cellulose. PH-neutral. 15 sheets. glued on 1 side. PEFC-certified.
Paint On pad made from 250 gsm, rough grain paper. Resistant and versatile, suitable for all types of techniques. Acid free. 100% cellulose. PH neutral. 20 sheets. glued on 1 side. PEFC-certified.
Paint On Gris pad with 250 gsm grey paper made from 100% cellulose. Mixed media. glued on 1 side. Acid-free. PH-neutral. 30 sheets. PEFC-certified.
Paint On Naturel pad with 30 sheets of kraft coloured paper. 100% cellulose. Acid free. Mixed media paper. 250 gsm. glued on 1 side. PEFC-certified.
Paint On Noir pad with 250 gsm black paper. Mixed media paper. glued on 1 side. Acid-free. 100% cellulose. PH-neutral. 20 sheets. PEFC-certified.
Paint On paper pad in various colours. 100% cellulose. 24 sheets in 6 colours: White, grained white, grey, natural, black and denim. Mixed media paper. Acid-free. 250 gsm. glued on 1 side. PEFC-certified.
Paint On Vert de Gris pad with grey-green paper. Mixed media paper. 250 gsm. 100% cellulose. 30 sheets. glued on 1 side. Soft tone with vintage effect. PEFC-certified.
Clairefontaine travel albums. Natural white 180 gsm paper in various formats. Acid-free. Spiral binding. Printed plastic cover. Rubber band fastening on the side. Suitable for dry techniques but also for watercolour and gouache painting.
Roll of black paper Noir Paint On from Clairefontaine, 250 g. Mixed media. 100% cellulose. Size: 1.30 x 10 m. Smooth grain.
Natural paper roll 250 g, Paint On from Clairefontaine. Mixed media. 100% cellulose paper. Size: 1.30 x 10 m. Smooth grain.
Paint On paper roll from Clairefontaine. Grey paint. Mixed media. 100% cellulose paper of 250 g. Size: 1.30 x 10 m. Smooth grain.
Roll of white hot or cold pressed Paint On paper from Clairefontaine. Mixed media. Paper 100% cellulose 250 g. Size: 1.30 x 10 m.
Roll of mixed media paper Vert de Gris Paint On from Clairefontaine, 250 g. Paper with a light grey-green tint. 100% cellulose. Size: 1.30 x 10 m. Smooth surface.
Roll of recycled paper Paint On from Clairefontaine. Mixed media. Size: 1.30 x 10 m. Colour: white. Smooth surface 100% cellulose. Weight: 250 g.
Paint On pad glued on 1 side with zig-zag cut bottom edges. Contains a selection of papers in white, cream, black and grey. 50 sheets. 250 g paper. Mixed media. 100% cellulose. PEFC certified.
Paint On pad glued on 1 side with a selection of smooth papers in white, cream, black and grey tones. 50 sheets. Paper 250 g. Mixed media. 100% cellulose. Acid free. PEFC-certified for sustainable forestry.
Clairefontaine Paint On notebook with 250 g extra white paper. Mixed media. Soft red cover. Sewn binding. Red elastic band. 32 cold pressed sheets. Acid-free.
Clairefontaine Paint On notebook with 250 g white paper. Contains 32 double-sided sheets: smooth and grained. Mixed media. Soft blue cover. Sewn cover. With elastic band. Acid-free. PEFC-certified.
Clairefontaine Paint On notebook with 250 g cream-coloured, lightly grained paper. Contains 32 sheets suitable for all techniques. Soft cover in natural colour. Sewn cover. With elastic band. Acid-free. PEFC-certified.
Clairefontaine Paint On notebook with 250 g grey, lightly grained paper. Soft cover in grey with elastic band. Sewn binding. Contains 32 mixed media sheets made from 100% cellulose. Acid-free. PEFC-certified.
Clairefontaine Paint On notebook made of black paper. Contains 32 sheets of 250 g. 100% cellulose, lightly grained. Mixed media. Soft cover in black with elastic band. Sewn binding. Acid-free. PEFC-certified.
Alpha Lavis notebook with 40 sheets of 200 g natural white paper. Made from 100% pure alpha cellulose. Hot pressed. Hard cover and elastic band. Sewn binding. For dry techniques or light washes.
Accordion notebook with 1 sheet, folded into 8 or 12 pages. 300 g Goldline watercolour paper 100% cellulose. Natural white paper. Medium and fine grain depending on the side of the paper. Acid-free and pH-neutral.
Clairefontaine Paint On Mix 9 mixed media paper pad. glued on 1 side. Contains an assortment of 250 g sheets of cellulose in various colours for all techniques.
Spiral-bound notebook with ivory-coloured, unlined paper 140 gsm. Hard cover in black. Mixed media. Paper 100% alpha cellulose.
Spiral-bound mixed media notebook with 40 sheets of plain white paper. Microperforated. Mixed media paper, 250 gsm. Paper made from 100% alpha cellulose.
Watercolour studies
Natural white paper. Very well sized, with a hard and even surface.
Natural white watercolour paper with deckle edge on two sides and watermark.
Natural white paper. Very well sized, with a hard and even surface.
Natural white watercolour paper with deckle edge on two sides and watermark.
Natural white watercolour paper with deckle edge on two sides and watermark.
Hahnemühle pads with 200 gsm watercolour paper. Acid-free and age-resistant. Very fine surface on both sides. In portrait and landscape format. Ideal for urban sketchers or travel notebooks. Water-repellent cover. Rubber band fastening.
Hahnemühle watercolour paper pad for the 425th anniversary. High quality. Finely textured and matt surface, 425 gsm. Acid-free, lightfast and age-resistant. Natural white. Ideal for watercolour, washes, tempera, acrylic, etc.
Hahnemühle Harmony Watercolour. 300 gsm watercolour paper roll made from high-quality 100% alpha cellulose. Surface sized, natural white, acid-free, lightfast, smudge-proof, age-resistant and suitable for all wet techniques.
Hahnemühle The ZigZag book. Watercolour paper, 300 gsm, natural white, cold pressed on both sides, acid-free and age-resistant. Accordion-folded pages. Ideal for urban sketchers, plein air or as a travel notebook. Cover with rubber band fastening.
Hahnemühle Toned Watercolour Books. Cold pressed paper on both sides, 200 gsm. Grey or beige content paper. For outdoor work or as a travel notebook with watercolour, graphite, watercolour pencils etc. Bound in linen with rubber fastening.
Hahnemühle The Collection Watercolour paper roll. 300 gsm, natural white, 100% selected, high-quality cotton. Acid-free. Resistant to light, ageing and friction. Vegan product. For watercolour and other wet techniques.
Hahnemühle Agave Watercolour Pad, 290 gsm watercolour paper from the Natural Line series. Made from 70% sisal fibres and 30% cotton rag. Natural white. High resistance to rubbing and ageing. Allows corrections. Ideal for wet techniques. Vegan product
Hahnemühle Hemp sketch pad 80 gsm from the Natural Line series. Consists of 60% hemp fibre and 40% cotton rag. Natural white. Cold pressed. Ideal for dry techniques such as graphite, charcoal or red chalk. Vegan product.
Hahnemühle Agave Watercolour Paper from the Natural Line series. 70% sisal fibres and 30% cotton rags, natural white. 290 gsm. Highly resistant to rubbing, light and ageing. Environmentally friendly. Vegan product.
Hahnemühle Watercolour Book made from 100% cotton. 250 gsm paper. Cold pressed on both sides. Acid-free. Resistant to ageing. Natural white. 30 sheets. Sturdy black cover and bookmark. Closes with elastic band.
Hahnemühle Watercolour Selection pad with a selection of watercolour papers. Acid-free, age-resistant papers. Contains 14 papers of different qualities, ideal for watercolour and other wet techniques.
Hahnemühle Andalucia watercolour cardboard pad, 500 gsm. Acid-free. Resistant to ageing. Natural white. Suitable for all wet techniques.
Hahnemühle Britannia pad made from 300 gsm watercolour paper. Cold pressed, hot pressed or rough grain in various formats, including panorama and square. Acid-free. Resistant to ageing. Natural white.
Hahnemühle Britannia watercolour board in sheets. Ideal for watercolour and wet techniques, thanks to its 300 gsm grammage. Acid-free paper. Resistant to ageing. Natural white colour.
Hahnemühle Britannia 300 gsm watercolour board in roll format. Cold pressed. Size: 1.25 x 10 m. Acid-free. Resistant to ageing. Natural white.
Hahnemühle Cornwall 450 gsm watercolour paper pad. Cold pressed and rough grain. Acid-free. Resistant to ageing. Natural white.
Hahnemühle pad with 325 gsm watercolour paper. Rough front and cold pressed back. Acid-free. Resistant to ageing. Natural white. 12 sheets.
Postcards made from 230 gsm watercolour paper. Approximate postcard size: 10 x 15 cm. Presented in metal box. Cold pressed or rough grain. 30 postcards. Limited Rabi Rabi edition.
Pre-cut paper pad in bookmark pad format for designing your own bookmarks. Made from 100% cotton watercolour paper and 300 gsm. Can hold several layers of watercolour paint. Cold pressed.
Box with 30 sheets of Hahnemühle round watercolour paper. 13 cm diameter. Natural white tone. Perfect for painting flowers, landscapes, galaxies, decorative works, greeting cards, etc. Suitable for gouache, acrylics, pencils, etc.
Hahnemühle Sugar Cane watercolour pad with a velvety feel and perfect for gradients. Cold-pressed, durable and soft. Sheets made of 70% sugar cane fibre and 30% recycled cotton. Available in different sizes.
Hahnemühle Sugar Cane watercolour paper made from 70% sugar cane fibre and 30% cotton. Perfect paper for gradients, with a soft touch, cold pressed, resistant and ideal for any technique.
Hahnemühle Expression Watercolour pad. Made of 100% cotton, 300 g. Cold pressed, matt texture and surface-glued. Limited edition 30 x 30 cm. 25 sheets. Acid-free, easy to erase and tear-resistant surface.
Paper made from polypropylene. Acid-free, 100% recyclable, age-resistant and tear-resistant. Hot pressed, waterproof, particularly valued for watercolour painting, acrylic fluid painting and spray techniques.
LANA Lanaquarelle paper, 100% cotton. Handmade, high quality and resistant to ageing. Made in France. PH-neutral. Free from chlorine, acids and optical brighteners. For watercolour, gouache, acrylic, intaglio, screen printing, lithography, etc.
Strathmore Acrylic 400 gsm paper pad for acrylic painting. White surface with a classic linen texture that imitates a traditional canvas. Acid-free. Premium quality of the 400 series, perfect for advanced artists.
Strathmore Drawing pad, Series 400, with 163 gsm cream coloured paper. Ideal for drawings and sketches with pencil, charcoal and all kinds of dry techniques. Spiral binding. Outstanding quality.
Strathmore Visual Journal 190 gsm mixed media paper pad. 100% cotton, acid-free, parchment-like surface. Suitable for wet and dry techniques such as watercolour, acrylic, ink, pencil, chalk, charcoal, marker and collage.
Strathmore Mixed Media pad on 300 gsm natural white paper, which combines the parchment-like surface of a drawing sheet with the properties of watercolour paper. Perfect for wet and dry techniques, sketches, studies and final artwork.
Strathmore Mixed Media pad made from 300 gsm recycled paper and grey or bronze surface. 100% recycled paper with 30% post-consumer fibres, kraft fibres and bark fibres for added visual interest. For wet and dry techniques.
Strathmore watercolour pad made from 300 gsm, natural white paper. Perfect for wet techniques. Enables thin, even layers. Strong surface that allows lifting or scratching techniques. Spiral format with micro-perforation or glued on 4 sides.
Strathmore Watercolor Art Book made from 300 gsm, natural white, cold pressed paper. Perfect for wet techniques. Enables thin, even washes and layers. Strong surface that allows scratching techniques. Smyth stitching for easy opening. Hard cover
Strathmore Sketch Toned pads for drawing or sketching with dry techniques. High quality, 118 gsm paper, in bronze or grey, 100% recycled. Spiral bound with micro-perforated sheets, the size corresponds to the sheet once cut.
Strathmore sketch pad made from 89 gsm, natural white paper. Designed for sketching, quick studies and practising dry techniques such as wax crayons, pencils, charcoal, soft pastels or oil pastels. Acid-free. With spiral binding.
Strathmore Artbook Sketch Toned pad. Made from 118 gsm, 100% recycled paper. For drawing or sketching with dry techniques. The Smyth stitching allows complete opening. Available with light bronze or grey sheets and hard or soft cover. High quality.
Strathmore Visual Journal watercolour pad made of 190 g, acid-free, cold pressed paper. For watercolour, acrylic and collage. Also suitable for pen and ink, pencil and marker and perfect for sketches.
Strathmore Marker Pad 190 g. Smooth, matt surface that allows the markers to glide and blend easily for clear and vibrant colours. No bleeding or smudging of the colour, so that several layers of colour can be applied
Art Book made from 100% cotton mixed media paper. Glued and with hard cover. High quality and durability. Natural white, 190 gsm, acid-free paper. Suitable for wet and dry techniques. Series 500. professional quality.