Wooden bars and crossbars for mounting picture frames. Estudio, Galeria 3D and Museo models. Robust fork system, easy to assemble and disassemble. Pine wood. Finger-joint system prevents wedging.
Hare glue for liquid, ready-to-use primer. Good adhesion to the substrate. Suitable for priming, gilding or restoration.
White Spirit mineral turpentine. Thinner for oil paints, solvent for thinners and varnishes, and cleaning brushes and painting tools.
Artemiranda Estudio Plus canvas, made with Lienzos Levante stretcher frame and Belgian medium-textured linen. Universal primed for oil and acrylic painting. Acrylic primed.
Professional Artemiranda canvas, made with Lienzos Levante stretcher frame and Belgian linen from Claessens (the most appreciated in the world). Universal primed for oil and acrylic painting.
Canvas with Lienzos Levante stretcher frame and fine cotton-polyester cloth. Alkyd primer (for oil painting).
Canvas with Lienzos Levante stretcher frame and fine cotton-polyester cloth. Universal primed for oil and acrylic painting.
Canvas with Lienzos Levante stretcher frame and fine cotton-polyester cloth. Universal primed for oil and acrylic painting.
Canvas made with Lienzos Levante stretcher frame and fine cotton cloth. Alkyd primer (for oil painting).
Canvas with Lienzos Levante stretcher frame and fine cotton-polyester cloth. Alkyd primer (for oil painting).
Professional Artemiranda canvas, made with Lienzos Levante stretcher frame and Belgian linen from Claessens (the most appreciated in the world). Universal primed for oil and acrylic painting.
Canvas with Lienzos Levante stretcher frame and fine cotton-polyester cloth. Universal primed for oil and acrylic painting.
Professional Artemiranda canvas, made with Lienzos Levante stretcher frame and Belgian linen from Claessens (the most appreciated in the world). Alkyd primer (for oil painting).
Professional Artemiranda canvas, made with Lienzos Levante stretcher frame and Belgian linen from Claessens (the most appreciated in the world). Universal primed for oil and acrylic painting.
Acrylic paste for relief effect with a protective agent against ultraviolet (UV) rays. Highest quality. Ideal for simulating brush strokes in digital reproductions.
High-quality acrylic varnish in an organic medium with a protective agent against ultraviolet (UV) rays.
It is considered one of the best resins for picture varnishes with good reversibility and low sensitivity to moisture.
Reinforced cotton canvas that prevents deformation due to the tension of the stretcher frame.
Burlap made of 100% jute, especially for canvases with a width of 2.10 m. Woven to withstand the constant tension exerted by the frame and to prevent deformation.
White Spirit, odourless turpentine.
Dissolution of dammar resin in turpentine with matting agents in suspension. Final varnish for oil, tempera, alkyd and synthetic emulsion paints.
Dissolving dammar resin in turpentine. Traditional glossy finishing varnish for oil, tempera, alkyd and synthetic emulsion paints.
Slow drying oil that does not yellow when drying. Used as a substitute for linseed oil in the production of white and light colours in oil paints.
Reduces the consistency of the colour. Reduces the brush stroke and drying speed. It is used as a binder, thinner, varnish, etc. in various painting processes.
Mineral solution of alkyd resin with titanium dioxide. A greasy, white, opaque, ready-to-use primer. To be used as a primer for oil paints, alkyd paints, etc.
FREE SHIPPING FOR ORDERS OVER € 95
FREE SHIPPING FOR ORDERS OVER € 95
FREE SHIPPING FOR ORDERS OVER € 95
100% pure pigment. Maximum performance and lightfastness.