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LIQUITEX Varnishes - Textures

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  • Up to 25%

    Glossy medium based on high quality natural products. Prolongs drying time. Glossy finish. Compatible with matt medium to give a satin finish. Can be used as a varnish to protect the surface.

  • Up to 25%

    Matt medium based on natural products that prolongs the drying time. Matt finish. Compatible with gloss medium to give a satin finish. Can be used as a varnish to protect the surface.

  • Up to 25%

    Thick and glossy medium gel based on natural products. Prolongs drying time. Gives body and retains the brushstroke. Glossy finish. Compatible with other acrylics and matt gel mediums to give a satin finish.

  • Up to 25%

    Thick matt medium gel based on natural products. Gives body and retains the brushstroke. Prolongs drying time. Gives opacity to the paint. Compatible with other acrylics and with glossy gel medium to give a satin finish.

  • Up to 15%

    Liquitex Acrylic Gesso. Creates a neutral grey primer that allows a higher contrast and a wider tonal range to be achieved without losing the characteristics and properties of the traditional primer.

  • Up to 25%

    Flowable, transparent and glossy medium for pouring applications, for producing uniform puddles and colour films. Does not increase the transparency of the colours. Flexible after drying.

  • Up to 15%

    An innovative titanium white primer for impasto with the ability to obtain sculptural shapes. It has all the properties of traditional acrylic primers. It is ideal for thick, sculptural applications with a painting knife or brush.

  • Up to 15%

    It forms a coloured base and at the same time offers all the properties of the traditional acrylic primer.

  • Up to 15%

    The classic white primer for absorbent surfaces such as canvas, paper or wood. Provides surface adhesion, roughness and absorbency suitable for acrylic and oil paints. One coat is usually sufficient.

  • Up to 15%

    Highly transparent primer that keeps the work surface visible. It provides the ideal degree of roughness for pastels, oil pastels, graphite and charcoal, as well as an excellent base for acrylic and oil colours

  • Up to 15%

    Liquitex Basics Gesso is a primer for preparing surfaces for acrylic and oil paints. It is non-yellowing, dense and flexible. One coat is usually sufficient.

  • Up to 15%

    Breaks the tension of water by improving the flow, absorbency and blending of all water-based paints, inks or dyes and minimises brush strokes. Ideal for creating very liquid washes without hard edges.

  • Up to 15%

    A good choice if you are working with low humidity or want to increase the workability and mixing time of acrylic paints and mediums.

  • Up to 15%

    Extra thick gel that preserves high reliefs and brush and painting knife marks that are barely smoothed. This medium makes the colour workable and leaves a translucent, matt finish.

  • Up to 25%

    It is ideal for maintaining brushstrokes while extending the drying time and adding body to the colour. Excellent for transferring printed images.

  • Up to 15%

    Thick gel medium that prolongs the time of use and increases gloss and transparency.

  • Up to 15%

    Super-thick gel with high surface strength that gives a rigid, oil-like feel. It is ideal for creating reliefs and sculptural applications that retain their shape after drying and hardly shrink at all.

  • Up to 15%

    Thick gel that leaves a matt and translucent finish after drying. Ideal for creating collages with heavier objects. Combine with glossy gel medium for a customised satin finish.

  • Up to 15%

    Gel with a high resin content that leaves a matt surface after drying. Maintains the opacity of the colour and spreads the colour by doubling the quantity without changing the position of the colour.

  • Up to 15%

    Thick gel that extends the working time of acrylic colours by more than 40% and facilitates mixing. Add up to 50% to achieve excellent impasto techniques without compromising the strength of the colour layer.

  • Up to 25%

    A classic medium that is used to give delicate brush paintings a fluid consistency or as a slightly glossy glue for collages. This medium has a creamy consistency and works well with opaque colours.

  • Up to 25%

    Use it when maximum transparency is required to add luminosity and depth to your colours. This liquid medium can be used in conjunction with transparent colours for brilliant glazes.

  • Up to 25%

    An indispensable medium for creating soft edges and modelled shapes. With this medium, the working time of acrylic colours can be extended by more than 40%.

  • Up to 25%

    Improves the mixability, workability and adhesion of acrylic colours for direct painting on fabrics or canvases without primer. Reduces the stiffness of the dried paint. No heat setting required.

  • Up to 25%

    Ready-to-use, pre-filtered medium that easily dilutes all acrylic, watercolour or gouache paints to a sprayable consistency

  • Up to 25%

    Gives acrylic colours a metallic/pearl sheen effect. When dry, it is translucent and does not oxidise. It can add highlights or shimmer to a painting, even in small quantities.

  • Up to 15%

    Innovative liquid acrylic resin that extends the drying time of colours. It is sprayed onto the palette or directly onto the surface of a colour. Prevents the paint from forming a film on its surface.

  • Up to 15%

    Liquitex Soluvar Matter Varnish for interior and exterior use with UV stabilisers. Can be used on oil colours and acrylic paints. Does not yellow and can be removed with mineral turpentine or turpentine.

  • Up to 15%

    For indoor and outdoor applications. Excellent levelling properties. Non-yellowing. Translucent when wet, transparent when dry.

  • Up to 15%

    For indoor and outdoor applications. Excellent levelling properties. Non-yellowing. Translucent when wet, transparent when dry.

  • Up to 15%

    For indoor and outdoor applications. Excellent levelling properties. Non-yellowing. Translucent when wet, transparent when dry.

  • Up to 15%

    Super-thick, matt, opaque preparation of marble powder and polymer emulsion for creating thick textures on rigid surfaces. This product can be worked like clay and leaves a very hard surface after drying.

  • Up to 15%

    A light, airy preparation of marble powder and polymer emulsion specially formulated for applications where weight is an issue. It can be used to add body to colour and create pastel shades.

  • Up to 15%

    Matt, opaque preparation made from marble powder and polymer emulsion. It takes longer to dry than other modelling clays and produces a hard but flexible surface.

  • Up to 15%

    Thick, finely textured gel. It dries to a light grey, matt stucco finish and is an excellent absorbent base for washes, glazes etc.

  • Up to 15%

    Finely textured gel that looks like fine, shiny beach sand when dry. Mix it with other gels to create unique surfaces. An excellent choice to add a little roughness to a basic painting

  • Up to 15%

    Medium consistency gel with transparent plastic microspheres for a texture reminiscent of small bubbles. When poured, it forms a glossy, flexible coating for a variety of applications.

  • Up to 15%

    Heavy, thick, rough, coarse-grained gel containing opaque white flakes of irregular size and shape. For an effect like snowflakes or coconut flakes. Preferably use with translucent or transparent colours.

  • Up to 15%

    Extends the drying time of acrylic paints and mediums by up to 40%. It is an absolutely essential additive when working in drier climates.

  • Up to 15%

    Excellent for sculptural effects when a matt finish is desired. Provides the working properties of oil or encaustic colours when added to water-based acrylic paints and mediums.

  • Up to 15%

    Anti-chipping gel with a honey-like consistency. Mix with acrylic paint to achieve interesting application effects, increase colour depth and improve transparency and fluidity.

  • Up to 15%

    100% acrylic polymer lacquer, glossy surface. Low viscosity. Water-soluble when wet, hard after drying, flexible and resistant to dirt and discolouration. For interior and exterior applications. Not suitable for oil paints.

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