Water-based biopolymer varnish and paint medium made from milk casein and beeswax. Very flexible and resistant. Fast drying. Semi-gloss finish. For all techniques except oil pastels. Non-toxic. Indoor use.
Frosted medium to achieve a matt effect on Pèbèo Vitrea colours for glass.
Medium to mix with Pèbèo Vitrea colours for glass to obtain iridescent or pearly reflections.
Transparent medium that fluidifies the colours and increases transparency. Translucent and satin finish. Non-yellowing. Ideal for pouring technique.
The lift preparation allows dry layers to be lifted off the paper more easily with a wet brush or sponge. It is a preparation with which beginners can prepare the paper, being able to make corrections in their painting.
Water-miscible impasto medium for Artisan water-based oil paints. Rigid quick-drying medium. Retains brush marks when mixed with Artisan Colour. Does not yellow. It can be cleaned with water.
Artisan paint medium miscible with water. slow drying Reduces consistency and increases flexibility of Artisan water-based oil colors. Oils and enriches opaque areas. Does not yellow.
Artisan quick drying medium miscible with water. Softens the brush stroke and increases the transparency of Artisan Color. Very fast drying. It is excellent for fine details.
Medium to improve the fluidity of the paint and delay its drying when working with an airbrush. We recommend 1-2 drops of Flow Improver per 10 drops of paint inside the airbrush cup.
Liquitex Acrylic Medium to create a metallic gold effect in paint or to add golden reflections to the surface. Valid for all surfaces suitable for acrylic.
Liquitex glass acrylic medium. Transform acrylics into durable glass paint. Clings to slippery, non-porous surfaces such as glass, ceramic, or porcelain. When heated, it creates a tough glossy surface.
Liquitex crackle paste. Creates a cracked surface texture when dry. Can be used alone or mixed with acrylic paint to create a structurally stable cracking effect on rigid surfaces.
Liquitex Metallic Silver Acrylic Medium. Causes silver effects when mixed with acrylic paints. For all surfaces suitable for acrylic. It does not affect the stability of acrylic paint.
Starter set with 6 types of Liquitex professional mediums in 100 ml format. Includes: drying retardant fluid medium, smoothing medium, ultra gloss varnish, super thick gloss gel, transparent gesso and flexible modeling paste.
Fluid straightening medium with a matte finish. Flexible once dry. Resistant to light and cracking. It does not yellow. Designed for acrylic paint.
Fluid smoothing medium for an iridescent finish or to add reflections to the surface. Light resistant. It does not yellow. Flexible medium once dry and waterproof. It does not crack.
Set of 4 Liquitex mediums in 59 ml format. Includes ultra-matte, matte, glanding and quick-drying medium for acrylic paint. They allow to reduce the viscosity, add thickness, fast drying or adapt the brightness of the color.
Medium Liquitex gel for acrylic paint. Satin finish. Increases the thickness of the paint and helps spread the color on the surface. Flexible and waterproof once dry.
Medium Liquitex for acrylic paint. Increases the fluidity of paint and the transparency of colors. Provides a satin finish. Flexible and waterproof once dry.
Ultra matte medium for techniques such as acrylic or gouache. Provides extra opacity to colors and an ultra-matte final result. Maintains the characteristics of color, intensity and tone. Slows drying time.
Provides richness to acrylics, creating a metallic / pearlescent effect. It is translucent when drying and does not rust. You can add reflections or highlights to a painting, even in minute quantities.
Ready-to-use, pre-filtered medium that easily dilutes any acrylic, watercolor or gouache to the right consistency for spray application
The best performing product in the Liquitex range of mediums. The glossy varnish medium is a multipurpose medium who performs two functions. It can be used as a permanent varnish and / or liquid medium.
Use it when maximum transparency is needed to add luminosity and depth to your paintings. This fluid medium can be used to create brilliant glazes when mixed with transparent colors.
A classic medium used to fluidize delicate brush-painted works or as a low-gloss adhesive for collage. This medium has a creamy consistency and goes great with opaque colors.
Increases the mixability, workability and adhesion of acrylic paints to paint directly on unprimed canvases or fabrics. Reduces the stiffness of dried paint. No need to fix it with heat.
An essential medium for creating smoother edges and patterned shapes. This medium is used to extend the use time of acrylics by more than 40%.
Golden Airbrush 100% acrylic medium that is used to modify the viscosity of fluid acrylics and other Golden acrylic products, increasing fluidity and avoiding clogging of the nozzles when applying with airbrush and / or spraying.
Sennelier Turner gelatinous medium for glazes and oil paint finishes. It gives transparency and luminosity to the brushstroke. It has no effect on the drying time. Very transparent, completely translucent vegetable oil base.
Oil painting paste, prevents wrinkles when thick coats are applied. Increases the transparency of the oil while preserving its viscosity, the durability of the paint film and does not yellow. Can be diluted with turpentine or white spirit.
Winsor & Newton oil medium for blending and glazing. Increases transparency, fluidity and depth of color, providing a long-lasting glossy finish. Slows drying time. Useful for blends, glazes, effects, ...
Schmincke airbrush paint drying retarder. This reduces possible color residues on the needle, increasing the life of the needle. It is colorless. It is used in a maximum ratio of 1: 1. Can be used on all airbrush nozzles.
Chelsea Fat Medium based on extra pale linseed oil and lavender essence dammar varnish. Created for the last layers of paint as it thickens the oil giving it more shine, consistency and adherence. Dry slowly. Does not yellow
Lean Medium Chelsea composed of extra pale linseed oil and lavender oil solvent. Perfect for the first layers of paint. It dries very quickly and does not yellow. Improves adhesion and resistance of paint. Prevents cracking.
Chelsea Classical Studio sample bucket containing 8 paint aids: oils, mediums, solvents, varnishes, soap and brush cleaners. Perfect for testing all the brand's products and as a gift for artists.
Schmincke Medium W that allows you to mix any traditional oil color with just water, without the need to use turpentine or other solvents. Increases shine, transparency and is waterproof once dry. Code 50043.
Acrylic resin to consolidate and protect objects, works of art, pieces of marble, stone, metal, etc. It is used as a touch-up varnish and adhesive in restoration tasks. Resistant, hardness, gloss and adhesion on the most varied supports.
Gamblin's Laropal A-81 is a synthetic aldehyde resin used as a paint medium. Ideal for restoration. Low viscosity, high resistance to light and minimal polarity. Soluble in most polar solvents. Insoluble in water.
Titan gloss acrylic gel, acts as a medium for mixing acrylic colours, modifying their consistency, transparency, opacity, viscosity and gloss. Adhesive and binder power. Once dry it is transparent, waterproof, glossy and elastic.
Titan matt acrylic gel which acts as a medium for mixing with acrylic colours, maintains their consistency and reduces gloss. High adhesive and binding power. Suitable for porous substrates. Once dry it is transparent, waterproof and elastic.
Titan glossy acrylic dense gel that acts as a medium for mixing with acrylic colours, increasing their consistency and gloss. High adhesive and binding power. Suitable for porous substrates. Once dry, it is transparent, waterproof and elastic.
Titan dense matt acrylic gel which acts as a medium for mixing acrylic colours, increasing their consistency and reducing their gloss. High adhesive and binding power. Suitable for porous substrates. Once dry it is transparent, waterproof and elastic.
Schmincke Pouring Medium, fluid, transparent and shiny. Ideal for pouring technique painting. Waterproof. It does not yellow. This technique allows you to create paintings in a simple way and with very professional finishes.
Medium Titan matt thinning medium for acrylic colours. Ideal for transparencies, glazes, etc. Can be mixed with additives to obtain textures. Gives volume, improves fluidity, facilitates application and reduces the gloss of the final colour.
Medium Vallejo acrylic polymer for blends, glazes or as a glossy and permanent varnish. Also usable as a protective and insulating layer. Fast dry. Raincoat. Do not use on oil or greasy surfaces. Can be diluted with water.
Winsor & Newton Medium to clean darkened or dirty pictures and traces of linseed oil oxidation. Cleaning of high-value works should be entrusted to professionals.
Thinner medium for oil Winsor & Newton that improves the fluidity and humidity of the paint to facilitate the realization of small details. When drying, it forms a layer that does not wrinkle or crack.
Egg-based Lefranc Bourgeois Medium for oil painting. Glossy or matte finish as used. Improves adhesion, accelerates drying and increases the greasiness of oil colors. Ensures perfect preservation without yellowing.
JG Vibert Paint Medium is a fluid paint medium, composed of ketonic and acrylic resin, as well as poppy oil. Practically colorless and without yellowing, it is applied and dries quickly and retains a certain degree of flexibility.
Medium Lefranc Bourgeis for oil painting that does not modify the transparency or opacity of the colors, facilitating their application. It can be used mixed with turpentine. Matte, uniform and velvety finish.
Lefranc Bourgeois medium for oil painting with a glossy finish that makes the paint adhere quickly.
Medium Lefranc Bourgeois to make impasto with oil paint.
Medium based on alkyd resin that accelerates drying, increases the transparency and fluidity of oil colors.
Lefranc Bourgeois medium based on Mastic resin for oil painting, which allows fast adherence followed by rapid and progressive drying.
Medium Lefranc Bourgeois for oil painting made on the basis of beeswax. Matte finish.
Lefranc Bourgeois courtrai white drying agent for oil colors with a soft effect that improves the hardening of the paint.
MAIMERI MÉDIUM IMPASTO FOR OIL
MAIMERI OILYN MÉDIUM FOR OIL PAINTING
MAIMERI MÉDIUM SECATIVE IN OIL GEL
MAIMERI SECATIVE MEDIUM FOR OIL
Lefranc Bourgeois drying medium for oil colors. It allows the quick superposition of fresh brushstrokes as well as the application of glazes. Glossy, uniform and velvety finish. Increases transparency and shine.
Flemish drying medium Lefranc Bourgeois for painting with oil. It facilitates the adherence of colors, protecting them, making them more vivid and improving their durability. Contains copal resin, linseed oil and essence of turpentine.
Flowable acrylic binder. Increases adhesion and makes acrylic colors translucent and more fluid. Pébéo Studio Acrylic medium Bindex Dyna is formulated with pigments that change color depending on the angle of incidence of light.
Gel to mix with acrylic colors. Increases transparency, depth and drying time. It does not yellow and has a glossy, matte or phosphorescent finish (glow in the dark) after drying (depending on whether one or the other is applied).
Glossy acrylic studio medium. This medium increases the effect and depth of the colors. After drying it remains transparent and with a glossy finish. It is ideal for the manufacture of enamels.
Thinning titan medium for acrylic colours. Gives luminosity, brilliance and depth to the colours, making them more fluid.
Mixed with acrylic colours, up to a maximum of 5%, it prolongs the drying time by 5-10 minutes.
Semi-fat thinner for oil paints. Increases the transparency and gloss of the paint layer, without yellowing.
Accelerates the drying of oil colours. It is used in small proportions (0.5 to 5%), well mixed with the colour.
Thin the acrylic while preserving the durability of the paint film.
Increases the gloss and transparency of acrylic while preserving its viscosity.
Increases the transparency and decreases the gloss of acrylic while preserving its viscosity.
Doughy medium. Increases the gloss, transparency and viscosity of acrylic.
Doughy medium. Increases the transparency and viscosity of acrylic. Decrease shine.
Very pasty medium. Increases the viscosity of the acrylic marking the brushstroke considerably.
Very pasty medium. Increases the transparency and viscosity of acrylic. Decrease shine.
Thickener medium. Adding just a small amount increases viscosity and brushstroke.
It delays the drying of the acrylic, being able to mix the colors for a longer time in a wet state.
Alkyd based medium which increases fluidity and transparency and provides fast drying. General purpose low gloss medium.
Alkyd-based medium with a semi-gloss finish for impasto that provides fresh textures and brushstrokes without visible layers. Extends the color of the tube and provides volume. DISCOUNT 10%
Alkyd-based medium with a semi-matte finish for impasto that provides fresh textures and brushstrokes without visible layers. Extends the color of the tube and provides volume. DISCOUNT 10%
A dense mortar used primarily for textures. Ideal for murals. It can be mixed with acrylic or other auxiliary colors.
Clear, water-based, high-density acrylic medium gel to obtain water and ice textures.
Clear, water-based, high-density acrylic medium gel to obtain water and ice textures. Atlantic blue tone DISCOUNT 10%
Transparent, water-based, high-density acrylic medium gel to obtain water and ice textures. Mediterranean blue tone DISCOUNT 10%
Clear, water-based, high-density acrylic medium gel to obtain water and ice textures. Pacific blue tone DISCOUNT 10%
Spreading and self-leveling liquid. Dries as a hard, transparent film. Ideal for simulating puddles, ponds ... DISCOUNT 10%
Thinner based on vegetable oils, synthetic resins and siccatives dissolved in white spirit. Increases transparency and gloss. Non-yellowing. Refines the brushstroke and improves adhesion.
Fluid gloss medium perfect for achieving delicate details. Ideal for areas with smooth color blends without brush marks. Current alternative to copal mediums. Fast dry. DISCOUNT 20%
Thin oil paint and increase flowability. Decrease shine. The brush stroke remains visible. Composed of a mixture of linseed oil, turpentine oil and essence of turpentine. It does not contain resin or driers.
Thin oil paint and increase flowability. Decreases shine and speeds up drying time. The brush stroke remains visible. Composed of a mixture of linseed oil, turpentine oil and essence of turpentine.
Volatile thinner for oil paint. Makes paint less greasy and cleans material. Obtained by oil distillation.
Binder-free thinner that reduces viscosity without altering the drying time of Open Acrylic.
Liquid medium to spread paint, regulate transparency, create enamels, increase gloss, reduce viscosity or improve adhesion without affecting the working life with acrylic.
Liquid medium to spread paint, regulate transparency, create enamels, increase gloss, reduce viscosity or improve adhesion without affecting the working life with acrylic.
This medium improves color fluency making it ideal for mixing or making fine details. Provides a uniform matte finish and increases the water resistance of the color when it dries. It does not cause loss of color depth.
This medium increases the depth, transparency and fluidity of the color making it ideal for mixing or making fine details. Can be used in thicker coats than Glaze Medium and provides an even gloss finish.
Additive that slows down the drying time of acrylic color to give more working time for more extensive mixing and handling. A 1: 1 volume ratio doubles the drying time. It maintains the invariability of the colors.
This is the best medium to create glazes since it provides maximum transparency to the color and improves its brightness. It allows the accumulation of thin layers of highly transparent color to achieve luminous and glowing effects.
Reduces the brightness of the color. Contains a clear binder and mattifying agents that will not cause color depth to fade when used with Winsor and Newton Artists' Acrylic. Gel consistency, thicker than matte medium.
This medium increases the transparency, depth and brightness of the color. Its gel consistency is thicker than Glossy Medium, and it does very well with the thick, buttery consistency of the color. Dries to a smooth gloss finish.
Additive that increases the fluidity of acrylic colors, breaking the tension of the water surface. It is ideal for application in areas of uniform and flat colors without changing the strength of the color. Maintains color stability.
Lightweight and flexible modeling paste so it won't shrink or crack. Thickens color consistency, adds body and structure, and accentuates texture, brush and palette knife marks. Increase the opacity of the color.
Developed by the Old Holland Laboratory for thick, solid paint layers. Once dry, it has a transparent finish.
Developed by the Old Holland Laboratory for thick, solid paint layers. Once dry, it has a transparent finish.
Developed by the Old Holland Laboratory for thick, solid paint layers. Once dry, it has a transparent finish.
Gel much thicker than acrylic, allows us to make thick layers of paint. High Build gel has a semi-opaque finish.
Gel much thicker than acrylic, allows us to make thick layers of paint. High Build gel has a semi-opaque finish.
Gel much thicker than acrylic, allows us to make thick layers of paint. High Build gel has a semi-opaque finish.
Gel with a higher viscosity than New Master Acrylics.
Gel with a higher viscosity than New Master Acrylics.
Gel with a higher viscosity than New Master Acrylics.
Increase the transparency of the color. The gels are thicker than mediums and keep the density of Old Holland acrylic invariable, being essential in impasto processes.
Increase the transparency of the color. The gels are thicker than mediums and keep the density of Old Holland acrylic invariable, being essential in impasto processes.
Increase the transparency of the color. The gels are thicker than mediums and keep the density of Old Holland acrylic invariable, being essential in impasto processes.
Less thick than Old Holland New Master Acrylic, when wrapped with paint, it transforms it into a fluid acrylic.
Less thick than Old Holland New Master Acrylic, when wrapped with paint, it transforms it into a fluid acrylic.
Less thick than Old Holland New Master Acrylic, when wrapped with paint, it transforms it into a fluid acrylic.
Extends the drying process of the paint without altering its viscosity and density. It does not alter the colors. Add a maximum of 10% and mix well with the paint.
Medium developed for glazes and glazes.
It gives the paint a higher shine than it has when it comes out of the tube. Does not contain thickeners. It can be used in the desired proportion.
Does not contain thickeners. It can be mixed with New Old Holland Master Acrylics in the desired proportion. Long-lasting matte film drying.
Does not contain thickeners. It can be mixed with New Old Holland Master Acrylics in the desired proportion. Long-lasting satin film drying.
Universal gel to achieve pearlescent or iridescent effects with common colors. The best results are obtained with a portion 80% gel - 20% acrylic.
Use as a universal printing medium for screen printing.
Breaks the tension of water by improving the flow, absorbency and mixing of any paint, ink or stain that contains water and minimizes brush strokes. Use with flowable paint to create very runny washes without stiff edges.
This is a great choice when working in low humidity or when you want to increase the workability and mixing time of acrylic paints and mediums.
Innovative liquid acrylic resin designed to prolong the drying of colors. Spray it onto the palette or directly onto the surface of a painting. Prevents paint from forming a film on its surface.
Medium to delay drying of Vallejo Arte Deco acrylic paints for crafts.