Vallejo Retarder Medium. Delays the drying time of acrylic paints for model making, especially Model Color. 17 ml bottle with dropper.
Vallejo gloss medium that increases the flowability and transparency of model and miniature paints. Improves adhesion to the surface. Does not yellow.
Protective gloss varnish for metallic pigments. Protects the paint from wear processes. Solvent-free. Plastic tin with hinged lid.
Vallejo medium for the desert sand effect on model kits. Medium texture, light brown colour. Water-based formulation. Non-flammable. Solvent-free.
Vallejo Diorama Effects medium for dark earth effects. For model making. Medium texture, light brown colour. Water-based formulation. Non-flammable. Solvent-free.
Vallejo Diorama Effects medium for creating brown earth effects. Texture with a typical brown tone like clay. Thick and dense consistency to reproduce earth textures. Formulated with a water base. Non-flammable.
Vallejo Diorama Effects medium for creating brown earth effects. Texture with a typical brown tone like clay. Thick and dense consistency to reproduce earth textures. Formulated with a water base. Non-flammable.
Vallejo model making medium for the effect of dense, Russian clay. Particularly dark colour tone with traces of vegetation. Formulated on a water base. Non-flammable.
Vallejo Industrial Thick Mud Medium for models and miniatures. Grey coloured clay to add realism to industrial or urban environments. Water based. Solvent free. Non-flammable.
Medium with a light brown mud effect for models and miniatures. The clay resembles the mud that forms on alkaline soils in dry, desert-like or Mediterranean environments. Water-based medium. Solvent-free. Non-flammable.
Diorama Effects Medium for achieving the effect of dense, wet, brown mud in miniatures and model making. Water-based. Quick drying. Non-flammable. Solvent-free.
Medium for creating the effect of black clay in miniatures and models. Water-based composition. Quick drying. Non-flammable. Contains no solvents.
Water-based snow effect. For models or figures to create a snowy landscape and environment. Non-flammable and solvent-free.
Ultra-matt polyurethane varnish. Formulated with state-of-the-art resin. Non-irritating. Fast drying. Can be used with a brush or airbrush. UV resistant.
Liquid restorer to maintain the softness and quality of the hair of watercolour, gouache, ink brushes etc. Particularly suitable for squirrel hair brushes. Contains no alcohol.
Liquid cleaner to maintain the softness and hair quality of brushes that have been used with alcohol-based colours or require deep cleaning. Suitable for all types of brushes.
Acrylic polymer medium by Vallejo for mixing, glazing or as a glossy and durable varnish. Can also be used as a protective and insulating layer. Fast drying. Water resistant. Do not use on oily or greasy surfaces. Can be diluted with water.
Medium viscosity acrylic paste with a sandy texture and colour. Mixed with an acrylic gel, it is easier to spread and forms a surface that is well suited to drawing with pastel crayons.
A thick, rough natural stone and pigment paste that is applied with a spatula for surface constructions.
White modelling clay with a fine, smooth texture. Once dry, it can be carved, sanded and used as a levelling compound on buildings or as mortar and filling material for joints between pieces. Ideal for reliefs and 3D effects.
Flexible paste by Vallejo for use as a primer or medium to create textured backgrounds etc. Marble powder and titanium white. Dries white and opaque. Can be painted with oil or acrylic colours. Can be used on any porous surface.
Highly viscous acrylic medium. Consists of acrylic resin and thickener. Despite its milky white colour, it is unpigmented, transparent, glossy and flexible when dry.
High-viscosity acrylic paste made from natural pumice and titanium white.
A dense mortar that is mainly used for textures. Ideal for murals. Can be mixed with acrylic colours or other auxiliary products.
High-density, transparent, gel-like, water-based acrylic medium for water and ice textures.
High-density, transparent, gel-like, water-based acrylic medium for water and ice textures. In Atlantic blue.
High-density, transparent, gel-like, water-based acrylic medium for water and ice textures. In Mediterranean blue.
High-density, transparent, gel-like, water-based acrylic medium for water and ice textures. In pacific blue.
Spreadable and self-levelling liquid. Dries as a hard, transparent film. Ideal for simulating puddles, ponds, etc.
Vallejo Foam and Snow, a very dense and opaque white paste for creating wave crests, swirls, foam traces or snow effects. Perfect for white water effects. Fast drying with a durable finish.
Thinner for Model Air and Liquid Acrylic. Thins the colour without losing adhesion, hardness and consistency. Increases the flowability and transparency of the colour.
The Airbrush Cleaner is essential for cleaning airbrush guns. It removes paint residue and lubricates the airbrush mechanisms without damaging them.
Acrylic Gesso is a particularly high-quality primer made of acrylic resin and titanium dioxide for preparing canvases and other surfaces such as wood, ceramics, plaster, metals and cement for all types of colours, including oil paints.
Acrylic Gesso is a particularly high-quality primer made of acrylic resin and titanium dioxide for preparing canvases and other surfaces such as wood, ceramics, plaster, metals and cement for all types of colours, including oil paints.
Clear Gesso is quick-drying, durable, flexible and waterproof after drying. It does not yellow and can be painted over with all types of colours, including oils and pastels.
Color Gesso contains iron oxide and titanium dioxide white for priming with a coloured background. The opacity is exceptional. Can be mixed with each other, with white gesso, mediums and with acrylic colours.
Primer made with titanium dioxide and acrylic resin with the same properties as the Studio range. Dries matt and forms an opaque film with excellent flexibility and adhesion. Does not yellow.
Increases gloss, transparency and colour flow. Quick-drying, flexible and waterproof.
Medium that mattes colours and increases their transparency and fluidity. Quick-drying, flexible and waterproof.
Increases transparency and colour flow. Quick-drying, flexible and waterproof.
Increases the gloss and transparency of colours. Medium viscosity. Dries clear, glossy and flexible.
It mattes colours and increases their transparency. Does not yellow. Medium viscosity, dries clear, matt and flexible.
Increases the transparency of the colours. Medium viscosity, dries clear, satin and flexible.
Acrylic medium with mica that can be mixed with colours to create pearlescent reflections or used alone to create silver and shimmer effects.
Is mixed with acrylic colours up to a maximum of 10% and delays the drying of the colours. Very useful for mixing and shading and to reduce film formation on the colours of the palette.
Thins acrylic colours without losing adhesion. For watering, details and miniatures.
Slow drying liquid medium (90 minutes). Dries clear, glossy, flexible, non-yellowing, waterproof and permanent. For glazing, watercolouring, layering colours and textures.
Mixing Textile Medium with 50% acrylic paint produces a heat-setting colour with flexibility and adhesion to fabrics that can also be used in screen printing.
Transparent, colourless and matt glazing medium based on acrylic resin with a drying time of approx. 90 minutes to enable glazing and other techniques that require slow drying.
Dense gel forms a transparent, glossy film with high flexibility, hardness, water, erosion and UV resistance. For glazes, increased transparency, body and additional protection.
Dense gel forms a transparent, matt film with high flexibility, hardness, water, weather and UV resistance. For glazes, increased transparency, body and additional protection.
Dense, highly viscous acrylic gel formulated with permanent pigments. Dries clear and glossy. Can be mixed with colours, gels and stone products.
Extra dense acrylic gel with maximum viscosity. Dries clear and glossy.
Extra dense acrylic gel with maximum viscosity. Transparent and dries completely matt.
Cannot be removed after drying. Two coats of varnish at least 4 hours apart are recommended. If desired, it can be thinned with water. UV-resistant.
Cannot be removed after drying. Two coats of varnish at least 4 hours apart are recommended. If desired, it can be thinned with water. UV-resistant.
Cannot be removed after drying. Two coats of varnish at least 4 hours apart are recommended. If desired, it can be thinned with water. UV-resistant.
Can be removed with ammonia or other alkaline substances without damaging the paint if subsequent corrections are required. UV-resistant.
Can be removed with ammonia or other alkaline substances without damaging the paint if subsequent corrections are required. UV-resistant.
Can be removed with ammonia or other alkaline substances without damaging the paint if subsequent corrections are required. UV-resistant.
New polyurethane varnish formulated with a state-of-the-art, non-irritating water-based resin. This varnish has the superior durability of polyurethane and the ease of application of water-based products. UV resistant.
New polyurethane varnish formulated with a state-of-the-art, non-irritating water-based resin. This varnish has the superior durability of polyurethane and the ease of application of water-based products. UV resistant.
New polyurethane varnish formulated with a state-of-the-art, non-irritating water-based resin. This varnish has the superior durability of polyurethane and the ease of application of water-based products. UV resistant.
The acrylic varnish spray is very useful for quickly protecting your work. It does not contain any harmful substances such as toluene, and the propellant does not damage the ozone layer.
A medium for transferring colour images printed on paper onto cotton or linen fabric. Water-based, non-toxic.
For transferring images to wood, canvas, cardboard, etc. Apply the medium to the surface and place the picture face down. Leave it to dry. Moisten the cut-out with water and remove the paper with your fingers.
Vallejo primer in spray format for metal or plastic. Available in three neutral colours: White, black or grey. Specially developed to respect and emphasise even the smallest details of models and miniatures.