Water-based biopolymer varnish and paint medium made from milk casein and beeswax. Very flexible and resistant. Fast drying. Semi-gloss finish. For all techniques except oil pastels. Non-toxic. Indoor use.
The lift preparation allows dry layers to be lifted off the paper more easily with a wet brush or sponge. It is a preparation with which beginners can prepare the paper, being able to make corrections in their painting.
Liquitex glass acrylic medium. Transform acrylics into durable glass paint. Clings to slippery, non-porous surfaces such as glass, ceramic, or porcelain. When heated, it creates a tough glossy surface.
Starter set with 6 types of Liquitex professional mediums in 100 ml format. Includes: drying retardant fluid medium, smoothing medium, ultra gloss varnish, super thick gloss gel, transparent gesso and flexible modeling paste.
Set of 4 Liquitex mediums in 59 ml format. Includes ultra-matte, matte, glanding and quick-drying medium for acrylic paint. They allow to reduce the viscosity, add thickness, fast drying or adapt the brightness of the color.
Ultra matte medium for techniques such as acrylic or gouache. Provides extra opacity to colors and an ultra-matte final result. Maintains the characteristics of color, intensity and tone. Slows drying time.
Provides richness to acrylics, creating a metallic / pearlescent effect. It is translucent when drying and does not rust. You can add reflections or highlights to a painting, even in minute quantities.
The best performing product in the Liquitex range of mediums. The glossy varnish medium is a multipurpose medium who performs two functions. It can be used as a permanent varnish and / or liquid medium.
Golden Airbrush 100% acrylic medium that is used to modify the viscosity of fluid acrylics and other Golden acrylic products, increasing fluidity and avoiding clogging of the nozzles when applying with airbrush and / or spraying.
Sennelier Turner gelatinous medium for glazes and oil paint finishes. It gives transparency and luminosity to the brushstroke. It has no effect on the drying time. Very transparent, completely translucent vegetable oil base.
Oil painting paste, prevents wrinkles when thick coats are applied. Increases the transparency of the oil while preserving its viscosity, the durability of the paint film and does not yellow. Can be diluted with turpentine or white spirit.
Winsor & Newton oil medium for blending and glazing. Increases transparency, fluidity and depth of color, providing a long-lasting glossy finish. Slows drying time. Useful for blends, glazes, effects, ...
Schmincke airbrush paint drying retarder. This reduces possible color residues on the needle, increasing the life of the needle. It is colorless. It is used in a maximum ratio of 1: 1. Can be used on all airbrush nozzles.
Chelsea Fat Medium based on extra pale linseed oil and lavender essence dammar varnish. Created for the last layers of paint as it thickens the oil giving it more shine, consistency and adherence. Dry slowly. Does not yellow
Lean Medium Chelsea composed of extra pale linseed oil and lavender oil solvent. Perfect for the first layers of paint. It dries very quickly and does not yellow. Improves adhesion and resistance of paint. Prevents cracking.
Schmincke Medium W that allows you to mix any traditional oil color with just water, without the need to use turpentine or other solvents. Increases shine, transparency and is waterproof once dry. Code 50043.
Acrylic resin to consolidate and protect objects, works of art, pieces of marble, stone, metal, etc. It is used as a touch-up varnish and adhesive in restoration tasks. Resistant, hardness, gloss and adhesion on the most varied supports.
Gamblin's Laropal A-81 is a synthetic aldehyde resin used as a paint medium. Ideal for restoration. Low viscosity, high resistance to light and minimal polarity. Soluble in most polar solvents. Insoluble in water.
Titan gloss acrylic gel, acts as a medium for mixing acrylic colours, modifying their consistency, transparency, opacity, viscosity and gloss. Adhesive and binder power. Once dry it is transparent, waterproof, glossy and elastic.
Titan matt acrylic gel which acts as a medium for mixing with acrylic colours, maintains their consistency and reduces gloss. High adhesive and binding power. Suitable for porous substrates. Once dry it is transparent, waterproof and elastic.
Titan glossy acrylic dense gel that acts as a medium for mixing with acrylic colours, increasing their consistency and gloss. High adhesive and binding power. Suitable for porous substrates. Once dry, it is transparent, waterproof and elastic.
Titan dense matt acrylic gel which acts as a medium for mixing acrylic colours, increasing their consistency and reducing their gloss. High adhesive and binding power. Suitable for porous substrates. Once dry it is transparent, waterproof and elastic.
Schmincke Pouring Medium, fluid, transparent and shiny. Ideal for pouring technique painting. Waterproof. It does not yellow. This technique allows you to create paintings in a simple way and with very professional finishes.
Medium Titan matt thinning medium for acrylic colours. Ideal for transparencies, glazes, etc. Can be mixed with additives to obtain textures. Gives volume, improves fluidity, facilitates application and reduces the gloss of the final colour.
Medium Vallejo acrylic polymer for blends, glazes or as a glossy and permanent varnish. Also usable as a protective and insulating layer. Fast dry. Raincoat. Do not use on oil or greasy surfaces. Can be diluted with water.
Thinner medium for oil Winsor & Newton that improves the fluidity and humidity of the paint to facilitate the realization of small details. When drying, it forms a layer that does not wrinkle or crack.
Egg-based Lefranc Bourgeois Medium for oil painting. Glossy or matte finish as used. Improves adhesion, accelerates drying and increases the greasiness of oil colors. Ensures perfect preservation without yellowing.
JG Vibert Paint Medium is a fluid paint medium, composed of ketonic and acrylic resin, as well as poppy oil. Practically colorless and without yellowing, it is applied and dries quickly and retains a certain degree of flexibility.
Medium Lefranc Bourgeis for oil painting that does not modify the transparency or opacity of the colors, facilitating their application. It can be used mixed with turpentine. Matte, uniform and velvety finish.
Lefranc Bourgeois drying medium for oil colors. It allows the quick superposition of fresh brushstrokes as well as the application of glazes. Glossy, uniform and velvety finish. Increases transparency and shine.
Flemish drying medium Lefranc Bourgeois for painting with oil. It facilitates the adherence of colors, protecting them, making them more vivid and improving their durability. Contains copal resin, linseed oil and essence of turpentine.
Flowable acrylic binder. Increases adhesion and makes acrylic colors translucent and more fluid. Pébéo Studio Acrylic medium Bindex Dyna is formulated with pigments that change color depending on the angle of incidence of light.
Gel to mix with acrylic colors. Increases transparency, depth and drying time. It does not yellow and has a glossy, matte or phosphorescent finish (glow in the dark) after drying (depending on whether one or the other is applied).
Thin oil paint and increase flowability. Decrease shine. The brush stroke remains visible. Composed of a mixture of linseed oil, turpentine oil and essence of turpentine. It does not contain resin or driers.
This medium improves color fluency making it ideal for mixing or making fine details. Provides a uniform matte finish and increases the water resistance of the color when it dries. It does not cause loss of color depth.
This medium increases the depth, transparency and fluidity of the color making it ideal for mixing or making fine details. Can be used in thicker coats than Glaze Medium and provides an even gloss finish.
Additive that slows down the drying time of acrylic color to give more working time for more extensive mixing and handling. A 1: 1 volume ratio doubles the drying time. It maintains the invariability of the colors.
This is the best medium to create glazes since it provides maximum transparency to the color and improves its brightness. It allows the accumulation of thin layers of highly transparent color to achieve luminous and glowing effects.
Reduces the brightness of the color. Contains a clear binder and mattifying agents that will not cause color depth to fade when used with Winsor and Newton Artists' Acrylic. Gel consistency, thicker than matte medium.
This medium increases the transparency, depth and brightness of the color. Its gel consistency is thicker than Glossy Medium, and it does very well with the thick, buttery consistency of the color. Dries to a smooth gloss finish.
Additive that increases the fluidity of acrylic colors, breaking the tension of the water surface. It is ideal for application in areas of uniform and flat colors without changing the strength of the color. Maintains color stability.
Lightweight and flexible modeling paste so it won't shrink or crack. Thickens color consistency, adds body and structure, and accentuates texture, brush and palette knife marks. Increase the opacity of the color.
Breaks the tension of water by improving the flow, absorbency and mixing of any paint, ink or stain that contains water and minimizes brush strokes. Use with flowable paint to create very runny washes without stiff edges.