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RESINS & TEXTURES

Sight
  • -15%

    Natural resin for hardening beeswax and raising its melting temperature. Damar allows the wax to be polished to a higher, translucent surface and helps to prevent bloom.

  • -20%

    Binder for water colours. Suitable for generic powder, stone, ceramic and pearlescent pigments. Transparent. No cracking after drying.

  • -25%

    Complete set with all the necessary materials to discover the moulding technique. Contains: 4 ready-to-use 59 ml acrylic colours (white, blue, turquoise and gold), 1 50 ml bottle of silicone oil and 1 covered painting board 20 x 20 cm.

  • -25%

    Vallejo range of water-based products to reproduce the effects of weathering and nature on models and dioramas. These include spray and environmental effects as well as industrial effects and effects of coarse sand.

  • -25%

    Vallejo medium for the desert sand effect on model kits. Medium texture, light brown colour. Water-based formulation. Non-flammable. Solvent-free.

  • -25%

    Vallejo Diorama Effects Medium for dark earth effects. Medium texture, light brown colour. Water-based formulation. Non-flammable. Solvent-free.

  • -25%

    Vallejo Diorama Effects for creating brown earth effects. Texture with a typical brown tone like clay. Thick and dense consistency to reproduce earth textures. Formulated with a water base. Non-flammable.

  • -25%

    Vallejo Diorama Effects for creating brown earth effects. Texture with a typical brown tone like clay. Thick and dense consistency to reproduce earth textures. Formulated with a water base. Non-flammable.

  • -25%

    Vallejo model making medium for the effect of dense, Russian clay. Particularly dark colour tone with traces of vegetation. Formulated on a water base. Non-flammable.

  • -25%

    Vallejo Industrial Thick Mud Medium for models and miniatures. Grey coloured clay to add realism to industrial or urban environments. Water based. Solvent free. Non-flammable.

  • -25%

    Medium with a light brown mud effect for models and miniatures. The clay resembles the mud that forms on alkaline soils in dry, desert-like or Mediterranean environments. Water-based medium. Solvent-free. Non-flammable.

  • -25%

    Diorama Effects Medium for achieving the effect of dense, wet, brown mud in miniatures and model making. Water-based. Quick drying. Non-flammable. Solvent-free.

  • -25%

    Medium for creating the effect of black clay in miniatures and models. Water-based composition. Quick drying. Non-flammable. Contains no solvents.

  • -25%

    Water-based snow effect. For models or figures to create a snowy landscape and environment. Non-flammable and solvent-free.

  • -20%

    Bindex binder for the preparation of acrylic colours, transfers, collages and inlays. Gives the colour more depth. Translucent and satin finish.

  • -15%

    Formulated with marble dust and titanium white. Matt and opaque paste to create volume and structure. Creates flexible textures. Can be mixed with mediums and acrylic colours or used as a primer.

  • -15%

    Light modelling clay consisting of microspheres and titanium white. Matt and opaque. For creating volume and structure. Can be mixed with mediums and acrylic colours to create a flexible texture or used as a primer.

  • -15%

    Liquitex glass acrylic medium. Transforms acrylic colours into durable glass paint. Adheres to smooth, non-porous surfaces such as glass, ceramics or porcelain. When heated, it creates a permanently glossy surface.

  • -30%
    Outlet

    Starter set with 6 types of Liquitex professional media in 100 ml format. Contains: Slow Dri Blending Medium, Pouring Medium, High Gloss Varnish, Matt Extra Thick Gel Medium, Transparent Acrylic Primer and Flexible Modelling Compound.

  • -30%
    Outlet

    Liquitex set with 4 media in 59 ml format. Contains: ultra matt, matt, glazing and slow dry medium for acrylic colours. They can be used to reduce the viscosity, increase the thickness, delay drying or adjust the gloss.

  • -25%

    Smoothing, liquid medium with a matt finish. Flexible after drying. Resistant to light and cracking. Does not yellow. Developed for acrylic colours.

  • -25%

    Liquitex gel medium for acrylic colours. Satiny surface. Increases the thickness of the paint and helps to spread the colour on the surface. Flexible and waterproof after drying.

  • -25%

    Liquitex medium for acrylic colours. Increases the fluidity of the paint and the transparency of the colours. Gives a satin finish. Flexible and waterproof after drying.

  • -25%

    Smoothing, liquid medium for an iridescent finish or to add reflections to the surface. Lightfast. Does not yellow. The medium is flexible and water-resistant after drying. Does not crack.

  • -20%

    Cleopatre Glass Lack two-component epoxy resin to imitate a glass coating up to 4 mm thick. The result is glossy and very resistant. For enamelling photos and objects, for finishing, making jewellery, etc.

  • -20%

    Cleopatre Glass Flex is a two-component epoxy resin for mixing that produces a lightly coloured, flexible glass imitation coating with a thickness of up to 2 mm. Ideal for the manufacture of jewellery, decorative objects, etc.

  • -20%

    Liquid silicone for forming cells and cavities in acrylic paint. Perfect for moulding and resin art. Drip cap for easy application without a brush. Just a few drops are enough to achieve amazing effects.

  • -20%

    Crystal Diamond Cleopatre is a two-component epoxy resin that produces a solid and transparent material like glass with a lustre effect like crystal. For the production of jewellery with moulds, shell bases, inlays, etc.

  • -25%

    Maimeri Polycolor Body dense and pasty acrylic pastes with maximum lightfastness. Extremely malleable and modellable.

  • -15%

    Original Sculpey Paste, soft and easy to model. Does not dry in the air, is odourless and non-toxic. Hardens after baking in any domestic oven and can be easily sanded, drilled, carved and painted over after hardening. Perfect for children.

  • -10%

    Acrylic resin for consolidating and protecting objects, works of art, marble, stone, metal, etc. Used as a touch-up varnish and adhesive for restoration work. Resistant, hard, glossy and adheres to a wide range of substrates.

  • -25%

    Schmincke ready-to-use acrylic binder that is mixed with pure pigments to make your own acrylic colours. Ready-to-use, but water-soluble if required. Non-yellowing. Resistant to ageing and water as soon as it is dry.

  • -25%

    Schmincke ready-to-use watercolour binder that is mixed with pure pigments to make your own watercolours. Ready-to-use, but water-soluble if required. Soluble after drying. Contains gum arabic and ox gall.

  • -25%

    Schmincke ready-to-use gouache binder, which is mixed with pure pigments to make your own gouache colours. Ready-to-use, but water-soluble. Contains gum arabic, dextrin and ox gall. Water soluble after drying.

  • -25%

    Schmincke ready-to-use oil binder that is mixed with pure pigments to make your own oil colours. Made from natural vegetable oils and additives. Suitable for making light colours. Good drying of the final colour.

  • -10%

    Gamblin Regal Rez 1094 lacquer resin that can be dissolved in aliphatic solvents. It is applied with a brush. Specially developed for use on Gamblin Conservation Colours. Professional use for conservation.

  • -33%

    Titan modelling clay that can be used as a primer, for creating voluminous backgrounds and as a texturing medium. For all porous surfaces. Can be painted over with oil or acrylic colours. Remains white and opaque after drying.

  • -20%

    Titan glossy acrylic gel, serves as a medium for mixing acrylic colours and changes their consistency, transparency, opacity, viscosity and gloss. High adhesion and binding power. After drying, it is transparent, waterproof, glossy and elastic

  • -20%

    Titan matt acrylic gel that serves as a medium for mixing with acrylic colours, maintains their consistency and reduces gloss. High adhesion and binding power. Suitable for porous surfaces. Once dry, it is transparent, waterproof and elastic.

  • -20%

    Thick, glossy Titan acrylic gel that serves as a medium for mixing with acrylic colours and increases their consistency and gloss. High adhesive and binding power. Suitable for porous surfaces. When dry, it is transparent, waterproof and elastic.

  • -20%

    Thick, matt Titan acrylic gel that serves as a medium for mixing with acrylic colours, increasing their consistency and reducing their gloss. High adhesion and binding power. For porous surfaces. Once dry, it is transparent, waterproof and elastic.

  • -15%

    Multi-effect binder gel for gluing, hardening fabrics, modelling and shaping. Can be used alone or mixed with acrylic colours. Once dry, it is highly flexible, waterproof and has a satin finish. Does not yellow.

  • -25%

    Pebeo Gedeo two-component epoxy resin: Resin and hardener. It is transparent and solid and perfectly imitates glass paste. It can be poured onto cardboard, paper, glass, metal, wood, etc. and used as a varnish. Easy dosing and application.

  • -25%

    Pebeo Gedeo Coloured two-component epoxy resin: Resin and hardener. Transparent, solid after drying. Perfectly imitates coloured glass. Ideal for moulding, for inclusions up to 2 cm thick, coatings or layers.

  • -25%

    Pebeo Gedeo is a transparent two-component epoxy resin: Resin and hardener. Adds relief and lustre to flat surfaces. Suitable for scrapbooking, photos, postcards, boxes, object restoration, magnifying glass effect on fabric, enamel effect.

  • -25%

    Indispensable set for working with Pebeo Gedeo resin. Contains several bottles of coloured resin, a bottle of glass resin, hardener, pipette, measuring cup, mixing sticks, gloves and instructions.

  • -25%

    Set of accessories to work properly with Pebeo Gedeo resins, complementary to the glass and coloured resin sets. Contains: Gloves, wooden spatulas, pipettes, measuring beakers and a protective mask.

  • -25%

    Flowable acrylic binder. Increases adhesion and makes acrylic colours translucent and more fluid. Pebeo Studio Acrylic Medium Bindex Dyna is formulated with pigments that change colour depending on the angle of incidence of light.

  • -25%

    Gel for mixing with acrylic colours. Increases transparency, depth and drying time. Does not yellow and has a glossy, matt or glow-in-the-dark finish after drying (depending on whether you apply one or the other).

  • -25%

    Acrylic paste for modelling and creating thick textures in 3 different versions: Modeling Paste Studio (for reliefs), Modeling Paste High Density and Modeling Paste Crackle Effect (for crackle effects).

  • -25%

    Acrylic polymer and gel based on coloured sand. Ready for use. Preferably apply with a painting knife. After drying, it looks like textured sand. Dilutable with water or Bindex. Available in white, yellow, red and black.

  • -25%

    Studio acrylic medium glossy. This medium enhances the effect and depth of the colours. After drying, it remains transparent and has a glossy finish. It is ideal for creating glazes.

  • -10%

    Carborundum in various thicknesses.

  • -20%
    Outlet

    Viscous water-based paste for use on a variety of surfaces. High volume effect, adhesion, hardness and elasticity. The colours can be mixed with each other.

  • -10%

    Paste based on acrylic polymer emulsion with a matt opaque finish. It does not contain pigments, which means that it retains its colour when mixed with water-based paints or pigments.

  • -10%

    Paste based on acrylic resin, titanium dioxide and mineral fillers. Allows to obtain surfaces with a sandy and porous texture. Once dry, it can be painted with any type of water-based or solvent-based paint.

  • -10%

    Dense paste made of acrylic resin, titanium dioxide and mineral fillers. Allows to obtain surfaces with a sandy and porous texture. Once dry, it can be painted with any type of water-based or solvent-based paint.

  • -10%

    Vinyl plastic base for use as an adhesive, ideal for its transparent surface. It is used for bonding a variety of materials such as paper, cardboard, wood, leather, felt, etc.

  • -15%

    Increases the gloss and transparency of the acrylic paint while maintaining its viscosity.

  • -15%

    Pasty medium. Increases the gloss, transparency and viscosity of the acrylic paint.

  • -15%

    Pasty medium. Increases the transparency and viscosity of the acrylic paint. Reduces the gloss.

  • -15%

    Very pasty medium. Increases the viscosity of the acrylic paint, making the brushstroke more pronounced.

  • -15%

    Very pasty medium. Increases the transparency and viscosity of the acrylic paint. Reduces the gloss.

  • -15%

    Thickening medium. By adding just a small amount, it increases the viscosity and the brush stroke.

  • -15%

    White pigmented pasty primer for relief primers.

  • -15%

    Binder for the in-house production of acrylic. Also suitable for gluing.

  • -10%

    Natural resin or rosin. Its most common use is in the preparation of the glue that is added to the paper during production. It is used in engraving for the aquatint technique and as a varnish.

  • -10%

    It is considered one of the best resins for picture varnishes with good reversibility and low sensitivity to moisture.

  • -15%

    Marble powder for the visual arts. Used to create textures and reliefs in oil or acrylic paints. Increases the carrying capacity when mixed with a dense acrylic gel.

  • -20%

    Alkyd-based medium that increases flowability and transparency and enables fast drying. General purpose medium with low gloss.

  • -10%

    Semi-glossy alkyd-based impasto medium for fresh textures and brushstrokes. Stretches colours and gives volume.

  • -10%

    Semi-matt alkyd-based impasto medium for fresh textures and brush strokes. Stretches colours and gives volume.

  • -15%

    Medium viscosity acrylic paste with a sandy texture and colour. Mixed with an acrylic gel, it is easier to spread and forms a surface that is well suited to drawing with pastel crayons.

  • -15%

    A thick, rough natural stone and pigment paste that is applied with a trowel for surface constructions.

  • -10%

    White modelling clay with a fine, smooth texture. Once dry, it can be carved, sanded and used as a levelling compound on buildings or as mortar and filling material for joints between pieces. Ideal for reliefs and 3D effects.

  • -15%

    Flexible paste by Vallejo for use as a primer or medium to create textured backgrounds etc. Marble powder and titanium white. Dries white and opaque. Can be painted with oil or acrylic colours. Can be used on any porous surface.

  • -25%

    Highly viscous acrylic medium. Consists of acrylic resin and thickener. Despite its milky white colour, it is unpigmented, transparent, glossy and flexible when dry.

  • -15%

    High-viscosity acrylic paste made from natural pumice and titanium white.

  • -15%

    A dense mortar that is mainly used for textures. Ideal for murals. Can be mixed with acrylic colours or other auxiliary products.

  • -10%

    High-density, transparent, gel-like, water-based acrylic medium for water and ice textures.

  • -10%

    High-density, transparent, gel-like, water-based acrylic medium for water and ice textures. In Atlantic blue.

  • -10%

    High-density, transparent, gel-like, water-based acrylic medium for water and ice textures. In Mediterranean blue.

  • -10%

    High-density, transparent, gel-like, water-based acrylic medium for water and ice textures. In pacific blue.

  • -10%

    Spreadable and self-levelling liquid. Dries as a hard, transparent film. Ideal for simulating puddles, ponds, etc.

  • -10%

    Vallejo Foam and Snow, a very dense and opaque white paste for creating wave crests, swirls, foam traces or snow effects. Perfect for white water effects. Fast drying with a durable finish.

  • -20%

    Liquid gloss medium, perfect for fine details. Ideal for surfaces with soft colour gradients without brush marks. Modern alternative to Copal tree resin. Fast drying.

  • -15%

    Odourless solvent. Forms a viscous mixture that evaporates slowly. Does not decompose over time, even during storage. Ideal for artists who prefer to avoid turpentine.

  • -10%

    Calcium carbonate, also known as calcium carbonate or lime. Suitable for the production of primers and paints.

  • -20%
  • -20%

    Light and flexible modelling clay that does not shrink or crack. Thickens the consistency of the colour, gives it body and structure and emphasises texture, brush and spatula marks. Increases the opacity of the colour.

  • -15%

    Super-thick, matt, opaque preparation of marble powder and polymer emulsion for creating thick textures on rigid surfaces. This product can be worked like clay and leaves a very hard surface after drying.

  • -15%

    A light, airy preparation of marble powder and polymer emulsion specially formulated for applications where weight is an issue. It can be used to add body to colour and create pastel shades.

  • -15%

    Matt, opaque preparation made from marble powder and polymer emulsion. It takes longer to dry than other modelling clays and produces a hard but flexible surface.

  • -15%

    Thick, finely textured gel. It dries to a light grey, matt stucco finish and is an excellent absorbent base for gouaches, glazes etc.

  • -15%

    Finely textured gel that looks like fine, shiny beach sand when dry. Mix it with other gels to create unique surfaces. An excellent choice to add a little roughness to a basic painting.

  • -15%

    Medium consistency gel with transparent plastic microspheres for a texture reminiscent of small bubbles. When poured, it forms a glossy, flexible coating for a variety of applications.

  • -15%

    Heavy, thick, rough, coarse-grained gel containing opaque white flakes of irregular size and shape. For an effect like snowflakes or coconut flakes. Preferably use with translucent or transparent colours.

  • -15%

    Increases the transparency and reduces the gloss of the acrylic paint while maintaining its viscosity.

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