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GELS

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  • Up to 15%

    Galkyd Gel is an alkyd resin based medium. A stiffer medium with a consistent texture that keeps brush marks thicker and sharper. Dries quickly. Increases the transparency of oil colours and creates impasto. Glossy finish.

  • Up to 25%

    Thick and glossy medium gel based on natural products. Prolongs drying time. Gives body and retains the brushstroke. Glossy finish. Compatible with other acrylics and matt gel mediums to give a satin finish.

  • Up to 25%

    Thick matt medium gel based on natural products. Gives body and retains the brushstroke. Prolongs drying time. Gives opacity to the paint. Compatible with other acrylics and with glossy gel medium to give a satin finish.

  • Up to 25%

    Gamblin Solvent-Free Gel oil painting medium. Adds fluidity and transparency while maintaining the shape and texture of the brushstroke. Dries in 48 to 36 hours. Non-toxic.

  • Up to 20%

    Translucent, phosphorescent gel that reflects light in the dark. Transparent and silky matt finish after drying. Water-based.

  • Up to 20%

    Titan glossy acrylic gel, serves as a medium for mixing acrylic colours and changes their consistency, transparency, opacity, viscosity and gloss. High adhesion and binding power. After drying, it is transparent, waterproof, glossy and elastic

  • Up to 20%

    Titan matt acrylic gel that serves as a medium for mixing with acrylic colours, maintains their consistency and reduces gloss. High adhesion and binding power. Suitable for porous surfaces. Once dry, it is transparent, waterproof and elastic.

  • Up to 20%

    Thick, glossy Titan acrylic gel that serves as a medium for mixing with acrylic colours and increases their consistency and gloss. High adhesive and binding power. Suitable for porous surfaces. When dry, it is transparent, waterproof and elastic.

  • Up to 20%

    Thick, matt Titan acrylic gel that serves as a medium for mixing with acrylic colours, increasing their consistency and reducing their gloss. High adhesion and binding power. For porous surfaces. Once dry, it is transparent, waterproof and elastic.

  • Up to 25%

    Acrylic polymer and gel based on coloured sand. Ready for use. Preferably apply with a painting knife. After drying, it looks like textured sand. Dilutable with water or Bindex. Available in white, yellow, red and black.

  • Up to 25%

    Gel for mixing with acrylic colours. Increases transparency, depth and drying time. Does not yellow and has a glossy, matt or glow-in-the-dark finish after drying (depending on whether you apply one or the other).

  • Up to 10%

    Ready-to-use, transparent gel based on a 100% acrylic polymer emulsion, ideal for relief or volume painting. Increases viscosity and maintains the brushstroke. Can be mixed with pigments or water-based colours.

  • Up to 10%

    Ready-to-use, matt-transparent gel based on a 100% acrylic polymer emulsion, ideal for relief or volume painting. Increases viscosity and holds the brushstroke. Can be mixed with pigments or water-based colours

  • Up to 10%

    Very thick, transparent gel based on a 100% acrylic polymer emulsion, ideal for achieving matt surfaces with high relief or volume. Also very useful as an adhesive for collages and transfers of printed images.

  • Up to 10%

    Transparent gel based on a 100% acrylic polymer emulsion. Contains microspheres that provide a finely textured surface, a porous finish and volume.

  • Up to 15%

    Increases the gloss and transparency of the acrylic paint while maintaining its viscosity.

  • Up to 15%

    Increases the transparency and reduces the gloss of the acrylic paint while maintaining its viscosity.

  • Up to 15%

    Pasty medium. Increases the gloss, transparency and viscosity of the acrylic paint.

  • Up to 15%

    Pasty medium. Increases the transparency and viscosity of the acrylic paint. Reduces the gloss.

  • Up to 15%

    Very pasty medium. Increases the viscosity of the acrylic paint, making the brushstroke more pronounced.

  • Up to 15%

    Very pasty medium. Increases the transparency and viscosity of the acrylic paint. Reduces the gloss.

  • Up to 25%

    Highly viscous acrylic medium. Consists of acrylic resin and thickener. Despite its milky white colour, it is unpigmented, transparent, glossy and flexible when dry.

  • Up to 10%

    High-density, transparent, gel-like, water-based acrylic medium for water and ice textures.

  • Up to 10%

    High-density, transparent, gel-like, water-based acrylic medium for water and ice textures. In Atlantic blue.

  • Up to 10%

    High-density, transparent, gel-like, water-based acrylic medium for water and ice textures. In Mediterranean blue.

  • Up to 10%

    High-density, transparent, gel-like, water-based acrylic medium for water and ice textures. In pacific blue.

  • Up to 10%

    Spreadable and self-levelling liquid. Dries as a hard, transparent film. Ideal for simulating puddles, ponds, etc.

  • Up to 25%
  • Up to 25%

    Liquid medium to extend the colour, regulate the transparency, create glazes, increase the gloss, reduce the viscosity or improve the adhesion without affecting the durability of the acrylic.

  • Up to 25%

    Liquid medium to extend the colour, regulate the transparency, create glazes, increase the gloss, reduce the viscosity or improve the adhesion without affecting the durability of the acrylic.

  • Up to 20%

    Reduces colour gloss. Contains a transparent binder and matting agent which, when used with Winsor & Newton Artists´ Acrylics, cause no loss of colour depth. Gel consistency, thicker than matt medium.

  • Up to 20%

    This medium increases the transparency, depth and brilliance of the colour. Its gel consistency is thicker than that of the gloss medium and goes very well with the thick, buttery consistency of the colour. It dries to an even glossy finish.

  • Up to 15%

    Extra thick gel that preserves high reliefs and brush and painting knife marks that are barely smoothed. This medium makes the colour workable and leaves a translucent, matt finish.

  • Up to 25%

    It is ideal for maintaining brushstrokes while extending the drying time and adding body to the colour. Excellent for transferring printed images.

  • Up to 15%

    Thick gel medium that prolongs the time of use and increases gloss and transparency.

  • Up to 15%

    Super-thick gel with high surface strength that gives a rigid, oil-like feel. It is ideal for creating reliefs and sculptural applications that retain their shape after drying and hardly shrink at all.

  • Up to 15%

    Thick gel that leaves a matt and translucent finish after drying. Ideal for creating collages with heavier objects. Combine with glossy gel medium for a customised satin finish.

  • Up to 15%

    Gel with a high resin content that leaves a matt surface after drying. Maintains the opacity of the colour and spreads the colour by doubling the quantity without changing the position of the colour.

  • Up to 15%

    Thick gel that extends the working time of acrylic colours by more than 40% and facilitates mixing. Add up to 50% to achieve excellent impasto techniques without compromising the strength of the colour layer.

  • Up to 15%

    Extends the drying time of acrylic paints and mediums by up to 40%. It is an absolutely essential additive when working in drier climates.

  • Up to 15%

    Excellent for sculptural effects when a matt finish is desired. Provides the working properties of oil or encaustic colours when added to water-based acrylic paints and mediums.

  • Up to 15%

    Anti-chipping gel with a honey-like consistency. Mix with acrylic paint to achieve interesting application effects, increase colour depth and improve transparency and fluidity.

  • Up to 25%
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