Odorless, transparent, ready-to-brush gloss varnish. Saturates your paint colours and gives your work a unified, protective surface. Developed in collaboration with the National Gallery of Art.
Odorless satin varnish ready for brush application. Protects and saturates your paint colours. Gives your work a unified surface and a finish between gloss and matt. Developed in collaboration with the National Gallery of Art.
Odorless matt varnish ready for brush application. Reduces the sheen of your paint colours and gives your work a unified, protective, matt surface. Developed in collaboration with the National Gallery of Art.
Watercolour varnish based on colourless synthetic resins. Light varnish to be applied by spray or brush. It refreshes and protects watercolour works from dust and friction without modifying the appearance of the support. Does not yellow.
Water-based biopolymer varnish and colour medium made from milk casein and beeswax. Very flexible and resistant. Fast drying. Semi-glossy surface. For all techniques except oil pastel. Non-toxic. Suitable for interiors.
Natural glass varnish to protect paintings on sensitive surfaces such as watercolour or gouache. Formulated with a water-based milk casein and beeswax. Can be used indoors. Non-toxic. Semi-glossy surface
Matt satin varnish to protect Setacolor leather colour creations on leather or imitation leather. Easy to use.
Gloss varnish to prevent scuffs and scratches in Setacolor leather colour creations on leather or imitation leather. Application with brush or airbrush. Easy to use.
Water-based varnish for decoration. Ecological. Satiny surface. Colourless, extremely resistant and washable. Fast drying.
High-quality, glossy varnish for Artisan water-based oil colours. For preserving oil paintings after drying. UV-resistant. Fast drying. No yellowing or cracking.
Matt varnish for water based oil colours. Top quality. Protects works once dry. UV resistant. Fast drying, non-yellowing and non-cracking.
High quality satin finish varnish. For water based oil painting. UV resistant. Fast drying. Non-yellowing over time.
Daler Rowney Aquafine varnish for tempera, posters and watercolour paints. A glossy, protected surface is achieved on dry colour. The intensity of the gloss depends on the type of paper. The more absorbent the paper, the less gloss.
Daler Rowney Aquafine Varnish is designed to protect prints, maps, posters, decoupage and other works on paper. Glossy finish which varies in intensity depending on the absorption of the paper. Apply when the paint is completely dry.
Permanent Lefranc Bourgeois varnish for the protection of watercolour and gouache works.
Protective varnish or thinning medium for colours to shorten the drying time. Contains spikenard oil essence, a solvent used since the Renaissance. No petroleum derivatives, turpentine or hazardous vapours.
The lavender retouching varnish offers excellent, classic protection for oil paints. Made from natural dammar resin dissolved in lavender oil. Enables both protection and transpiration. Free from aggressive chemicals.
Chelsea Classical Studio Sample Set with 8 auxiliary products: oils, mediums, solvents, varnishes, soaps and brush cleaners. Ideal for testing all the brand´s products and as a gift for artists.
Maimeri painting varnish for oil paint.
Maimeri dammar varnish
Maimeri retouching varnish
Maimeri crackle varnish crackle varnish
Maimeri final varnish
Glossy painting varnish from Maimeri
Maimeri water-based painting varnish
Maimeri Matt Painting Varnish
Maimeri matt water-based painting varnish
Maimeri acrylic final varnish
Maimeri Fixative Varnish
Maimeri painting patina varnish
Post-restoration varnish for Restauro from Maimeri.
Retouching varnish for Restauro from Maimeri
Maimeri drying agent in spray format for oil paints.
Maimeri dammar varnish in spray format for oil paints.
Maimeri final varnish in spray format for oil and acrylic paints.
Matt final varnish in spray format from Maimeri for oil and acrylic paints.
Maimeri universal fixative in spray format.
Maimeri retouching varnish in spray format for oil paints.
Maimeri mastic varnish
Maimeri mastic varnish concentrate
Schmincke spray paint with a glossy finish. Developed for oil painting, but also suitable for print work. Synthetic resin varnish with UV protection. Colourless, quick-drying and age-resistant.
Schmincke spray paint with matt finish. Developed for oil painting, but also suitable for print work. Synthetic resin varnish with UV protection. Colourless, quick-drying and age-resistant.
Schmincke spray paint with neutral finish. Optimised for oil painting and suitable for prints and photographic work. Synthetic resin varnish with UV protection. Colourless, quick-drying and age-resistant.
Gamblin Regal Rez 1094 lacquer resin that can be dissolved in aliphatic solvents. It is applied with a brush. Specially developed for use on Gamblin Conservation Colours. Professional use for conservation.
Art Creation oil and acrylic varnish spray. Fast drying and satin matt. Provides protection against dust, grease, dirt, etc. Increases the durability and improves the conservation of the painting. Does not yellow after drying.
Titan final varnish with matt surface. For oil and acrylic painting. Good lightfastness. Slight permanent paleness. Does not crackle.
Titan final varnish for oil and acrylic paints. Lightfast. Durable, light colour. Does not craquelure.
Titan final varnish for oil and acrylic paints. Lightfast. Durable, light colour. Does not craquelure.
Titan liquid varnish (low solids content). Lightfast. Does not crackle. Long-lasting. For retouching oil and acrylic paintings.
Titan product used by restorers for oil paints.
Oily varnish. It revives the colours and achieves effects of great transparency.
Titan classic Judée bitumen, so characteristic of the manufacture of patinas, the imitation of antiques, the finishing of worked metals, the embellishment of frames and mouldings and the decoration of objects.
Pale yellow, quick-drying varnish. For use on oil and alkyd colours. Traditional, high-gloss varnish that is also used for prints and cards.
Winsor & Newton Artists´ high-quality matt varnish for oil paints. UV-resistant. Fast drying, non-yellowing and non-cracking.
Winsor & Newton intermediate or touch-up varnish to protect freshly applied oil colours. Glossy, non-yellowing finish.
Winsor & Newton transparent, glossy liquid varnish for oil paints. Excellent quality. Does not yellow after drying. UV-resistant. Fast drying.
Winsor & Newton silk matt varnish in premium quality, UV-resistant, quick-drying, non-yellowing and non-cracking. Can be removed with distilled Winsor & Newton Artists´ Turpentine if required.
Lefranc Bourgeois varnish based on acrylic resin, with which fresh colours can be applied over older layers of paint.
Lefranc Bourgeois colourless retouching varnish for paintings that does not yellow over time.
The J.G. Vibert painting medium is a liquid painting medium consisting of ketone, acrylic resin and poppy seed oil. Practically colourless and non-yellowing, it dries quickly and retains a certain flexibility.
Lefranc Bourgeois varnish, colourless and very resistant to scratches, moisture and abrasion.
Flexible and very resistant varnish from Lefranc Bourgeois for finishing oil, acrylic and gouache.
Lefranc Bourgeois varnish, which offers a glare-free surface and a perfectly homogeneous, glossy transparency.
Maimeri fixing spray for pastels and charcoal.
Titan auxiliary products in spray format. These include various types of varnishes, fixatives, shellac and bitumen. For coating and protecting surfaces, priming, highlighting, imitating and decorating objects.
Dissolution of dammar resin in turpentine with matting agents in suspension. Final varnish for oil, tempera, alkyd and synthetic emulsion paints.
Dissolving dammar resin in turpentine. Traditional glossy finishing varnish for oil, tempera, alkyd and synthetic emulsion paints.
High-gloss varnish for long-lasting protection of acrylic paintings.
Matt varnish for long-lasting protection of acrylic paintings. Fast drying.
Suitable for a variety of surfaces (wood, plastic, cardboard, metal, fabric, glass, etc.). Water-based, non-toxic product.
Winsor & Newton auxiliary products in spray format.
Provides protection against paint ageing, dust, dirt and more. Gives the paint a uniform finish (glossy, matt or satin). Does not yellow over time and does not crack.
Light, non-yellowing, matt varnish for the protection of paintings. Made from ketone resin dissolved in turpentine with an addition of beeswax to maintain the matt character. To be used approximately one year after the paint has dried.
Light, non-yellowing, glossy varnish for protecting paintings. Made from ketone resin dissolved in turpentine. Can be used approximately one year after the paint has dried perfectly.
Removable temporary protection. Increases the gloss on matt surfaces. Based on acetone and white spirit. Fast drying.
Pasty varnish. Very glossy finish. Must be thinned with turpentine. Apply one year after completion of the work.
Made from high-quality dammar resin. Glossy surface. Protects the painting from external influences. Refreshes matt areas. Homogenises the gloss of the entire painting. Dries quickly.
Refreshes dull areas and gives the paint temporary protection. Dries in a few hours. Once the colour has dried well, it will no longer yellow. Made from dammar resin dissolved in turpentine.
Talens auxiliary products, varnishes and fixatives for painting and drawing in spray format.
Winsor & Newton acrylic varnish with a UV protectant that improves lightfastness and protects against other UV damage such as fading, colour change, etc. For varnishing paintings, digital prints, etc.
Winsor & Newton acrylic varnish with a UV protectant that improves lightfastness and protects against other UV damage such as fading, colour change, etc. For varnishing paintings, digital prints, etc.
Winsor & Newton acrylic varnish with a UV protectant that improves lightfastness and protects against other UV damage such as fading, colour change, etc. For varnishing paintings, digital prints, etc.
Winsor & Newton Artists´ Acrylic Varnish Remover allows you to safely remove the varnish and remove dirt and surface contaminants without damaging the artwork. Removes Winsor & Newton Artists´ Acrylic Varnishes.
It is a patina used in the decoration and imitation of surfaces and has an archaic, aged and noble appearance. It can be diluted with turpentine or petroleum essence.
Varnish based on carefully selected shellac. It is used for the decoration of frames, horns, figures and as a finish and protection for multi-coloured objects as well as a primer for handicraft and artistic work.
Rust protection varnish for non-ferrous metals. For the protection of copper, brass, aluminium, nickel, chrome and silver. Adheres well to metals and leaves a homogeneous, glossy film.
Acrylic lacquer with integrated UV filter. Provides an efficient protective layer for light-sensitive substrates. It is applied to fluorescent and phosphorescent colours to protect them from the outside environment.
Glossy varnish with a ceramic-like finish.
Gives the work a glossy finish that accentuates the colours of the painting and prevents yellowing. Protects against UV rays.
Gives the work a matt finish that softens the shine of the colour and prevents yellowing. Protects against UV rays.
Gives the work a satin finish that slightly accentuates the colours of the painting and prevents yellowing. Protects against UV rays.
Liquitex Soluvar Matter Varnish for interior and exterior use with UV stabilisers. Can be used on oil colours and acrylic paints. Does not yellow and can be removed with mineral turpentine or turpentine.
For indoor and outdoor applications. Excellent levelling properties. Non-yellowing. Translucent when wet, transparent when dry.
For indoor and outdoor applications. Excellent levelling properties. Non-yellowing. Translucent when wet, transparent when dry.
For indoor and outdoor applications. Excellent levelling properties. Non-yellowing. Translucent when wet, transparent when dry.
Fixes and protects drawings or figures made of clay, wood, cardboard, etc. that have been painted with wax crayons, tempera or pencils. Gives a glossy surface and protects against light. Available in 60, 100, 500 and 1000 ml plastic bottles.
Solvent varnish for painting. 125 or 250 ml cans. Discontinued product.