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WATERCOLOUR/TEMPERA Auxiliary Products

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  • Up to 30%

    Masking liquid based on natural latex. Forms a waterproof film after drying. Ideal for protecting areas of the paper and preserving the whiteness or tone of the paper. Can be easily removed after drying.

  • Up to 15%

    Degas spray fixative. Formulated with casein, water and alcohol. Seals all types of paintwork. Transparent matt finish. Dries quickly. For paper, canvas, wood, unglazed ceramics, stone, leather, glass, etc. No toxic odours

  • Up to 15%

    Spray fixative based on casein and natural elements. Achieves a very resistant protective layer. Semi-matt. Suitable for all types of paper, canvas, wood panels, unglazed ceramics, stone, leather, glass, etc. Does not yellow.

  • Up to 15%

    Spray fixative for sealing and protecting paintwork. Transparent, matt finish. Can be used on all papers, canvases, wooden panels, unglazed ceramics, stone, leather, glass, etc. Reworkable and without toxic odours.

  • Up to 15%

    Refill bottle with Degas fixative in spray format. Degas fixative is formulated with casein, water and alcohol and is based on an old recipe by Degas for sealing his paintings. Odourless. Matt finish. Fast drying.

  • Up to 15%

    Liquid masking medium to protect certain parts of the work or substrate from colour. Contains no pigments. Can be used in conjunction with any Liquitex acrylic product or medium. For watercolour and acrylic inks.

  • Up to 20%

    Daler Rowney Aquafine varnish for tempera, posters and watercolour paints. A glossy, protected surface is achieved on dry colour. The intensity of the gloss depends on the type of paper. The more absorbent the paper, the less gloss.

  • Up to 20%

    Daler Rowney Aquafine Varnish is designed to protect prints, maps, posters, decoupage and other works on paper. Glossy finish which varies in intensity depending on the absorption of the paper. Apply when the paint is completely dry.

  • Up to 20%

    Daler Rowney Aquafine gum arabic to increase the brightness and transparency of watercolours. It can also be used to create your own watercolours or shades by mixing it with water and pigments.

  • Up to 20%

    Daler Rowney Simply Art masking fluid for creating eye-catching white highlights or areas for later overpainting. Fast drying. Easy to remove with a gentle wipe. Apply with a cotton bud or an old brush.

  • Up to 10%

    Vallejo masking fluid to protect areas that are not to be painted over. Allows painting on the protected parts. Leaves no residue or stains. Can be applied directly with a brush. Dries quickly.

  • Up to 15%

    Permanent Lefranc Bourgeois varnish for the protection of watercolour and gouache works.

  • Up to 25%

    Sennelier binding medium for egg tempera. Made from gum arabic, vegetable oil and egg. It is mixed with dry pigments and produces a flexible gouache consistency. Allows colours to be applied on top of each other. Can be diluted with water.

  • Up to 5%

    Molotow Grafx Art masking fluid marker. You can easily, precisely and simply cover or conceal areas that you do not want to colour. It leaves no residue or stains. It is completely removable after drying and can be gently rubbed off.

  • Up to 5%

    Molotow Grafx Art masking fluid for covering areas that you do not want to paint. Leaves no residue or stains. Ideal dispenser for refilling masking pens. Can also be applied directly with a brush. Dries quickly.

  • Up to 17%

    Water-based liquid varnish from Maimeri, dense and glossy, suitable for watercolour, gouache and tempera. Protects the surface of the work, improves the lustre of the colours, does not yellow and dries transparently. Easy to apply.

  • Up to 28%

    With Daniel Smith masking medium you can cover or hide areas that you do not want to paint over. It is used with water-based colours. It has fine tips that allow for fine detail.

  • Up to 25%

    Colourless or coloured Schmincke masking fluid. Rubber emulsion for masking certain areas of the work. Does not contain ammonia. Available in bottles of different sizes.

  • Up to 25%

    Liquid for creating to cover areas of the image that are not to be processed. Ideal for watercolour and airbrushing. Transparent or coloured to distinguish the area where it has been applied.

  • Up to 25%

    Schmincke AQUA Lift Off watercolour medium for preparing the paper so that dry layers can be changed or corrected later. Is applied before painting.

  • Up to 25%

    Schmincke AQUA Primer is a transparent primer for watercolour painting on non-greasy surfaces such as frames or wood. After drying, the result is smooth, matt and resistant to ageing, so that it can be easily painted over.

  • Up to 25%

    Schmincke AQUA Medium Spray creates a similar effect to watercolour granules by spraying evenly through the nozzle. It must be sprayed when the watercolour is still wet in order to achieve the effect.

  • Up to 25%

    Aerospray fixative for watercolour.

  • Up to 25%

    Thickened ox gall in tube or pan for use as a natural wetting and levelling agent for watercolours. Increases the fluidity of watercolour colours.

  • Up to 25%

    Liquid for reserving or covering areas that are not to be painted. Use with water-based colours. Practical dispenser. Light pink in colour.

  • Up to 25%

    It is used to create pearlescent effects with any type of water-based paint. It can be mixed directly with the colour, but it is recommended to use it as a base and work over it.

  • Up to 25%

    Holbein´s gum arabic is mixed with watercolours or other paints such as gouache or tempera to enhance the transparency and shine of the paint.

  • Up to 25%

    It is used as a wetting agent and mixes with the watercolour paint to improve the paint flow. It is a basic product for painters who like to work wet-on-wet. It improves the grip of the watercolour on particularly hard papers.

  • Up to 10%

    Water-repellent liquid wax that can be used to cover certain areas of the work to make them waterproof. After drying, the medium repels overlapping washes. Not washable.

  • Up to 10%

    A colourless rubber latex masking fluid for work areas that need to be protected when the paint is applied in broad layers. Non-staining.

  • Up to 10%

    Pigmented masking fluid made of rubber latex and pigments, for work areas that need to be protected when the colour is applied in broad layers. Do not apply to sized paper when it is wet or soft.

  • Up to 20%

    Painting medium that gives colours that normally have a smooth coating a marbled or grainy finish.

  • Up to 20%

    Delays the drying time of watercolours so you have more time to mix. Very useful in hot climates.

  • Up to 20%

    Texture medium contains tiny particles and can be used to add a sense of depth and texture to watercolour painting. It is the ideal method for highlighting areas.

  • Up to 20%

    The iridescent painting medium gives your watercolours pearl and glitter effects.

  • Up to 20%

    Aquapasto is a transparent gel medium that reduces fluidity and gives body to watercolour and gouache paints.

  • Up to 20%

    Natural wetting agent to increase the flowability of watercolours.

  • Up to 10%

    A light-coloured solution that controls the spread of wet paint, reduces staining and delays drying. It also increases gloss and transparency. Dilute with water as required.

  • Up to 33%

    Liquid for protecting areas of the paper that should remain unpainted when applying watercolour, gouache, tempera or other water-based paints.

  • Up to 33%

    Titan painting medium for mixing with watercolour, gouache or tempera. It gives them more transparency, elasticity and lustre.

  • Up to 28%

    Daniel Smith Grounds transform any surface, porous or not, into a watercolour ground. They also allow you to retouch watercolours that look discoloured. Easy to use.

  • Up to 20%

    Liquid to reserve unpainted areas on the paper when applying watercolour, gouache, tempera or other highly diluted watercolours.

  • Up to 25%

    Holbein watercolour medium that is mixed with watercolour paint to facilitate the creation of fine lines and loose brushstrokes. Do not use too much, otherwise the colour layer will become brittle and fragile.

  • Up to 25%

    Liquid for reserving or covering areas that are not to be painted. Use with water-based paints. Slightly blue coloured.

  • Up to 20%

    Increases gloss and transparency. Can be used on paper, cardboard, canvas, linen and wood. Made from pure gum arabic. Dilutable in warm water with glycerine.

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