Increases the fluidity of oil paint. Makes the brushstrokes disappear. Increases the gloss, but prolongs the drying time. Can be diluted with turpentine.
Cold-pressed and bleached linseed oil. Must be diluted with turpentine or white spirit Increases the colour flow of the oil paint. Disguises the brushstrokes. Enhances the lustre. Shortens the drying time.
Obtained from the first pressing of poppy seeds. Retains many of the properties of linseed oil, yellows less and dries more slowly. Suitable for light colours.
Thins the oil paint and increases colour flow. Reduces the gloss. The brushstroke remains visible. Consists of a mixture of linseed oil and turpentine oil. Contains no resins or siccatives.
Thins the oil paint and increases colour flow. Reduces the gloss and accelerates the drying time. The brushstroke remains visible. Consists of a mixture of linseed oil and turpentine.
Light, non-yellowing, matt varnish for the protection of paintings. Made from ketone resin dissolved in turpentine with an addition of beeswax to maintain the matt character. To be used approximately one year after the paint has dried.
Light, non-yellowing, glossy varnish for protecting paintings. Made from ketone resin dissolved in turpentine. Can be used approximately one year after the paint has dried perfectly.
Removable temporary protection. Increases the gloss on matt surfaces. Based on acetone and white spirit. Fast drying.
Pasty varnish. Very glossy finish. Must be thinned with turpentine. Apply one year after completion of the work.
Made from high-quality dammar resin. Glossy surface. Protects the painting from external influences. Refreshes matt areas. Homogenises the gloss of the entire painting. Dries quickly.
Refreshes dull areas and gives the paint temporary protection. Dries in a few hours. Once the colour has dried well, it will no longer yellow. Made from dammar resin dissolved in turpentine.
Boiled linseed oil. Improves the colour flow. Dries more slowly and is darker than refined linseed oil.
Volatile thinner for oil paints. Makes the colour less greasy, makes the brushstroke smoother and cleans the material.
Volatile thinner for oil paints. Makes the colour less greasy and cleans the material. Obtained by petroleum distillation.
For cleaning the varnish layer. Due to the beeswax it contains, the painting becomes matt after drying. It must be diluted with turpentine.
Increases gloss and transparency. Can be used on paper, cardboard, canvas, linen and wood. Made from pure gum arabic. Dilutable in warm water with glycerine.
White siccative medium. Accelerates the drying time of oil colours.