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GESSOES / PRIMERS

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  • Up to 10%

    Calcium carbonate, also known as lime. Suitable for the production of primers and paints.

  • Up to 20%

    Watercolour binder with a honey-like consistency and transparent. Can be diluted with water. Ideal for creating a textured brushstroke to give your paintings character and visual richness.

  • Up to 20%

    Michael Harding non-absorbent acrylic primer. Excellent flexible and permanent primer for acrylic and oil paints. Preserves the gloss, body and vibrancy of the paints. Durable and effective. For use on linen, wood, MDF and other substrates.

  • Up to 15%

    Encaustic Gesso by R&F creates an easy-to-use waterborne base on the substrate and is formulated for use with encaustic paints. It has a higher solid to binder ratio compared to other gessoes. Fast drying.

  • Up to 20%

    Binder for watercolours. Suitable for generic powder, stone, ceramic and pearlescent pigments. Transparent. No cracking after drying.

  • Up to 20%

    Primer for preparing surfaces for dry pastel. Velvety finish, suitable for soft pastels. Almost transparent after drying. Can be coloured with water-based paints or pastel colour powder.

  • Up to 20%

    Highly adhesive white primer for preparing the surfaces to be painted. Apply to clean and grease-free surfaces. Matt finish. Fast drying.

  • Up to 20%

    Black primer for preparing the surfaces to be painted. Good adhesion in one coat on clean, grease-free surfaces. Matt finish. Fast drying.

  • Up to 20%

    Bindex binder for the preparation of acrylic colours, transfers, collages and inlays. Gives the colour more depth. Translucent and satin finish.

  • Up to 20%

    White primer with additional opacity. Perfect adhesion to any surface. It is recommended to apply to clean and grease-free surfaces. Matt finish. Fast drying.

  • Up to 10%

    Bunny glue in granulate form for priming. Water-soluble. Good adhesion to the substrate. Protein extract from rabbit skins together with preservatives that prevent fungal and bacterial attack.

  • Up to 10%

    Hare glue for liquid, ready-to-use primer. Good adhesion to the substrate. Suitable for priming, gilding or restoration.

  • Up to 28%

    Transparent acrylic primer. Allows the pattern of the substrate to shine through. The same surface protection as white gesso. Emphasises the grain of wood panels or the textures of canvases and other surfaces.

  • Up to 28%

    Very thick and highly pigmented primer with excellent coverage and opacity. High lightfastness class. Made with a high-quality acrylic emulsion for optimum flexibility and durability.

  • Up to 25%

    Semi-covering primer made from 100% acrylic. Very flexible. Can be applied in thin layers. Ready to use. Semi-absorbent. Can be sanded when wet.

  • Up to 10%

    Versatile latex concentrate. Used to give colours more volume by increasing their consistency, to transfer images onto paper, as a filler, putty and paper glue and to create collages.

  • Up to 15%

    Liquitex Acrylic Gesso. Creates a neutral grey primer that allows a higher contrast and a wider tonal range to be achieved without losing the characteristics and properties of the traditional primer.

  • Up to 25%

    Schmincke ready-to-use acrylic binder that is mixed with pure pigments to make your own acrylic colours. Ready-to-use, but water-soluble if required. Non-yellowing. Resistant to ageing and water as soon as it is dry.

  • Up to 25%

    Schmincke ready-to-use watercolour binder that is mixed with pure pigments to make your own watercolours. Ready-to-use, but water-soluble if required. Soluble after drying. Contains gum arabic and ox gall.

  • Up to 25%

    Schmincke ready-to-use gouache binder, which is mixed with pure pigments to make your own gouache colours. Ready-to-use, but water-soluble. Contains gum arabic, dextrin and ox gall. Water soluble after drying.

  • Up to 25%

    Schmincke ready-to-use oil binder that is mixed with pure pigments to make your own oil colours. Made from natural vegetable oils and additives. Suitable for making light colours. Good drying of the final colour.

  • Up to 25%

    Very absorbent and slightly rough Schmincke pastel primer. For working with the pastel or charcoal technique on non-greasy surfaces such as wood, metal, canvas or paper. Forms an elastic, matt and rough film after drying.

  • Up to 10%

    Gamblin PVA Size Polyvinyl acetate binder, pH-neutral, diluted in distilled water. Alternative to rabbit glue as a primer. Coats the fabric but does not absorb moisture. Does not give off harmful vapours and does not yellow

  • Up to 28%

    Daniel Smith Gold iridescent acrylic primer for designing backgrounds with mica and iron oxide particles. Acid-free. Easy to clean. Recommended as a primer for acrylic, oil and alkyd colours.

  • Up to 33%

    Titan Goya Estudio Gesso is an acrylic preparation for the treatment of surfaces to be painted such as canvas, plaster, wood, etc. White colour and matt finish. Fast drying and non-yellowing. Can be easily diluted with water.

  • Up to 15%

    Lefranc Bourgeois multi-effect binder gel for gluing, hardening fabrics, modelling and shaping. Can be used alone or mixed with acrylic colours. Once dry, it is highly flexible, waterproof and has a satin finish. Does not yellow.

  • Up to 20%

    Extra fine white primer from Maimeri

  • Up to 20%

    Maimeri Polycolor primer in white

  • Up to 20%

    Maimeri Polycolor primer in black

  • Up to 20%

    Maimeri Polycolor primer in the colour ice-white.

  • Up to 17%

    Extra fine white primer, consisting of an acrylic resin in aqueous emulsion and titanium dioxide. Perfect as a primer. Fast drying and adhesion on all surfaces.

  • Up to 17%

    Maimeri extra fine, black primer for oil and acrylic.

  • Up to 17%

    Low-absorbent primer based on alkyd resins for undercoating oil paintings. Ideal for oil paints, but can also be used for other painting techniques. No thinning is necessary.

  • Up to 25%

    Highly opaque, one-coat primer. Is applied to a clean, non-greasy surface. Dries quickly. Leaves a slightly matt surface that makes it easier for oil or acrylic paint to adhere. Available in white and black.

  • Up to 15%

    An innovative titanium white primer for impasto with the ability to obtain sculptural shapes. It has all the properties of traditional acrylic primers. It is ideal for thick, sculptural applications with a painting knife or brush.

  • Up to 15%

    It forms a coloured base and at the same time offers all the properties of the traditional acrylic primer.

  • Up to 15%

    The classic white primer for absorbent surfaces such as canvas, paper or wood. Provides surface adhesion, roughness and absorbency suitable for acrylic and oil paints. One coat is usually sufficient.

  • Up to 25%

    Universal primed for the preparation of various substrates. Can be coloured with acrylics. Good adhesion for oil, acrylic and gouache.

  • Up to 15%

    Highly transparent primer that keeps the work surface visible. It provides the ideal degree of roughness for pastels, oil pastels, graphite and charcoal, as well as an excellent base for acrylic and oil colours

  • Up to 10%

    A quick-drying, water-dilutable white primer with high filling capacity and good coverage that can be applied to all metal surfaces to protect them from rust.

  • Up to 15%

    Liquitex Basics Gesso is a primer for preparing surfaces for acrylic and oil paints. It is non-yellowing, dense and flexible. One coat is usually sufficient.

  • Up to 25%

    First coat for all techniques and all substrates. Ready to use.

  • Up to 20%

    Lightfast primer, available in 8 colours. Can be applied to canvas, paper, wood, stone and other surfaces. Suitable as a primer for acrylic, watercolour, oil and tempera.

  • Up to 20%

    Primer of the highest quality. This gesso consists of a transparent resin without pigmentation that offers excellent hold and becomes transparent when it dries. It therefore does not change the original appearance of the background.

  • Up to 20%

    Primer made from the best acrylic resins. It is fast drying, opaque and provides excellent adhesion and balanced absorption after drying. It does not yellow after drying and is suitable for flexible colour primers.

  • Up to 5%
  • Up to 10%

    Mineral solution of alkyd resin with titanium dioxide. A greasy, white, opaque, ready-to-use primer. To be used as a primer for oil paints, alkyd paints, etc.

  • Up to 33%
  • Up to 10%

    Europanol 22 Paniker latex binder. Gentle glue as it does not alter the properties of the substrate, making it particularly suitable for bookbinding and printing work. Homopolymers, water-based polyvinyl acetate (PVA).

  • Up to 15%

    Binder for the in-house production of acrylic. Also suitable for gluing.

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