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RESINS & TEXTURES

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  • -15%

    Marble powder and titanium white. Matte and opaque paste to create volume and structure. Create flexible textures. It can be mixed with mediums, acrylic colors or used as a background.

  • -15%

    Light modeling paste composed of microspheres and titanium white. Matte and opaque. To create volume and structures. It can be mixed with mediums and acrylic colors, creating a flexible texture, or used as a background.

  • -15%

    Liquitex glass acrylic medium. Transform acrylics into durable glass paint. Clings to slippery, non-porous surfaces such as glass, ceramic, or porcelain. When heated, it creates a tough glossy surface.

  • -25%

    Starter set with 6 types of Liquitex professional mediums in 100 ml format. Includes: drying retardant fluid medium, smoothing medium, ultra gloss varnish, super thick gloss gel, transparent gesso and flexible modeling paste.

  • -25%

    Set of 4 Liquitex mediums in 59 ml format. Includes ultra-matte, matte, glanding and quick-drying medium for acrylic paint. They allow to reduce the viscosity, add thickness, fast drying or adapt the brightness of the color.

  • -25%

    Fluid straightening medium with a matte finish. Flexible once dry. Resistant to light and cracking. It does not yellow. Designed for acrylic paint.

  • -25%

    Medium Liquitex gel for acrylic paint. Satin finish. Increases the thickness of the paint and helps spread the color on the surface. Flexible and waterproof once dry.

  • -25%

    Medium Liquitex for acrylic paint. Increases the fluidity of paint and the transparency of colors. Provides a satin finish. Flexible and waterproof once dry.

  • -25%

    Fluid smoothing medium for an iridescent finish or to add reflections to the surface. Light resistant. It does not yellow. Flexible medium once dry and waterproof. It does not crack.

  • -20%

    Cleopatre Glass Lack 2-component epoxy resin to mix and imitate a glass layer up to 4 mm thick. The result is brilliant and very resistant. Perfect for enameling photos, polishing objects, finishes, creating jewelry, etc.

  • -20%

    Cleopatre Glass Flex is a two-component mixing epoxy resin that creates an imitation of a lightly colored flexible glass layer up to 2mm thick. Perfect for creating jewelry and decoration pieces, varnishing canvases, etc.

  • -20%

    Silicone oil to activate the creation of cells and alveoli in acyl paint. Perfect for pouring and resin art. Dropper dispenser to apply easily, without using a brush, a few drops are enough to create surprising effects.

  • -20%

    Crystal Diamond Cleopatre is an epoxy resin, made up of 2 products, that creates a solid and transparent material like glass with a shiny effect like glass. For creating jewelry with molds, tray bottoms, inlay objects, etc.

  • -23%

    Maimeri Polycolor Body dense and pasty acrylic pastes with maximum resistance to light, extremely malleable and moldable.

  • -15%

    Sculpey Original paste, soft and easy to shape. It does not dry out when exposed to air which makes it perfect for working in pieces or sections. After baking it can be sanded, drilled, carved and painted. Perfect for activities with children.

  • -10%

    Acrylic resin to consolidate and protect objects, works of art, pieces of marble, stone, metal, etc. It is used as a touch-up varnish and adhesive in restoration tasks. Resistant, hardness, gloss and adhesion on the most varied supports.

  • -25%

    Schmincke Ready-To-Use Acrylic is a binder that mixed with pure pigment is used to make your own acrylic colors. Ready to use, but soluble in water if necessary. It does not yellow. Resists aging and water once dry.

  • -25%

    Schmincke Ready-To-Use Watercolor is a binder that mixed with pure pigment is used to make your own watercolor colors. Ready to use, but soluble in water if necessary. Soluble once dry. Contains gum arabic and ox gall.

  • -25%

    Schmincke Ready-To-Use gouache is a binder that mixed with pure pigment is used to make your own gouache colors. Ready to use, but soluble in water. Contains gum arabic, dextrin and ox gall. Soluble in water once dry.

  • -25%

    Schmincke Ready-To-Use Oil is a binder that, mixed with pure pigment, is used to make your own oil colors. Made with natural vegetable oils and additives. Valid for creating pale colors. Good drying of the final color.

  • -10%

    Regal Rez 1094 Gamblin varnish resin soluble in aliphatic solvents. Applied with a brush, it is used as a resin varnish specially designed for use over Gamblin conservation paint colors. Professional use for conservation.

  • -33%

    Titan modelling paste for use both as a primer to create textured and voluminous backgrounds and as a medium to create textures. Applicable on any porous support. Can be overpainted with oil or acrylic colours. Once dry it remains white, opaque.

  • -20%

    Titan gloss acrylic gel, acts as a medium for mixing acrylic colours, modifying their consistency, transparency, opacity, viscosity and gloss. Adhesive and binder power. Once dry it is transparent, waterproof, glossy and elastic.

  • -20%

    Titan matt acrylic gel which acts as a medium for mixing with acrylic colours, maintains their consistency and reduces gloss. High adhesive and binding power. Suitable for porous substrates. Once dry it is transparent, waterproof and elastic.

  • -20%

    Titan glossy acrylic dense gel that acts as a medium for mixing with acrylic colours, increasing their consistency and gloss. High adhesive and binding power. Suitable for porous substrates. Once dry, it is transparent, waterproof and elastic.

  • -20%

    Titan dense matt acrylic gel which acts as a medium for mixing acrylic colours, increasing their consistency and reducing their gloss. High adhesive and binding power. Suitable for porous substrates. Once dry it is transparent, waterproof and elastic.

  • -15%

    Liant Multi-Effects Lefranc & Bourgeois Acrylic Gel, can be used for gluing, hardening fabrics, sculpting and shaping, alone or mixed with acrylics. Once dry, it is highly flexible, waterproof and has a satin finish. It does not yellow.

  • -25%

    Pébéo Gédéo two-component epoxy resin: resin and hardener. Transparent and solid, it perfectly imitates glass paste. It can be molded on card, paper, glass, metal, wood, etc. and use as a varnish. Simple dosage and use.

  • -25%

    Pébéo Gédéo epoxy colored resin with two components: resin and hardener. Transparent, solid when drying, it perfectly imitates colored glass. Ideal for molding, making inclusions up to 2 cm thick, coatings or laminates.

  • -25%

    Pébéo Gédéo two-component transparent and solid epoxy resin: resin and hardener. Gives relief and shine to flat surfaces. Suitable for scrapbooking, photos, postcards, boxes, object recovery, magnifying glass effect on fabric, enamel effect

  • -25%

    Essential kit to start working with Pébéo Gédéo resin. Includes several bottles of colored resin, a bottle of crystal resin, hardener, dropper, measuring containers, popsicle sticks for mixing, gloves and instruction manual.

  • -25%

    Set with accessories to work properly with Pébéo's Gédéo resins, complementing the crystal and colored resin kits. Includes gloves, wooden spatulas, pipettes, wells for measurements and a protective mask.

  • -25%

    Flowable acrylic binder. Increases adhesion and makes acrylic colors translucent and more fluid. Pébéo Studio Acrylic medium Bindex Dyna is formulated with pigments that change color depending on the angle of incidence of light.

  • -25%

    Gel to mix with acrylic colors. Increases transparency, depth and drying time. It does not yellow and has a glossy, matte or phosphorescent finish (glow in the dark) after drying (depending on whether one or the other is applied).

  • -25%

    Acrylic paste for modeling and creating thick textures in 3 types of finishes: Modeling Paste Studio (to create reliefs), Modeling Paste high density (high degree of density) and Modeling Paste crackle effect (to create a cracked effect).

  • -25%

    Acrylic polymer and colored sand-based gel. It is ready for use. Apply preferably with a spatula. Textured sand appearance once dry. It can be diluted with water or with Bindex. Available in white, yellow, red and black colors.

  • -25%

    Glossy acrylic studio medium. This medium increases the effect and depth of the colors. After drying it remains transparent and with a glossy finish. It is ideal for the manufacture of enamels.

  • -10%

    Carborundum in different thicknesses.

  • -10%

    Thick, water-based paste that can be used on a multitude of surfaces. Great effect of volume, adherence, hardness and elasticity. Colors miscible with each other.

  • -10%

    Paste based on acrylic polymer emulsion with a matt opaque finish. It does not contain pigments which allows to maintain the tonality when mixed with water-based paints or pigments.

  • -10%

    Paste based on acrylic resin, titanium dioxide and mineral fillers, which allows to achieve textured, sandstone-like and porous surfaces. Once dry, it can be painted with any type of water-based or solvent-based paint.

  • -10%

    Dense paste based on acrylic resin, titanium dioxide and mineral fillers, which allows to achieve surfaces with volume of sandstone and porous texture. Once dry, it can be painted with any type of water-based or solvent-based paint.

  • -10%

    Quick-drying water-based product that can be used on a multitude of surfaces and also has anticorrosive power on metal surfaces. This paste has iron particles that give it a forged texture.

  • -10%

    Vinyl plastic base that is used as an adhesive, ideal for its transparent finish. It is used to glue a wide variety of materials such as paper, cardboard, wood, leather, felt, etc.

  • -15%

    Increases the gloss and transparency of acrylic while preserving its viscosity.

  • -15%

    Doughy medium. Increases the gloss, transparency and viscosity of acrylic.

  • -15%

    Doughy medium. Increases the transparency and viscosity of acrylic. Decrease shine.

  • -15%

    Very pasty medium. Increases the viscosity of the acrylic marking the brushstroke considerably.

  • -15%

    Very pasty medium. Increases the transparency and viscosity of acrylic. Decrease shine.

  • -15%

    Thickener medium. Adding just a small amount increases viscosity and brushstroke.

  • -15%

    Pasty primer with white pigmentation to create relief backgrounds.

  • -15%

    Binder for the own manufacture of acrylic. It is also suitable for gluing.

  • -10%

    Natural resin or rosin, its most common use is for the preparation of the glue that is added to the paper during its manufacture. It is used in engraving for the aquatint technique and as a varnish.

  • -10%

    It is considered one of the best pictorial varnish resins with good reversibility and low sensitivity to moisture.

  • -15%

    Available in fine or coarse texture.

  • -20%

    Alkyd based medium which increases fluidity and transparency and provides fast drying. General purpose low gloss medium.

  • -10%

    Alkyd-based medium with a semi-gloss finish for impasto that provides fresh textures and brushstrokes without visible layers. Extends the color of the tube and provides volume. DISCOUNT 10%

  • -10%

    Alkyd-based medium with a semi-matte finish for impasto that provides fresh textures and brushstrokes without visible layers. Extends the color of the tube and provides volume. DISCOUNT 10%

  • -15%

    Thick acrylic paste of natural mica, which dries to a texture of thick gray flakes with silver reflections.

  • -15%

    Medium viscosity acrylic paste, with a sand color and texture. Mixed with an Acrylic Gel, it spreads more easily and forms a very suitable surface for drawing with pastels.

  • -15%

    Thick, rough paste of natural stone and pigments, which is applied with a spatula for surface construction.

  • -10%

    White stone paste with a fine and smooth white texture. Once dry it can be carved, sanded and used as a putty on buildings or as a mortar and filler for joints between pieces. Especially suitable for reliefs and three-dimensional effects.

  • -15%

    Vallejo flexible paste to use as a primer or medium, to create textured backgrounds, structures, volume, etc. Marble powder and titanium white. Dries it remains white, opaque and can be painted with oil or acrylic. Applicable on any porous support.

  • -25%

    High viscosity acrylic medium. Composed of acrylic resin and thickener. It is not pigmented despite its milky white color, when drying it is transparent, shiny and flexible.

  • -15%

    Very high viscosity acrylic paste made of natural pumice and titanium white.

  • -15%

    A dense mortar used primarily for textures. Ideal for murals. It can be mixed with acrylic or other auxiliary colors.

  • -10%

    Clear, water-based, high-density acrylic medium gel to obtain water and ice textures.

  • -10%

    Clear, water-based, high-density acrylic medium gel to obtain water and ice textures. Atlantic blue tone DISCOUNT 10%

  • -10%

    Transparent, water-based, high-density acrylic medium gel to obtain water and ice textures. Mediterranean blue tone DISCOUNT 10%

  • -10%

    Clear, water-based, high-density acrylic medium gel to obtain water and ice textures. Pacific blue tone DISCOUNT 10%

  • -10%

    Spreading and self-leveling liquid. Dries as a hard, transparent film. Ideal for simulating puddles, ponds ... DISCOUNT 10%

  • -10%
  • -20%

    Fluid gloss medium perfect for achieving delicate details. Ideal for areas with smooth color blends without brush marks. Current alternative to copal mediums. Fast dry. DISCOUNT 20%

  • -15%

    Odorless solvent. Get a viscous mixture that evaporates slowly. It does not deteriorate over time, even in storage. Ideal for artists who prefer to avoid turpentine.

  • -10%

    Ideal for primers and manufacture of medium / medium-high quality paints.

  • -20%
  • -20%

    Lightweight and flexible modeling paste so it won't shrink or crack. Thickens color consistency, adds body and structure, and accentuates texture, brush and palette knife marks. Increase the opacity of the color.

  • -15%

    Super thick, matt and opaque preparation of marble dust and polymeric emulsion used to create thick textures on rigid surfaces. This product handles like clay and leaves a very hard surface when dry.

  • -15%

    Light and airy preparation of marble dust and polymeric emulsion specifically formulated for use in applications where weight is a factor. It can be used to add body to paint and create pastel tints.

  • -15%

    Matte and opaque preparation of marble dust and polymeric emulsion. It takes longer to dry than other modeling pastes and produces a hard, yet flexible surface.

  • -15%

    Thick, fine-textured gel. It dries to a light gray matte stucco finish and is a great absorbent base for washes, glazes ...

  • -15%

    Fine texture gel that when drying gives the appearance of shimmering fine beach sand. Mix it with other gels to create individualized surfaces. It is an excellent choice for adding a bit of "roughness" to a base pattern.

  • -15%

    Medium-body gel containing clear plastic microspheres and leaves a semi-gloss, reflective surface when dry. When poured, forms a flexible, shiny coating for a wide range of applications.

  • -15%

    Heavy, thick, rough gel with coarse grains, containing white opaque flakes of irregular sizes and shapes, has an effect similar to snowflakes or coconut chips. Use preferably with translucent or transparent colors.

  • -15%

    Increases the transparency and decreases the gloss of acrylic while preserving its viscosity.

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